In myth, author Puhvel argues, a human group expresses the thought patterns by which it formulates self-cognition and self-realization, attains self-knowledge and self-confidence, explains its own sources and sometimes tries to chart its destinies. Here, Puhvel unravels the prehistoric origins of the traditions of India and Iran, Greece and Rome, of the Celts, Germans, Balts, and Slavs. Utilizing the methodologies of historical linguistics and archaeology, he reconstructs a shared prehistorical religious, mythological, and cultural heritage. Separate chapters on individual traditions as well as on recurrent themes give life to the book as both a general introduction and a detailed reference.--From publisher description.

This highly original study in comparative mythology interprets the Greek myths in the light of the mythologies of other Indo-European cultures: Indian, Celtic, Scandinavian, Roman, Greek, Iranian and Ossetian. Julian Baldick uses a modified version of the schema proposed by the French theorist Dumezil - little known and often misunderstood in the Anglo-Saxon world - to consider the profound connections between such works as the Iliad, the Odyssey, the great Indian epics - the Ramayana and the Mahabharata, the Iranian Book of Kings and the Scandinavian Ynglingasaga. The book includes a long critical exposition of the discipline of comparative mythology from its eighteenth-century origins to the revival of the discipline by Dumezil and his followers from 1938 to the present. Also reassessing the profound critique of Dumezil which linked him with far-right ideology, Baldick's book is an important new contribution to work on comparative mythology.

Hindu and Greek mythologies teem with stories of women and men who are doubled. This text recounts and compares a range of these. The comparisons show that differences in gender are more significant than differences in culture.

Was there such a thing as a modern notion of race in the English Renaissance, and, if so, was skin color its necessary marker? In fact, early modern texts described human beings of various national origins—including English—as turning white, brown, tawny, black, green, or red for any number of reasons, from the effects of the sun's rays or imbalance of the bodily humors to sexual desire or the application of makeup. It is in this cultural environment that the seventeenth-century London Gazette used the term "black" to describe both dark-skinned African runaways and dark-haired Britons, such as Scots, who are now unquestioningly conceived of as "white." In Shades of Difference, Sujata Iyengar explores the cultural mythologies of skin color in a period during which colonial expansion and the slave trade introduced Britons to more dark-skinned persons than at any other time in their history. Looking to texts as divergent as sixteenth-century Elizabethan erotic verse, seventeenth-century lyrics, and Restoration prose romances, Iyengar considers the construction of race during the early modern period without oversimplifying the emergence of race as a color-coded classification or a black/white opposition. Rather, "race," embodiment, and skin color are examined in their multiple contexts—historical, geographical, and literary. Iyengar engages works that have not previously been incorporated into discussions of the formation of race, such as Marlowe's "Hero and Leander" and Shakespeare's "Venus and Adonis." By rethinking the emerging early modern connections between the notions of race, skin color, and gender, Shades of Difference furthers an ongoing discussion with originality and impeccable scholarship.

First published in 1956 when he was twenty-two years old, Let Us Compare Mythologies is Leonard Cohen's first collection of poetry. It is an accomplished and passionate collection which demonstrates Cohen's remarkably assured voice, even as a young man. An unprecedented debut published to immediate acclaim, new generations of readers will now rediscover not only the early work of one of our most beloved writers, but poetry that resonates loudly with relevance today.

Michael Witzel persuasively demonstrates the prehistoric origins of most of the mythologies of Eurasia and the Americas ('Laurasia').

"This new edition of MYTHOLOGIES is the first complete, authoritative English version of the French classic, Roland Barthes's most emblematic work"--