What is it that permits us to see others as 'evil'? This book argues that it's our epistemological framework, which also resituates our own moral compass and reframes our moral world such that we can justify performing violent deeds, which we would readily demonize in others, as the heroics of eradicating evil. When conflict is understood positively as the confrontation of differences, an unavoidable and indeed desirable consequence of the rich tapestry of earthly life, then a discussion can open as to how to navigate the countless confrontations of difference in the most skillful way. Through this lens, violence comes into view as the least skillful means of responding to, and working with, difference, since violence tends to 'rebound' and leaves both victims and perpetrators worse off—shameful and vengeful. Philosopher Wendy C. Hamblet argues that the radically polarized and oversimplified worldview that sorts the phenomena of the world into 'good guys' and 'evil others' is a framework as old as human community itself, and one that undermines people's own moral infrastructure, permitting them to take up the very acts that they would readily demonize as 'evil' in others. One's own violent responses to the human condition come to be reframed from unskillful and undesirable actions to valiant heroic reactions. In short, those who see 'evil' in others are far more likely to do 'evil,' resorting to the least skillful means for navigating difference—violence. In theory, violence is demonized as 'evil' in popular and criminological discourse and calls forth 'rebounding' like responses in the form of acts of vengeance in individuals and punitive responses in state institutions. However, punishment is itself defined as an 'evil' inflicted by a legitimate authority upon a wrongdoer in compensation for a wrong done. This leads to the conundrum that the state, as much as the vigilante, must necessarily undermine its own legitimacy by taking up the very acts that it deems as evil in its enemies and punishes in its deviant citizens. By reframing conflict positively, Hamblet introduces a new way of thinking about difference that allows the reader to appreciate (rather than tolerate) difference as a desirable feature of a multicultural, multi-religioned, multi-gendered world. This resituates the discussion of conflict such that conflict response styles can be viewed as more and less skillful means of navigating impasses in a world of differences.

The first collection of short stories released by Thomas Porky McDonald, Paradise Oval spans the worlds of baseball, mass transit and a number of other venues that the otherwise rambling poet has drifted through. Brought to life in three distinct sections, the characters that roam through the pages of McDonald's sometimes longing narratives seem connected only in their divergent quests for faith and loyalties. In "A Subtle Reunion", a young man faces up pensively with his whispering past, while tales like "Always Identities", "Equidistant" and "Paradise Oval" each trek the terrain of where one might have been and how that might shape where we choose to go in the future. In addition, the caustic sportscaster Chauncey McGee and the genuine observer Riley O'Reilly are memorable characters that McDonald summonses to give you pause for thought, while also bringing a grin to the face or a sigh to the heart. On each occasion, different aspects of baseball and/or the ballpark are cited to stress a point. A half dozen tales explore some of the intricacies of a large metropolitan transit system, drawn from almost two decades of experience in that most public sector. Internal stories, such as "When We Musketeered", "Tales of Odie" and "Three Months in a Blender" are nonetheless balanced with the roads that we all might encounter, beyond the workplace. "A Moment in Malverne", set in the smallest of towns, questions the meanings of life and death, and the fact-based "Two Words of Christmas " gives a positive spin on relations among all men and women. A collage of life tales closes the volume, with such diverse characters as the mysterious former high school buddy Mo Oh and the sly and calculating thief Frankie Jingo leading the way. Along the way, "A Stop Far Away" and "A Seat of Honor" recall McDonald's childhood vibrantly. The manic "Beyond the Forbidden Zone" offers up a most amusing take on the world just around the one that defined the writer's New York City upbringing. Throughout, Paradise Oval takes the reader to places they may not have been, but may well choose to return to again and again.

Experience the Old Testament as Never Before Take a journey to discover all God has planned since before the foundation of the earth. You’ll never grow tired of studying Scripture with this innovative and immersive Bible study experience. Through compelling instruction and motivational devotions, it reveals God’s redemptive plan from the beginning of creation. Explore… timeline icons to help you track God’s plan through the Old Testament key questions at the beginning of each section to guide your focus opportunities for creative expression, including full-page graphics and bookmarks to color sidebars that offer fascinating historical insights practical application questions to guide and deepen your walk with Christ online opportunities for connection and interactive community As you discover new ways to engage with God’s Word through this in-depth approach to studying Scripture, you will gain wisdom and understanding about his incredible, unchanging love for you. Designed to be used for group study or for individual reflection. To find out more about the complete series, explore many creative resources, and connect with the authors and other readers, visit DiscoveringTheBibleSeries.com.