Colors are an element of both the natural and the man-made environments. They convey messages of all kinds and perform a wide variety of functions, informing, organizing, warning. But they also serve an aesthetic purpose, affecting the statement, effect, and acceptance of objects and spaces. While people’s reactions to color vary widely, in design questions it is still possible to establish generally valid color concepts to match the expectations of the various groups of users. This book offers a guide based on a wide range of scientific findings and may be consulted as an authoritative reference by the architecture student and the professional alike. The three editors, Dr. B. Rodeck, Prof. G. Meerwein, and F. H. Mahnke have taught for many years at the Salzburger Seminare für Farbe und Umwelt der IACC.

This book argues narrative, people and place are inseparable and pursues the consequences of this insight through the design of narrative environments. This is a new and distinct area of practice that weaves together and extends narrative theory, spatial theory and design theory. Examples of narrative spaces, such as exhibitions, brand experiences, urban design and socially engaged participatory interventions in the public realm, are explored to show how space acts as a medium of communication through a synthesis of materials, structures and technologies, and how particular social behaviours are reproduced or critiqued through spatial narratives. This book will be of interest to scholars in design studies, urban studies, architecture, new materialism and design practitioners in the creative industries.

"Communication, Space, & Design looks at how our worldview shapes our relations to and conceptions of space and place, and how our spaces and designs impact our communication practices. By asserting that our spaces and designs are increasingly promoting various expressions of separation, this book contends that this separation turns makes us more private. We find this increasing inwardness, for example, in the rise of gated-communities, exclusionary suburbs, and hyper-suburbs. Ultimately, the book asks how our spaces and designs impact our understanding and embodying of democracy, civility, and justice. It also explores how this inward turn limits our sense of obligation to the world and each other by undermining our ability to develop the communicational resiliency and moral sophistication that comes with through public interactions."--BOOK JACKET.

The success of a piece of communication has always been dependent on the connection between content, form, audience and context – what the message is, who it's aimed at, what it looks like, and how and where it's communicated. In recent years the balance between these elements has shifted. This book bridges the gap between education and emerging practices to provide students and practitioners with the information they need to understand the new skillsets required to succeed in this changing communication environment. Organized into themes of brand, experience, conversation, participation, navigation, advocacy and critique, it explores the core ideas shaping contemporary practice. Alongside case studies of game changing projects, it uses analysis of historical context and interviews with key thinkers and practitioners to provide a relevant and contemporary guide to the creative employment landscape.

Writing a comprehensive book on satellite communications requires the com mand of many technical disciplines and the availability of up-to-date information on international recommendations, system architectures, and equipment stand ards. It is therefore necessary to involve many authors, each possessing a good level of knowledge in a particular discipline. The problem of using a coherent and unambiguous set of definitions and basic terms has been solved by including in the book all the background information needed for understanding satellite communication systems, without any major reference to other textbooks specializing in particular disciplines. The obvious consequence of this approach has been the large size of the book, with the advantages, however, of practically complete independence from other books, more systematic discussion of the subject matter, and better readability. After the required background information, emphasis has been placed on the discussion of techniques and system design criteria rather than on specific equipment implementation or description of particular systems. The book may be divided in five parts as follows: • The first five chapters provide most of the required background information. • Chapter 6 is an introductory outline of satellite communication systems. • Chapters 7 to 13 deal with the various aspects of technical system design. • Chapter 14 discusses system economics. • Chapter 15 provides a brief insight into some foreseeable future develop ments of satellite communications.

Published in conjunction with an exhibition at The Museum of Modern Art, Talk to Me thrives on an important late 20th-century cultural development in design: a shift from the centrality of function to that of meaning. From this new perspective, objects contain information that goes well beyond their immediate use or appearance, providing access to complex systems and networks and acting as gateways and interpreters. Whether openly and actively, or in subtle, subliminal ways, things talk to us, and designers write the initial script that lets us develop and improvise the dialogue. Talk to Me focuses on objects that involve direct interaction, such as interfaces, information systems, communication devices, and projects that establish a practical, emotional or even sensual connection between their users and entities such as cities, companies, governmental institutions, as well as other people. The featured objects range in date from the early 1980s - beginning with the first Graphic User Interface, developed by Xerox Parc in 1981 - with particular attention given to projects from the last five years and to several ones currently in development. Included are a diverse array of examples, from computer and machine interfaces to websites, video games, devices and tools, and installations. Organized thematically, Talk to Me features essays by Paola Antonelli, Jamer Hunt, Alexandra Midel, Kevin Slavin, and Koi Vinh. By introducing design practices that are becoming increasingly crucial to our world, the book presents a highly distilled sample of today's best design production that uses technology in creative and unexpected ways, showing how rich and deep design's influence will be on our future.

This book presents selected papers by members of the Special Interest Group for Groupware of the Information Processing Society of Japan, which captures the state of the art of CSCW and groupware research in Japan.