Chrysanthemum loves her name, until she starts going to school and the other children make fun of it.

One of the earliest great stories of English literature after ?Beowulf?, ?Sir Gawain? is the strange tale of a green knight on a green horse, who rudely interrupts King Arthur's Round Table festivities one Yuletide, challenging the knights to a wager. Simon Armitrage, one of Britain's leading poets, has produced an inventive and groundbreaking translation that " helps] liberate ?Gawain ?from academia" (?Sunday Telegraph?).

Essay from the year 2007 in the subject English Language and Literature Studies - Literature, grade: none, , language: English, abstract: One of the main themes of the romantic mystical poem “Sir Gawain and the Green Knight” is to show the rise of one of King Arthur’s knights, Sir Gawain, from his status as just one of many noble Knights of the Round Table to that of a legendary figure. The unknown author, who is believed to be the contemporary of Chaucer, skilfully develops this idea by putting Sir Gawain through a series of events and adventures designed to test his courage and devotion to the knightly code of chivalry. During the course of these he demonstrates his loyalty to the King and Queen, and the other chivalric qualities of a knight such as his courage, honesty and courtesy. In circumstances where he experiences strong temptation his human weaknesses are exposed and his behaviour does fall short of the standards demanded by strict adherence to the code of chivalry. However, his failures are fairly minor and only serve to make him appear more of a human character rather than a mystical one.

This edition of one of the classic Middle English romances gives the original text side by side with a sensitive modern translation.

As one of the most important, influential and capacious genres of the middle ages, the romance was exploited for a variety of social and cultural reasons: to celebrate and justify war and conflict, chivalric ideologies, and national, local and regional identities; to rationalize contemporary power structures, and identify the present with the legendary past; to align individual desires and aspirations with social virtues. But the romance in turn exploited available figures of value, appropriating the tropes and strategies of religious and historical writing, and cannibalizing and recreating its own materials for heightened ideological effect. The essays in this volume consider individual romances, groups of writings and the genre more widely, elucidating a variety of exploitative manoeuvres in terms of text, context, and intertext. Contributors: Neil Cartlidge, Ivana Djordjevic, Judith Weiss, Melissa Furrow, Rosalind Field, Diane Vincent, Corinne Saunders, Arlyn Diamond, Anna Caughey, Laura Ashe