Britain, long revered for its choral music and partsongs, had largely neglected art songs since the Elizabethan era. The middle of the nineteenth century witnessed efforts to revive the genre, particularly in the works of Sir C. Hubert Parry and Sir Charles Villiers Stanford. The following generation, including the Scottish composer Hamish MacCunn (1868–1916), built on the foundations laid by Parry and Stanford and served as the bridge to the vocal music of Ralph Vaughan Williams, Sir Edward Elgar, Ivor Gurney, John Ireland, and ultimately Benjamin Britten. Though best known for his Scottish-influenced compositions, MacCunn composed over 100 songs that, free from national constraints, are some of the most refined and sophisticated examples of his music. Almost no modern editions of MacCunn’s song exist, though many were published during the composer’s lifetime. The current two-part edition presents the composer’s 102 extant songs. Part 1 contains 53 individual songs; Part 2 presents the songs that were first published as small collections.

A new high edition of our popular vocal collection, this volume of best-loved folk songs for solo voice and piano contains fourteen memorable works arranged by three of Alfred Music’s top writers: Jay Althouse, Mark Hayes, and Ruth Elaine Schram. Titles: * All My Trials * All Through the Night * Camptown Races * Cindy * Fire Down Below * Follow the Drinking Gourd * Go 'Way from My Window * He's Gone Away * Old Dan Tucker * Poor Boy * Poor Wayfaring Stranger * Shenandoah * Simple Gifts * The Water Is Wide

This outstanding collection of 12 singable folk songs from eight countries features easily learned texts in six different languages including English. Pronunciation guides and optional English lyrics are included where needed. Songs from Italy, Germany, Venezuela, Spain, France, South Africa, Canada, and USA. 64 pages. Titles: A la Nanita Nana * All My Trials * Auprès de Ma Blonde * Cara Mamma * Chevaliers de la Table Ronde * Guter Mond * The Jones Boys * The Last Rose of Summer * Santa Lucia * Schlaf in Guter Ruh * Siyahamba * Valencianita.

Unaccompanied choral works composed or otherwise arranged by Brahms for mixed choruses as well as individual men's and women's choruses include songs, love songs, romances, quartetes, and duets.

This volume includes all of the surviving songs by German-American composer, performer, critic, and businessman Herrman S. Saroni (1823/24–1900), who is now most remembered as the owner and editor of Saroni’s Musical Times (one of America’s first significant music magazines). The entire date range of these songs is 1844–89, but the vast majority appeared in the 1840s and early 1850s. Saroni was among the first composers in America to combine aspects of German lieder and various features associated with popular song, and these works fuse accessibility to amateurs with sophisticated compositional techniques. Despite several indicators of success in his era, Saroni’s songs are almost completely unknown today. These works deserve reconsideration and modern performance both for their historical significance and for their aesthetic value. Most of the songs in this edition were published in Saroni’s lifetime, but an appendix includes a transcription of an unpublished holograph manuscript song, the original of which is also shown in two plate images.