This book defies the reigning dismissal of the philosophy of nature by turning to what Aristotle, Kant, and Hegel have had to say about nature and critically thinking through their arguments to reconstruct a comprehensive account of the universe. Aided by the contributions of more recent thinkers, such as Albert Einstein, Werner Heisenberg, Michael B. Foster, and Hans Jonas, Conceiving Nature shows how the mechanics of matter in motion, the physics of electromagnetism, and chemical process provide all that is needed for life to emerge and give rise to rational animals capable of knowing nature in truth. The work contains detailed discussions of much of Aristotle’s writing on nature, of Kant’s Metaphysical Foundations of Natural Science, and of Hegel’s Philosophy of Nature.

Here is a universal biology that draws upon the contributions of Aristotle, Kant, and Hegel to unravel the mystery of life and conceive what is essential to living things anywhere they may arise. The book develops a philosopher’s guide to life in the universe, conceiving how nature becomes a biosphere in which life can emerge, what are the basic life processes common to any organism, how evolution can give rise to the different possible forms of life, and what distinguishes the essential life forms from one another.

This interdisciplinary book develops a dialectical narrative about the beginning of the universe by combining Hegel’s philosophy with texts about the Big Bang theory. Scientific accounts of the Big Bang indicate that the first second of existence was an eventful period in which the universe progressed through six different epochs. Bringing together cosmological narratives and Hegel’s writings (particularly The Science of Logic), Gregory Phipps reads this movement as a dialectical progression, a sequence of transitions among interlinked concepts like being and nothing, finitude and infinitude, and space and time. He also draws upon Hegel’s concept of absolutes to outline a model of the multiverse. In doing so, Phipps brings Hegel’s philosophy into dialogue with contemporary science, arguing that Hegelian readings of the first second offer speculative snapshots of a hypothetical multiverse that contains the full (and probably infinite) scope of existence. For scholars and enthusiasts alike, Dialectics of the Big Bang and the Absolute Existence of the Multiverse is a thought-provoking exploration of the crosscurrents between philosophy, science, and narrative, inviting readers to contemplate the profound mysteries of the cosmos.

In this book, Richard Dien Winfield builds upon Hegel’s Aesthetics to provide a comprehensive and systematic analysis of the individual fine arts, which remedies Hegel's inconsistencies and major omissions. In addition to conceiving the general aesthetics and particular stylistic forms of architecture, sculpture, painting, music, and literature, Winfield determines the fundamental character of the new arts of photography and cinema that the master thinkers of aesthetics never had the opportunity to consider. Winfield’s analysis covers a wide-ranging array of artistic creations from diverse periods and cultures, while engaging in debate with the most important aesthetic theorists of the past and present.

In Animal Choice and Human Freedom: On the Genealogy of Self-Determined Action, Michael Yudanin argues that describing freedom conceptually is impossible without explaining how it can exist in the world. Yudanin develops an account of freedom’s instantiation in biological agents and provides several prerequisites that are necessary for its exercise. He demonstrates that freedom is linked to the form of life and distinguishes between choice in non-verbal animals and human freedom, where the latter is enabled by the development of language and thus possesses a distinct character. Following this descriptive account, Yudanin explores freedom’s evolutionary history, explaining how it developed in the course of the evolution of species.

This 2007 book examines the possibilities for the rehabilitation of Hegelian thought within analytic philosophy. From its inception, the analytic tradition has in general accepted Bertrand Russell's hostile dismissal of the idealists, based on the claim that their metaphysical views were irretrievably corrupted by the faulty logic that informed them. These assumptions are challenged by the work of such analytic philosophers as John McDowell and Robert Brandom, who, while contributing to core areas of the analytic movement, nevertheless have found in Hegel sophisticated ideas that are able to address problems which still haunt the analytic tradition after a hundred years. Paul Redding traces the consequences of the displacement of the logic presupposed by Kant and Hegel by modern post-Fregean logic, and examines the developments within twentieth-century analytic philosophy which have made possible an analytic re-engagement with a previously dismissed philosophical tradition.

This engaging collection of essays locates the debate between theism and naturalism in the broader context of reflection on imagination and aesthetics. The eleven original essays will be of interest to anyone who is fascinated by the power of imagination and the role of aesthetics in deciding between worldviews or philosophies of nature.