"St Paul's cathedral stands like a cornered beast on Ludgate hill, taking deep breaths above the smoke. The fire has made terrifying progress in the night and is closing in on the ancient monument from three directions. Built of massive stones, the cathedral is held to be invincible, but suddenly Pegge sees what the flames covet: the two hundred and fifty feet of scaffolding erected around the broken tower. Once the flames have a foothold on the wooden scaffolds, they can jump to the lead roof, and once the timbers burn and the vaulting cracks, the cathedral will be toppled by its own mass, a royal bear brought down by common dogs." (p.9) It is the Great Fire of 1666. The imposing edifice of St. Paul's Cathedral, a landmark of London since the twelfth century, is being reduced to rubble by the flames that engulf the City. In the holocaust, Pegge and a small group of men struggle to save the effigy of her father, John Donne, famous love poet and the great Dean of St. Paul's. Making their way through the heat and confusion of the streets, they arrive at Paul's wharf. Pegge's husband, William Bowles, anxiously scans the wretched scene, suddenly realizing why Pegge has asked him to meet her at this desperate spot. The story behind this dramatic rescue begins forty years before the fire. Pegge Donne is still a rebellious girl, already too clever for a world that values learning only in men, when her father begins arranging marriages for his five daughters, including Pegge. Pegge, however, is desperate to taste the all-consuming desire that led to her parents' clandestine marriage, notorious throughout England for shattering social convention and for inspiring some of the most erotic and profound poetry ever written. She sets out to win the love of Izaak Walton, a man infatuated with her older sister. Stung by Walton's rejection and jealous of her physically mature sisters, the boyish Pegge becomes convinced that it is her own father who knows the secret of love. She collects his poems, hoping to piece together her parents' history, searching for some connection to the mother she barely knew. Intertwined with Pegge's compelling voice are those of Ann More and John Donne, telling us of the courtship that inspired some of the world's greatest poetry of love and physical longing. Donne's seduction leads Ann to abandon social convention, risk her father's certain wrath, and elope with Donne. It is the undoing of his career and the two are left to struggle in a marriage that leads to her death in her twelfth childbirth at age thirty-three. In Donne's final days, Pegge tries, in ways that push the boundaries of daughterly behaviour, to discover the key to unlock her own sexuality. After his death, Pegge still struggles to free herself from an obsession that threatens to drive her beyond the bounds of reason. Even after she marries, she cannot suppress her independence or her desire to experience extraordinary love. Conceit brings to life the teeming, bawdy streets of London, the intrigue-ridden court, and the lushness of the seventeenth-century English countryside. It is a story of many kinds of love — erotic, familial, unrequited, and obsessive — and the unpredictable workings of the human heart. With characters plucked from the pages of history, Mary Novik's debut novel is an elegant, fully-imagined story of lives you will find hard to leave behind.

Renowned scholar-monk writes accessibly on some of the most contentious topics in Buddhism—guaranteed to ruffle some feathers. Armed with his rigorous examination of the canonical records, respected scholar-monk Bhikkhu Analayo explores—and sharply criticizes—four examples of what he terms “superiority conceit” in Buddhism: the androcentric tendency to prevent women from occupying leadership roles, be these as fully ordained monastics or as advanced bodhisattvas the Mahayana notion that those who don’t aspire to become bodhisattvas are inferior practitioners the Theravada belief that theirs is the most original expression of the Buddha’s teaching the Secular Buddhist claim to understand the teachings of the Buddha more accurately than traditionally practicing Buddhists Ven. Analayo challenges the scriptural basis for these conceits and points out that adhering to such notions of superiority is not, after all, conducive to practice. “It is by diminishing ego, letting go of arrogance, and abandoning conceit that one becomes a better Buddhist,” he reminds us, “no matter what tradition one may follow.” Thoroughly researched, Superiority Conceit in Buddhist Traditions provides an accessible approach to these conceits as academic subjects. Readers will find it not only challenges their own intellectual understandings but also improves their personal practice.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Conceit of Humanitarian Intervention rejects, on political, legal, ethical, and strategic grounds, the widespread claim that military force can be used effectively-and on the basis of a universal consensus-to stop mass atrocities. As such, it is an against-the-current treatment of an important practice in world politics.

