Edward Lear began his career as an ornithological illustrator, becoming one of the first major artists to draw birds from living models. During this period he was employed to paint the birds from the private menagerie owned by Edward Stanley, the 13th Earl of Derby and one of Lear’s closest friends. In 1837, Lear’s health started to decline. His deteriorating eyesight and failing lungs forced him to abandon the detailed painting required for depicting birds, and, with the help of the earl, he moved to Rome where he established himself as a poet of literary nonsense. While Lear was visiting the Earl of Derby, he wrote poems and drew silly sketches to entertain the earl’s children. In 1846, he collected together his pile of limericks and illustrations and published his first poetical book, titled A Book of Nonsense and dedicated to the Earl of Derby and his children. He decided to publish under the pseudonym Derry down Derry, but after he started making plans for more books, he republished under his real name. His next book, Nonsense Songs, Stories, Botany, and Alphabets wasn’t published until 24 years later, in 1870. Lear then released More Nonsense, which contains more limericks, in 1872, and Laughable Lyrics in 1877. This final book in the series contains many of Lear’s most famous fantastical creatures, such as the Quangle Wangle. The influence of Lear’s poetry in the twentieth-century can be seen in styles like the surrealism movement and the theater of the absurd.

'Nonsense', wrote Mervyn Peake, 'can take you by the hand and lead you nowhere. It's magic.' Peake (1911-68) is one of the great English nonsense poets, in the tradition of Lewis Carroll and Edward Lear. His verses lead the reader into places where cause is cut free of effect and language takes on a giddy life of its own. Malicious bowler hats threaten their owners, a cake is chased across an ocean by a rakish knife, aunts become flatfish or live on sphagnum moss. Fully annotated, with a detailed introduction, Complete Nonsense contains all the poems and illustrations from Peake's Book of Nonsense (1972), with forty unpublished poems discovered in manuscripts and thirty from uncollected sources, including all the nonsense verses from his novels. It reprints complete - for the first time and in colour - the words and images from Rhymes without Reason (1944), and Peake's comic masterpiece Figures of Speech (1954). All the poems have been newly edited, often from Peake's manuscripts, by Robert Maslen, editor of Peake's Collected Poems (Carcanet), and Peter Winnington, the leading Peake scholar and biographer. Peake wrote of the rare art that glitters with the divine lunacy we call nonsense': Complete Nonsense glitters with Peake's benign and wayward imagination.

'Nonsense is the breath of my nostrils', wrote Edward Lear (1812-88), and this collection demonstrates the wonderfully varied ways in which he pursued his philosophy of life. He created an extraordinary world filled with bizarre creatures - from the Dong with a luminous nose to the Pobble who has no toes - who misbehave with joyful abandon. Here can be found such exuberant and timeless verse as 'The Owl and the Pussy-cat', 'The Quangle Wangle's Hat' and numerous comic limericks, along with stories, letters, alphabets and recipes, all accompanied throughout with his fantastical line drawings. Gently pointing out human follies and the absurdities of the conventional Victorian society in which he lived, Lear's nonsense has enchanted children and adults alike for generations.

"One of Lear's most famous five-line poems receives full illustrative treatment to whet young readers' appetites for adventures in rhyme"--

Moore draws on his extensive experience as a criminal trial attorney, handling countless gambling cases, to explain betting concepts in easy-to-grasp terms. He uses amusing and memorable anecdotes to reveal the ideas that most successful bookmakers already know.

The classic nursery rhymes we know and love—upside-down, backward, in gibberish, and fresh out of bounds—as only Jon Scieszka could stage them Mother knows best, but sometimes a little nonsense wins the day. Inspired by Dadaism’s rejection of reason and rational thinking, and in cahoots with Blanche Fisher Wright’s The Real Mother Goose, this anthology of absurdity unravels the fabric of classic nursery rhymes and stitches them back together (or not quite together) in every clever way possible. One by one, cherished nursery rhymes—from “Humpty Dumpty” to “Hickory Dickory Dock,” “Jack Be Nimble” to “Mother Hubbard”—fall prey to sly subversion as master of fracture Jon Scieszka and acclaimed illustrator Julia Rothman refashion them into comics strips, errant book reports, anagrams, and manic mash-ups. Playfully reconstructed, the thirty-six old-new rhymes invite further baloney, bringing kids in on the joke and inviting them to revel in reimagining. Featuring robust back matter, this irreverent take on the rhymes of childhood is a great gift for child readers, a rich classroom resource across grade levels, and a love song to a living language.