This book explores post-communist thresholds as materializations of a specific crisis of modern European identity that was caused by the existence and sudden breakdown of Soviet-type communism. It shows how post-communist thresholds emerge where relics from the communist experience continue disrupting the routines and rhythms of a modern life and confront Europeans with cultural experiences, affects and material realities of the ‘enlightened world’ which they usually seek to repress or ignore. In exploring and writing through art projects which engage with the psychosocial fabric of such post-communist thresholds, this book finds ways of speaking and thinking through these transitory and paradox sites, and asks what we can say about other or new worlds, about new beginnings and endings as well as about decolonial and ethical ways of relating to the other when assessing the status quo of European modernity from within its liminal and crisis-driven sphere.

The Pulitzer Prize-winning look at the collapse of Communism in Eastern Europe

Whittaker Chambers is one of the most controversial figures in modern American history a former Communist spy who left the party, testified against Alger Hiss before the House Un-American Activities Committee, and wrote a classic autobiography, Witness. Dismissed by some as a crank, reviled by others as a traitor, Chambers still looms as a Dostoevskian figure over three decades after his death in 1961. A man of profound pessimism, rare vision, and remarkable literary talents, his continuing importance was attested to when Ronald Reagan posthumously awarded him the Medal of Freedom in 1984. Ghosts on the Roof, originally published in 1989, brings together more than fifty short stories, essays, articles, and reviews that originally appeared in Time, Life, National Review, Commonweal, The American Mercury, and the New Masses. Included are essays on Karl Marx, Reinhold Niebuhr, James Joyce, Franz Kafka, George Santayana, Dame Rebecca West, Ayn Rand, and Greta Garbo. These show Chambers at his best, as a peerless historian of ideas.

Whittaker Chambers is one of the most controversial figures in modern American history a former Communist spy who left the party, testified against Alger Hiss before the House Un-American Activities Committee, and wrote a classic autobiography, Witness. Dismissed by some as a crank, reviled by others as a traitor, Chambers still looms as a Dostoevskian figure over three decades after his death in 1961. A man of profound pessimism, rare vision, and remarkable literary talents, his continuing importance was attested to when Ronald Reagan posthumously awarded him the Medal of Freedom in 1984. Ghosts on the Roof, originally published in 1989, brings together more than fifty short stories, essays, articles, and reviews that originally appeared in Time, Life, National Review, Commonweal, The American Mercury, and the New Masses. Included are essays on Karl Marx, Reinhold Niebuhr, James Joyce, Franz Kafka, George Santayana, Dame Rebecca West, Ayn Rand, and Greta Garbo. These show Chambers at his best, as a peerless historian of ideas.

Only the most intrepid urban explorers cross the tattered ruins of the old iron curtain to endure the excessive bureaucracy, military paranoia and freezing winds of the East to hunt for the ghosts of an empire. Rebecca Litchfield is one who couldn't resist the haunting allure of the ruins of the Soviet Union. Time and again she risked radiation exposure, experienced arrest and interrogation, and was accused of espionage while collecting the stunning photography in Soviet Ghosts. Join her on an adventure through the ruins of soviet bloc, never before seen by western eyes. The emotional affect of this poetic collection will keep you coming back for more, while a series of expert articles offer in-depth analysis of the historical context. Contemplate the uncanny and disturbing emotional power of the imagery. Discover the story of the rise and fall of the USSR, the empire whose ghost continues to haunt Europe even today... Features ● A breathtaking collection of images from Pripyat, Chernobyl ● Stunning imagery of a vast, ruined Bulgarian communist monument. ● A road trip through the ruined abandonment in East Germany, Ukraine, Bulgaria, Hungary, Czech Republic, Slovakia, Latvia, Estonia, Lithuania, Croatia and Russia featuring decaying hospitals, military barracks, prisons, spy stations and sports halls and more. Photographer Rebecca Litchfield captures many abandoned locations, which were either part of the Soviet Union or occupied satellite states during this period of history, including forgotten towns, factories, prisons, schools, monuments, hospitals, theatres, military complexes, asylums & death camps across the former communist states. These photographs deliver a compelling narrative of both moral bankruptcy and flawed ideology. Featuring stunning imagery throughout, this compelling road-trip through the old USSR, breathes new life into these forgotten places, finding both beauty and meaning in their post-apocalyptic decay. Extended essays by Tristi Brownett, Neill Cockwill and Professor Owen Evans, offer considerable contextual depth to the locations imbuing them with a wealth of connection and wonder. By virtue of its holistic approach, the book also explores how and why these once thriving communities became abandoned, whether by natural disaster, man-made catastrophe or simply through the march of time.

The lives of Vic Woods and Ruth Wolfe, working-class teenagers from Liverpool and London, are profoundly disrupted by the arrival of World War II. Ruth’s journey leads her to aerial photographic interpretation, though her aspirations for advancement are denied, while Vic’s wartime experiences with bomber command haunt him long after the war is over. Their post-war marriage and tumultuous relationship with their son, James, make for a gripping narrative of trauma, conflict and, ultimately, love. Set against the backdrop of World War II and the social upheaval of the late 1960s, Hungry Ghosts transports readers into the drama of two pivotal eras in history, exploring the intergenerational impact of war, particularly on the intricate relationships between fathers and sons. Hungry Ghosts is not just a war story; it’s a timeless exploration of family bonds and the indelible scars left by war.

Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildings and monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization of communism, demystifying its ideals and suggesting that it has visually shaped the modern world in undeniable and complex ways. Together, contributors answer curcial questions like: What can be salvaged and reused from past communist experiments? How has communism impacted the cultures of late capitalism? And how have histories of communism left behind visual traces of potential utopias? An interdisciplinary look at the cultural currency of communism today, The Oxford Handbook of Communist Visual Cultures demonstrates the value of revisiting the practices of the past to form a better vision of the future.