This book examines the popular bases of Communist influence in Italy, focusing on the struggle between the Catholic Church and the Communist Party for the allegiance of the Italian people. The author details the ways in which the citizens resolve the central paradox of Italy, which lies in its beings the home both of the Vatican and of the largest Communist party of any non-Communist nation. He discusses the local structure of the Party, including its many allied organisations and the nature of participation in Party affairs, and stresses its role in local social life. In this study, Professor Kertzer draws upon the experiences and observations of a year spent in a working-class quarter of Bologna, the capital of Italian Communism. While the national Communist Party calls for conciliation with the Church, there is an ancient tradition of anti-clericalism in this area. Moreover, the official Church position excludes the possibility of people being both Catholic and Communist. The implications of this situation for local-level tactics of Church and Party, and how people divide their allegiances between the competing claims, form the primary theme of the book.

Alternately narrated by the Professor in the first person as protagonist, and in the third person, as the author the novel, Comrades of Jesus is the story of Anna and Pyotr, a divorced Polish couple; of the burgeoning love between Naren, a young Indian diplomat, and Asha, who is of mixed parentage; an Indian intellectual settled in Warsaw; an artist who only paints butterflies. It is the story of India and Poland, set in the historical background of the social and political contradictions in these two countries.

On March 14, 1948, Douglas Hyde handed in his resignation as the news editor of the London Daily Worker and wrote “the end” to twenty years of his life as a member of the Communist Party. A week later, in a written statement, Hyde announced that he had renounced Communism and, with his wife and children, was joining the Catholic Church. The long pilgrimage from Communism to Christ carried Douglas Hyde from complete commitment to Marxism, to a questioning uneasiness about Soviet Russia’s glaring contradictions of ideology and action, to a final rejection of the Party. In Dedication and Leadership, Hyde advances the theory that although the goals and aims of Communism are antithetical to human dignity and the rights of the individual, there is much to be learned from communist methods, cadres and psychological motivation. Hyde describes the Communist mechanics of instilling dedication, the first prerequisite for leadership. Here is the complete rationale of party technique: how to stimulate the willingness to sacrifice; the advisability of making big demands to insure a big response; the inspirational indoctrination; and the subtle conversion methods. In this small book, so large with implications, Douglas Hyde comments on both Communist and Catholic potential and their lack of maximum effectiveness. He advocates positive Catholic action, not just a negative anti-Communism, and he points out that the guidelines are now down for a decisive choice between total Communism and a total Christianity. Here is a realistic approach to an acute problem uncolored by emotional propaganda, and here is a realistic answer on how to inspire dedication for leadership.

"The Three Comrades" is a 1936 novel by the German author Erich Maria Remarque. The novel is written in first person by the main character Robert Lohkamp. The protagonist reflects a somewhat disillusioned outlook on life due to his horrifying experiences in the trenches of the First World War's French-German front – the typical problem of the post-Great War Society.

Comrades at Odds explores the complicated Cold War relationship between the United States and the newly independent India of Jawaharlal Nehru from a unique perspective--that of culture, broadly defined. In a departure from the usual way of doing diplomatic history, Andrew J. Rotter chose culture as his jumping-off point because, he says, "Like the rest of us, policymakers and diplomats do not shed their values, biases, and assumptions at their office doors. They are creatures of culture, and their attitudes cannot help but shape the policy they make." To define those attitudes, Rotter consults not only government documents and the memoirs of those involved in the events of the day, but also literature, art, and mass media. "An advertisement, a photograph, a cartoon, a film, and a short story," he finds, "tell us in their own ways about relations between nations as surely as a State Department memorandum does."While expanding knowledge about the creation and implementation of democracy, Rotter carries his analysis across the categories of race, class, gender, religion, and culturally infused practices of governance, strategy, and economics.Americans saw Indians as superstitious, unclean, treacherous, lazy, and prevaricating. Indians regarded Americans as arrogant, materialistic, uncouth, profane, and violent. Yet, in spite of these stereotypes, Rotter notes the mutual recognition of profound similarities between the two groups; they were indeed "comrades at odds."