Book comprises chiefly the photographic work of Raymond Moore.

This exhibition catalogue highlights the work of a cross-section of women artists, active during the first half of the 20th century, whose work deserves more critical acclaim. Ever since Linda Nochlin asked in 1971, 'Why have there been no great women artists?', art history has been probing the female gaze. Through scholarship and exhibitions, readings have been put in place to counter prevailing assumptions that artistic creativity is primarily a masculine affair. Fifty Works by Fifty British Women functions as a corrective to the exclusion of women from the 'master' narratives of art. It introduces fifty artworks by known and lesser-known women - outstanding works that speak out. Fifty commentaries by fifty different writers bring out each artwork's unique story - sometimes from an objective art historical perspective and sometimes from an entirely personal point of view - thereby creating a rich and colourful diorama. This exhibition does not, however, attempt to present a survey or to address all the arguments around the history of women and art. Anthologies are of necessity incomplete, and many remarkable imaginations are not here represented. Women artists have been set apart from male artists not only to their own disadvantage but also to the detriment of British art. While there were some improvements for women to access an artistic career in the twentieth century in terms of patronage, economics and critical attention - all the things that confer professional status - women had the least of everything. By showcasing just a few of the remarkable works produced, this exhibition draws attention to the fact that a vision of British twentieth century art closer to a 50/50 balance would not only provide a truer account, but also a more vivid and meaningful narrative. 126 illustrations, 43 b/w

As Aristotle once said, "If you would understand anything, observe its beginning and its development." When Dr Ian Brittain started researching the history of the Paralympic Games after beginning his PhD studies in 1999, it quickly became clear that there was no clear or comprehensive source of information about the Paralympic Games or Great Britain's participation in the Games. This book is an attempt to document the history of the summer Paralympic Games and present it in one accessible and easy-to-read volume. From the outset, it should be made very clear that this book is not meant to be an academic text. It has always been the author's intention that it should be a resource for anyone with an interest in the Paralympic Games, their history, or Great Britain's participation in the Games. Through twelve years of research, the author has brought together all of the facts, figures, and interesting stories that have occurred in the development of the summer Games-from their roots at Stoke Mandeville Hospital in the United Kingdom to the global mega-event they have become today. This is the first publication to include images of posters, winner's medals, and other artefacts connected with the Games-some of which have never been seen in print. Every endeavour has been made to include all relevant information, and this text serves as an ideal starting point from which future researchers and historians may begin. As we have noticed recently with the increased documentation of Olympic history, it is the author's hope that this text will inspire others to contribute to a more complete history of the Paralympic Games. A more complete history may lead to a better understanding of the importance of the Paralympic Games and their impact upon the lives of people with disabilities.

Tracing the evolution of polo from its origins in Central Asia to its current manifestation as a professional sport that attracts wealthy sponsors and patrons, this sociological study examines how polo has changed according to the economic and cultural differences of the nations and continents where it is played. One hundred historic and modern photographs are included.

"Mountains of the Heart" explores Japan's landscape through the eyes of a renowned artist and provides new perspectives on a rare painting collection. It is an invaluable study of a landmark masterpiece that profoundly influenced the development of "ehon," or art books, which recorded Japanese life, culture, and geography for hundreds of years. A great master of the Japanese art-book tradition, Bosai eloquently discusses man's interaction with the environment. His work depicts small figures lost in the mist and forests of immense foothills, seeking nourishment for body and spirit. His work instills in the viewer a sense of nature's immense power and our comparative frailty, while still conveying the peaceful mood of the rural locales that he so lovingly immortalizes. Each image, in its serenity, completely captivates the viewer, and draws us into Bosai's world. "One secret of the appeal of "ehon" is that their artists see with such imagination and clarity, draw with such verve, and embrace any subject, however humble or imperfect," explains Roger S. Keyes, curator of a New York "ehon" exhibition, who declares that these books seize and hold a reader's attention, that they provide revelation and inspiration and turn willing readers into artists. "They empower people." This certainly holds true in "Mountains of the Heart," With comprehensive introduction and commentary by Stephen Addiss, this book will inspire anyone interested in the rich history of Japanese art. 22 color spreads, 22 black and white illustrations.

'Procession', conceived by artist Jeremy Deller, was a public event that took place in Manchester in July 2009. It included processional stalwarts, such as brass bands and rose queens, representations of historical and contemporary myth and folklore, and groups who constituted themselves especially for the occasion.