Conjunto de partituras para guitarra acústica o clásica sola, de composición original en su mayoría, que contiene además dos arreglos: uno de un tema compuesto en forma grupal y otro (en forma de Variaciones) de un tema tradicional de autor anónimo. Set of scores for acoustic or classical guitar, mostly original composition. Moreover, containing two arrangements: one of them it is a theme composed as a group and the other (in the form of Variations) a traditional theme by an anonymous author.

The hit movie La Bamba (based on the life of Richie Valens), the versatile singer Linda Ronstadt, and the popular rock group Los Lobos all have roots in the dynamic music of the Mexican-American community in East Los Angeles. With the recent "Eastside Renaissance" in the area, barrio music has taken on symbolic power throughout the Southwest, yet its story has remained undocumented and virtually untold. In Barrio Rhythm, Steven Loza brings this hidden history to life, demonstrating the music's essential role in the cultural development of East Los Angeles and its influence on mainstream popular culture. Drawing from oral histories and other primary sources, as well as from appropriate representative songs, Loza provides a historical overview of the music from the nineteenth century to the present and offers in-depth profiles of nine Mexican-American artists, groups, and entrepreneurs in Southern California from the post-World War II era to the present. His interviews with many of today's most influential barrio musicians, including members of Los Lobos, Eddie Cano, Lalo Guerrero, and Willie chronicle the cultural forces active in this complex urban community.

First published in 1980, Traditions of the Classical Guitar has been described as the first book to examine in detail the many traditions of one of today's most popular instruments. With its central focus on Andres Segovia's pioneering work in establishing the guitar as an international concert instrument, it goes on to examine in detail its subsequent developments with reference to great artists such as Bream, Williams, Diaz and Yepes.Traditions of the Classical Guitar continues to be a classic of twentieth-century guitar scholarship, offering a challenging assessment to perceptions of the guitar's progress throughout the ages. It is also a timely reminder of the glorious years of Segovia's concert career between 1909 and 1987; Segovia himself said of the work: "e;Graham Wade has shown his love for the guitar from the first page to the last; true love and understanding"e;.

Few rock bands were as successful as the Scorpions by the mid '80s - headlining arenas/stadiums worldwide, scoring two mega-selling albums (the platinum-certified 'Blackout' and the triple-platinum certified 'Love at First Sting') and two hit singles/videos ("No One Like You" and "Rock You Like a Hurricane"). But what quite a few newcomers to the band didn't realize was that the Scorpions had been regularly recording music since 1972, and that throughout the remainder of the decade, featured two guitarists (Michael Schenker and Uli Jon Roth) at separate points that are considered legendary amongst the heavy metal masses. And while such albums as 'Lonesome Crow, ' 'Fly to the Rainbow, ' 'In Trance, ' 'Virgin Killer, ' 'Taken by Force, ' 'Tokyo Tapes, ' and 'Lovedrive' did not come close to obtaining the commercial success of the aforementioned '80s era efforts, they inspired and influenced countless renowned musicians. 'German Metal Machine: Scorpions in the '70s' is the first-ever book to focus solely on this period of the band. Interviews include such former members as Michael Schenker, Uli Jon Roth, Francis Buchholz, and Herman Rarebell, longtime Scorpions producer Dieter Dierks, plus members of other bands that are major admirers, including KK Downing (Judas Priest), Billy Corgan (Smashing Pumpkins), Joe Satriani, Tom Hamilton (Aerosmith), David Ellefson (Megadeth), Alex Skolnick (Testament), and Eddie Trunk ('That Metal Show'), among many others, while Kirk Hammett (Metallica) provides a foreword.

In the first biography in English of the great Argentinian tango singer Carlos Gardel (1890-1935), Collier traces his rise from very modest beginnings to become the first genuine "superstar" of twentieth-century Latin America. In his late teens, Gardel won local fame in the barrios of Buenos Aires singing in cafes and political clubs. By the 1920s, after he switched to tango singing, the songs he wrote and sang enjoyed instant popularity and have become classics of the genre. He began making movies in the 1930s, quickly establishing himself as the most popular star of the Spanish-language cinema, and at the time of his death Paramount was planning to launch his Hollywood career.Collier's biography focuses on Gardel's artistic career and achievements but also sets his life story within the context of the tango tradition, of early twentieth-century Argentina, and of the history of popular entertainment.