As an associate of C. G. Jung for many years, Jolande Jacobi is in a unique position to provide an interpretation of his work. In this volume, Dr. Jacobi presents a study of three central, interrelated concepts in analytical psychology: the individual complex, the universal archetype, and the dynamic symbol.

For the philosopher and psychologist this book offers the first thoroughly cross-disciplinary interpretation of Jung's psychology. Using the conceptual framework of traditional Western philosophy, Nagy studies the internal structure of Jung's theory. His epistemology, his ontology (archetypes), and his teleological views (individuation and theory of self) are analyzed in the context of late nineteenth and early twentieth century philosophical and scientific problems. Jung's psychology is a response to the challenge of Freud and to the rise of the empirical sciences.

The book begins by probing the "Divine Feminine" in Tibet's Gesar of Ling, one of the most fascinating myths of all time. Especially intriguing is the hero's seemingly continuous dependency on the feminine principle for guidance. The heroine in Kalidasa's Sanskrit drama, Sakuntala focuses on the obstacles set in Sakuntala's earthly trajectory, and how these were instrumental in her evolution from the stage of passive, unconscious, and withdrawn archetypal Maiden to that of the conscious, decisive, strong spiritual Mother. To explore the highly complex personalities of Kriemhild and Brunhild in the High German Nibelungenlied is to enter the realm of sun and shadow, the lightened regions of consciousness and the deep interiors of primal darkness.

Contents: Mandalas. I. A Study in the Process of Individuation. II. Concerning Mandala Symbolism Index Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Despite his fame Paracelsus remains an illusive character. As this volume points out it is somewhat of a paradox that the fascination with Paracelsus and his ideas has remained so widespread when it is born in mind that it is far from clear what exactly he contributed to medicine and natural philosophy. But perhaps it is exactly this enigma which through the ages has made Paracelsus so attractive to such a variety of people who all want to claim him as an advocate for their particular ideas. The first section of this book deals with the historiography surrounding Paracelsus and Paracelsianism and points to the need of reclaiming the man and his ideas in their proper historical context. A further two sections are concerned with the different religious, social and political implications of Paracelsianism and its medical and natural philosophical significance respectively.

This book explores the nature of Jung’s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932. Offering an important contribution towards understanding Jung’s attitudes towards Picasso and modern art, the book addresses the impact that Jung’s unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. It explores and uncovers the reasons for Jung’s derogatory view of Picasso and abstract art more generally, revealing how Jung was unable to remain objective due to his own complex and equally fascinating relationship with art and the psychology of image making. The book argues that modern art parallels Jung’s interests by embracing the spirit of experimentation and using new imagery to challenge creative conceptions, which makes Jung’s attitudes towards modern art all the more surprising. Jung’s Reception of Picasso and Abstract Art will be of great interest to researchers, academics and those interested in analytical psychology, Jungian studies, art history and modernism, aesthetics and psychoanalysis.