Sharon Farmer here investigates the ways in which three medieval communities—the town of Tours, the basilica of Saint-Martin there, and the abbey of Marmoutier nearby—all defined themselves through the cult of Saint Martin. She demonstrates how in the early Middle Ages the bishops of Tours used the cult of Martin, their fourthcentury predecessor, to shape an idealized image of Tours as Martin's town. As the heirs to Martin's see, the bishops projected themselves as the rightful leaders of the community. However, in the late eleventh century, she shows, the canons of Saint-Martin (where the saint's relics resided) and the monks of Marmoutier (which Martin had founded) took control of the cult and produced new legends and rituals to strengthen their corporate interests. Since the basilica and the abbey differed in their spiritualities, structures, and external ties, the canons and monks elaborated and manipulated Martin's cult in quite different ways. Farmer shows how one saint's cult lent itself to these varying uses, and analyzes the strikingly dissimilar Martins that emerged. Her skillful inquiry into the relationship between group identity and cultural expression illuminates the degree to which culture is contested territory. Farmer's rich blend of social history and hagiography will appeal to a wide range of medievalists, cultural anthropologists, religious historians, and urban historians.

Sharon Farmer here investigates the ways in which three medieval communities—the town of Tours, the basilica of Saint-Martin there, and the abbey of Marmoutier nearby—all defined themselves through the cult of Saint Martin. She demonstrates how in the early Middle Ages the bishops of Tours used the cult of Martin, their fourthcentury predecessor, to shape an idealized image of Tours as Martin's town. As the heirs to Martin's see, the bishops projected themselves as the rightful leaders of the community. However, in the late eleventh century, she shows, the canons of Saint-Martin (where the saint's relics resided) and the monks of Marmoutier (which Martin had founded) took control of the cult and produced new legends and rituals to strengthen their corporate interests. Since the basilica and the abbey differed in their spiritualities, structures, and external ties, the canons and monks elaborated and manipulated Martin's cult in quite different ways. Farmer shows how one saint's cult lent itself to these varying uses, and analyzes the strikingly dissimilar Martins that emerged. Her skillful inquiry into the relationship between group identity and cultural expression illuminates the degree to which culture is contested territory. Farmer's rich blend of social history and hagiography will appeal to a wide range of medievalists, cultural anthropologists, religious historians, and urban historians.

Regine Pernoud, the highly acclaimed French medieval historian, and author of best-selling titles on Joan of Arc and Hildegard of Bingen, as well as the book Those Terrible Middle Ages, presents an enlighteneing biography of one of France's most revered saints, and man whose impact on France, and Europe, continues to this days. Martin of Tours lived in the 4th century, at that great turning point in history when the Roman Empire fell and the Church took charge in the West. He left a successful career in the military life to become a monk, and later a Bishop who traveled extensively, evangelizing the countryside and creatiung that particular sort of community life in a village that is now called a "parish." More than four hundred towns and some four thousand parished in France are named after St. Martin. The term "chapel" is derived from the actual church where pilgrims venerate Martin's "cape" or cloak. Martin of Tours was a servant of the common man, as well as the nobility, and a very humble man who responded to the needs of his times and and opened up vast perspectives for ordinary, everyday life. Given the crisis of the Christian Faith now facing France and all of Europe, the story of this solider and great apostle and Christian evangelist is a timely one indeed.

The first study to explore the music of St Martin's cult and its influence upon medieval religion, art and politics.

St Martin of Tours was a protector saint of numerous French kings. His was one of the most successful saintly cults in medieval Europe, and the city of Tours functioned as a religious metropolis, drawing pilgrims from all over the continent. Until now, little has been known about how St Martin came to inspire such a lively folkloric tradition, numerous works of art, and the establishment of thousands of churches and numerous confraternities. In this book, Yossi Maurey addresses these questions by focusing on the church dedicated to the saint in Tours, which acted as the crucible for Martin's cult. Maurey explores the music and liturgy of the cult - the most effective means of its dissemination - to reveal its enormous diffusion and impact. Building a more concrete picture of how saints' cults operated and shaped medieval realities, this book also provides new insights into the interactions between contemporary religion, art and politics.

This important study of episcopal office and clerical identity in a socially and culturally dynamic region of medieval Europe examines the construction and representation of episcopal power and authority in the archdiocese of Reims during the sometimes turbulent century between 1050 and 1150. Drawing on a wide range of diplomatic, hagiographical, epistolary and other narrative sources, John S. Ott considers how bishops conceived of, and projected, their authority collectively and individually. In examining episcopal professional identities and notions of office, he explores how prelates used textual production and their physical landscapes to craft historical narratives and consolidate local and regional memories around ideals that established themselves as not only religious authorities but also cultural arbiters. This study reveals that, far from being reactive and hostile to cultural and religious change, bishops regularly grappled with and sought to affect, positively and to their advantage, new and emerging cultural and religious norms.

This textbook provides instruction in college level rhetoric and writing. It offers readings, a research manual, a handbook and supports a range of approaches to teaching and learning, including collaboration, visual rhetoric, personal writing, writing about literature, writing in the community and the workplace, field research, portfolios, oral presentations, essay exams, and ESL. It contains step-by-step guides to writing specific kinds of essays -- remembering events, writing profiles, explaining a concept, finding common ground, arguing a position, proposing a solution, justifying an evaluation, speculating about causes, and interpreting stories. Because so much college writing requires strong argumentation skills, four of the assignment chapters focus on argumentative writing, and a separate strategies chapter covers theses, reasons and support, counterarguments, and logical fallacies. Three full chapters on research give students useful strategies not only for conducting field, library, and Internet research, but also for evaluating sources; deciding whether to quote, paraphrase, or summarize; avoiding plagiarism; and documenting sources. The authors have included 39 readings by well-known authors and various "fresh" voices, including 12 students, providing well-written examples of the different types of essays and papers that students might be asked to complete.