Common Thread – Uncommon Women begins in 1863 at the foothills of the Ozark Mountains in Arkansas. This historic saga covers four generations of women, beginning with the author’s great grandmother, Minerva, who was Cherokee Native American. Minerva warned her daughter, “Jennie, they put my people on a reservation, took away their pride, and left them with no way to defend themselves. Don’t you ever let anyone hurt you or your children.” Jennie, Minerva’s daughter, was a determined woman. Her friendship with a slave created tension within her husband’s family. Thedis moral presence was a blessing to the sick, and when death won, she readied them for burial. She was destined to suffer heartbreaks too horrific to imagine. Robbie was Thedis’s second-born child. Daily she was reminded of a tragic event, the shotgun blast, her screams, and the smell of fresh blood. Born with a proud Native American heritage, these women endured hardships beyond modern comprehension, but still found joy and happiness. Marylin Hayes Martin breathed essence into her characters, taking them through some of the most difficult times in American History: the Civil War, the Great Depression, and two World Wars. Common Thread - Uncommon Women is Martin’s debut novel. “Marylin Martin’s startling book, “Common Thread - Uncommon Women,” captures the enormous well of strength, both physical and emotional, that the women who helped settle America – and who were born here, of Native American blood – had to draw on simply to survive. Alexander Stuart, author of The War Zone In “Common Thread - Uncommon Women” a story that covers the lives of four generations of her own family, Marylin Martin takes a historical family saga and raises it to a moving memorable work of art. Bill Manville, columnist for the New York Daily News

Common Thread - Uncommon Women begins in 1863 at the foothills of the Ozark Mountains in Arkansas. This historic saga covers four generations of women, beginning with the author's great-grandmother, Minerva, who was a Cherokee Native American. Minerva warned her daughter, "Jennie, they put my people on a reservation, took away their pride, and left them with no way to defend themselves. Don't you ever let anyone hurt you or your children." Jennie, Minerva's daughter, was a determined woman. Her friendship with a slave created tension within her husband's family. Thedis moral presence was a blessing to the sick, and when death won, she readied them for burial. She was destined to suffer heartbreaks too horrific to imagine. Robbie was Thedis's second-born child. Daily, she was reminded of a tragic event, the shotgun blast, her screams, and the smell of fresh blood. Born with a proud Native American heritage, these women endured hardships beyond modern comprehension but still found joy and happiness. Marylin Hayes Martin breathed essence into her characters, taking them through some of the most difficult times in American History: the Civil War, the Great Depression, and two World Wars. Common Thread - Uncommon Women is Martin's debut novel. "Marylin Martin's startling book, "Common Thread - Uncommon Women," captures the enormous well of strength, both physical and emotional, that the women who helped settle America - and who were born here, of Native American blood - had to draw on simply to survive. Alexander Stuart, author of The War Zone In "Common Thread - Uncommon Women," a story that covers the lives of four generations of her own family, Marylin Martin takes a historical family saga and raises it into a moving, memorable work of art. Bill Manville, columnist for the New York Daily News Marylin Hayes-Martin grew up in the foothills of the Arkansas Ozarks where she was exposed at an early age to the history and culture of the characters in her novel. She was mesmerized listening to epic tales of the shocking tragedies and hardships endured by the four generations of women in her family. She has woven their stories throughout her novel, Common Thread ? Uncommon Women. A number of Marylin's short stories were published in the White County Arkansas Historical Society publication and more recently, in Second Saturday, a literary anthology published by Ladybug Press which is available from Amazon. Marylin is the co-founder and facilitator of the Sonora Writers Group. She now lives in the foothills of the California Sierra Mountains with her husband, Frank, where she enjoys life as a writer and visual artist.

A cloth bag containing eight copies of the title, that may also include a folder.

John Wieland is the first to admit his success is baffling. When an average joe turns a bankrupt company into a 30-branch business that now earns over $300 million in revenue and gives 10% of the company profits to ministries across the world, Wieland is the first to ask the question anyone who knows him is asking: how did that happen?His conclusion: business, family and faith affect each other in ways that few realize. Unlike many books that discuss faith, Wieland never preaches perfection. It's his honesty about his own struggles-between worship and human instinct, between sacrifice and indulgence, between sharing his love of God with others and appreciating people right where they are-that makes Uncommon Threads so unique. In it, Wieland uses the lens of his own life to tackle important topics such as hypocrisy, racism, abortion, parenting, religion and even what happens when you take someone into your home only to later find out that he shot a lady in the head and left her for dead.In the end, Wieland shows that family, business and faith are inescapably woven together and that the lessons you learn growing up can provide the values that serve you well throughout the rest of your life.His is the story of a life well-spent-thanks to its blending together of family, business and faith. The combination of self-deprecating tales of his foibles and touching moments of inspiration received from both his successes and failures make Uncommon Threads a must read.

Everyday Knowledge and Uncommon Truths: Women of the Academy is a thirteen chapter volume which draws on the life experience and varied backgrounds of academic women from the United States, Australia, New Zealand, and Canada. The book addresses a variety of issues pertaining to women’s home lives, education, teaching, research, writing, and activism. To provide diverse perspectives on women’s experiences of being and knowing in and outside the academy, contributors draw on a range of critical approaches derived from feminism, poststructuralism, postmodernism, critical education theory, discourse theory and analysis, narrative inquiry and life histories. Lately, there has been considerable interest by women in the academy in a discernment process involving an examination of the historically, politically and culturally situated nature of their knowledge of the world, their work in the academy and other activities in which they engage. These examinations, especially in the form of narrative inquiry, life histories and deconstructive language practices such as discourse analysis, figure prominently in breaking silences and giving voice to the many tensions that women experience in the academic workplace and other settings.

Women, Gender and Art in Asia, c. 1500?1900 brings women's engagements with art into a pan-Asian dialogue with essays that examine women as artists, commissioners, collectors, and subjects from India, Southeast Asia, Tibet, China, Korea, and Japan, from the sixteenth to the early twentieth century. The artistic media includes painting, sculpture, architecture, textiles, and photography. The book is broadly concerned with four salient questions: How unusual was it for women to engage directly with art? What factors precluded more women from doing so? In what ways did women's artwork or commissions differ from those of men? And, what were the range of meanings for woman as subject matter? The chapters deal with historic individuals about whom there is considerable biographical information. Beyond locating these uncommon women within their socio-cultural milieux, contributors consider the multiple strands that twined to comprise their complex identities, and how these impacted their works of art. In many cases, the woman's status-as wife, mother, widow, ruler, or concubine (and multiple combinations thereof), as well as her religion and lineage-determined the media, style, and content of her art. Women, Gender and Art in Asia, c. 1500?1900 adds to our understanding of works of art, their meanings, and functions.

This is the first book to concentrate on dysphagia in rare conditions – those that occur infrequently or those that may occur more frequently but are only sometimes associated with dysphagia. Covering a wide range of conditions – from progressive supranuclear palsy (PSP), through connective tissue disease, to conditions as diverse as West Nile virus – the editors and expert contributors efficiently synthesize the available information to provide the essentials needed to help clinicians to perform sophisticated assessments, based on their knowledge of both the conditions and the expected swallowing signs and treatments. Each entry covers the neurology of the given condition, including the signs and symptoms, neuropathology, epidemiology and genetics. Thereafter, coverage of swallowing in each condition examines the diagnostic signs and symptoms, etiology, swallowing neuropathology, associated cognitive, linguistic, and communicative signs and symptoms, special diagnostic considerations, treatment, nutrition, hydration, and medications.