Soon-to-be new parents Kiera and her husband, Sebastian Gage, have been hoping for a respite from their inquiries, but murder and mayhem have a startling way of dropping into their laps in the all-new historical mystery in this national bestselling series. Edinburgh, Scotland. March 1832. Kiera and Gage have been eagerly awaiting their bundle of joy but trouble has been brewing in the form of the roguish criminal Bonnie Brock Kincaid. A new book and subsequent play features some of Kincaid's daringly heinous exploits, although he swears he had nothing to do with it or the characters which are obvious representations of Kiera and Gage. While the scoundrel's fury seems genuine, as well as his determined quest to uncover the real identity of the author, the Gages still hold doubts about his innocence. A rash of crimes break out across the city, seemingly inspired by the play and book. When the publisher is found brutally murdered--in an imitation of a gruesome scene--the finger not only points to Bonnie Brock as the possible culprit, but also the Gages, who have been outspoken in their condemnation of the tale. Now, the Gages are on a hunt to unmask the killer. Between the infamy garnered by the play, the cholera outbreak still wreaking havoc throughout the city, and the impending birth of their child, they will need all the resources they can garner. But family quarrels and the revelation of a secret Kiera has been keeping from Sebastian threaten to undermine everything they have overcome. When they find themselves in the crosshairs of the killer, trapped in the squalid underground vaults of the city, they will soon discover that the truth does not always set you free, and death can lurk around any corner.

Ariel I would like to say we were old lovers. That once upon a time he was my everything, and I was his, but that would be a lie. He may have been mine, but I wasn’t his. I was his sister’s annoying little friend who he didn’t even know was in love with him. Years later, after seeing him again for the first time, nothing has changed. Except now he notices me, and I will do everything in my power to avoid him. Because Falcon is the most conceited man on this planet, and because when he looks at me with steel eyes, my heart still misses a beat. Falcon I get what I want, and I’m never denied anything either. It’s my charm. It’s hard to say no to something you never knew you desired until I’m standing in front of you. That’s not just who I am, it’s what I do. I help men achieve everything they have ever wanted. Most people would go to great lengths to be near me. Yet, my sweet Ariel, I can’t even get her to stay in the same room as me. Maybe it’s because I told her I would be the best lay of her life—that has to be it—and once I’m finished with her, she’s avoiding being disappointed by every other man for the rest of her life. It couldn’t possibly be anything else, because let’s face it, I’m perfect. *Can be read as a Standalone*

A CIA chief dies under suspicious circumstances before he is about to testify about a controversial government cover-up involving a terrorist attack on the US mission in Chechnya. Butch Karp is on the case in this exciting installment to Robert K. Tanenbaum’s bestselling series. When the CIA director is murdered, Butch Karp finds himself battling a heavyweight opponent: the US government. The national presidential election campaign’s foreign policy mantra has been that the terrorists are on the run and Bin Laden is dead. There are rumors that the CIA chief was going to deviate from the administration version of events, and that the government may have had something to do with his death. Can Karp expose the cover-up and find the Chechnyan separatists who aided the Americans at the mission and who have firsthand knowledge of the terrorist attack? Karp must also find his missing daughter, who has been taken hostage by the terrorists. After the New York grand jury indicts the national presidential campaign chairman and the NSA spymaster for the murder of the CIA chief, Karp engages in an unforgettable courtroom confrontation with the defendants who have the full weight of the US administration, a hostile judge, and a compliant media supporting them. These sinister forces will stop at nothing to prevent Karp from bringing out the truth, even if they have to resort to murder.