This collection of some 32 articles and essays by Adrian Rifkin were written over a period of forty years. It contains innovative and influential studies of the archives of art, urbanism, music and popular life in France and Britain during the nineteenth and twentieth centuries. Arranged around a number of studies of the representation of the Paris Commune, the book also contains chapters on Edith Piaf’s role in French culture, histories of art education, opera and queer life in the city as well as analytical accounts of the commodity and cultural theory in Adorno and Benjamin. An extended introduction by Steve Edwards works over the questions of uneven time in Marxist cultural theory and the disciplinary formations that underpin many of Rifkin’s essays.

'The best vicar ever' - Caitlin Moran THE NO. 1 SUNDAY TIMES BESTSELLING AUTHOR OF THE CANON CLEMENT SERIES FATHOMLESS RICHES is the Reverend Richard Coles' warm, witty and wise memoir in which he divulges with searing honesty and intimacy his pilgrimage from a rock-and-roll life of sex and drugs in the Communards to one devoted to God and Christianity. The result is one of the most unusual and readable life stories of recent times, and has the power to shock as well as to console. 'Sex, drugs, death, religion, more sex... it has got it all' - Guardian 'All the humour, quirky characters and incidents that life - and death- serve up' - Mail on Sunday 'One of the most immensely readable - and redeemable - memoirs of the year' - Sunday Times 'A frank, worldly-wise, bleakly comic memoir' - The Times 'Full of wit and humour about finding God, and Jimmy Sommerville' - Independent on Sunday

The Last Communard offers a brilliant, striking portrait of revolutionary Europe through a remarkable personal story. In 1871, Adrien Lejeune fought on the barricades of the Paris Commune. He was imprisoned for treason when the Commune fell and narrowly avoided execution for his role in the struggle for a new future. In later life, he immigrated to Soviet Russia, finding fame as a revolutionary icon. In his native country, he was vaunted as a hero, a touchstone of revolutions past during France's interwar dramas. Abandoned by the Soviet regime, he languished, fortunes foundering, in Russia. Having led a long and extraordinary life, he died in Siberia in 1942 while fleeing Moscow as the Nazi armies swept across western Russia. It was another thirty years before he returned to Paris, his ashes coming to rest in the Communards' plot of the Pre Lachaise cemetery, on the centennial of the uprising, a symbol of France's undying radical tradition. Gavin Bowd's stunning narrative shows how an individual can be swept up in the fierce tides of history, and at the same time be defined by his own efforts to force those tides into a different, and better, course. Lejeune's life captures war and revolution in a tumultuous period of European history.

Compiles career biographies of over 1,200 artists and rock music reviews written by fans covering every phase of rock from R & B through punk and rap.

Covers the territorial changes, national policies, economic conditions and intellectual interests of western Europe during the few decades before the French Revolution and before that the Industrial Revolution, through the Partition of Africa at the Berlin Congress in 1884 in which the European Powers interested in Africa declared the entire drainage of the Congo River as an international state, which should be open to the trade of all nations.

This book examines the underground Liberation News Service and the commune Montague Farm to trace the evolution of the New Left after 1968. In the process, it extends the chronological breadth of the long Sixties, rethinks the relationship between political and cultural radicalism, and explores the relationships between diverse social movements.