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This is Volume V out of eleven that form a collection on India, its History, Economy and Society. First published in 1930, this book looks at the origin and development of Bengali Drama and contains matter for historians, as well as direct criticism of what the author considers to be genuinely dramatic in the literature of Bengal, past or present.

This is a translation of a 12th-century Sanskrit legal text, with the original text. The Dayabhaga was one of the most important texts in the history of Indian law. The text, fairly late and inspiring little attention, is important because the British elevated it to such prominence in their new colony in the early 19th century. It was known as the authority on inheritance and significant aspects of family law for the eastern Indian region. The case law and scholarship that surround this text have shaped Indian personal law right up to the present day.

This book explores the philosophical and political roots of the United Bengal movement of 1947 that emerged as a final bid to keep the province united against Partition. Through Abul Hashim, one of its architects, it explores the idea of an independent Bengali nation in the years preceding Independence and examines the underlying tensions of the concept of a Muslim-led independent Bangalistaan and its repercussions on a sizeable Hindu minority. Focusing on Hashim’s writings and political contributions, this monograph highlights his vision of an aesthetic identity rooted within religious principles as well as civic ideals in a new united Bengal, where common law underwritten through religious ideals did not need to be necessarily opposed to western discourses of a modern state. A major, new intervention, this book will be of great interest to scholars and researchers of modern Indian history, especially the Partition, politics, and South Asian studies.