"In the harsh deserts of Stygia, a sorcerer grasps for the immortal power that lies beneath the shifting sands. In his way stand Conan and his unlikely allies: Alvazar, a rogue interested in little more than wine, women and more wine; and Ohala, daughter of a mystical order of warrior women sworn to retrieve a very dangerous book" -- Page [4] of cover.

With nearly 700 pages of clashing swords, malefic wizardy, and forgotten kingdoms-- and featuring spectacular adaptations of Robert E. Howard's "The Jewels of Gwahlur" and "People of the Black Circle"--The Conan Reader is a vast, priceless hoard ripe for the taking! Collecting a treasure trove of Conan one-shots, short stories, and miniseries from the finest creators in all of graphic fiction, including Kurt Busiek, P. Craig Russell, Fred Van Lente, Kelley Jones, Ariel Olivetti, and many, many more.

The Things We Learn When We’re Dead is about how small decisions can have profound and unintended consequences, but how we can sometimes get a second chance. On the way home from a dinner party, Lorna Love steps into the path of an oncoming car. When she wakes up she is in what appears to be a hospital – but a hospital in which her nurse looks like a young Sean Connery, she is served wine for supper, and everyone avoids her questions. It soon transpires that she is in Heaven, or on HVN, because HVN is a lost, dysfunctional spaceship, and God the aging hippy captain. She seems to be there by accident... or does God have a higher purpose after all? Despite that, The Things We Learn When We’re Dead is neither sci-fi nor fantasy. It is a book about memory and how, if we could remember things slightly differently, would we also be changed? In HVN, Lorna can at first remember nothing. But as her memories return – some good, some bad – she realises that she has decisions to make and that, maybe, she can find a way back home.

Collects six stories in comic-book format that span the life of Conan the barbarian.

In a nightmarish, post-holocaust world, an ancient evil roams a devastated America, gathering the forces of human greed and madness, searching for a child named Swan who possesses the gift of life.

Máirtín Ó Cadhain’s irresistible and infamous novel The Dirty Dust is consistently ranked as the most important prose work in modern Irish, yet no translation for English-language readers has ever before been published. Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves. In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.

P. Craig Russell, the artist best known for adapting literary works to comics, applies his legendary talents to Conan in this adaptation of Robert E. Howard's "The Jewels of Gwahlur," one of Conan's last adventures before becoming king. A young woman, having made a string of bad choices, finds herself the pawn of mercenaries-one of which is Conan of Cimmeria. As the former dancing girl poses as the dead oracle of a primitive cult, Conan puts his experience as a thief and a soldier together in pursuit of some of the most prized jewels in the world-the Teeth of Gwahlur! Featuring a sixteen-page sketchbook and an interview with Russell covering his career and creative process on this book, this handsome book not only highlights one of fantasy art's greatest living talents, it shows once again that Howard's original Conan tales remain unsurpassed.