This volume contains word-for-word commentaries on Pindar's Olympian Odes 3, 7, 12, 14. Emphasis is placed on the explanations of peculiarities of grammar and idiom, but due attention is paid to figures of style and problems of poetic structure. The interpretations proposed by the author - many of them which are new - are documented as fully, but at the same time as concisely, as possible. This documentation, which includes a critical examination of other views, has been made more easily accessible by detailed indexes. The poems discussed do not have special similarities or interrelationships. On the other hand, they may be considered representative of the poet's art. From this point of view, the present selection may serve as an introduction to the study of Pindar's work. Vol. II will contain commentaries on Olympians 1, 10, 11, Nemean 11, and Isthmian 2. A third volume on Pythians 1, 8, 10 is inteded to conclude the series.

This volume contains word-for-word commentaries on Pindar's Olympian Odes 10 and 11, and on Nemean 11 and Isthmian 2. These are preceded by a large number of notes on Olympian 1, intended to form a supplement to D.E. Gerber's edition (1982). The author has tried to explain peculiarities of grammar and nuances of meaning as fully as possible, but due attention is paid to figures of style and problems of poetic structure. The interpretations proposed by the author - many of which are new - are accompanied by an adequate documentation, including a critical examination of other views. This documentation has been made more easily accessible by detailed indexes, one of subjects and one of Greek words. The book forms a sequel to volume I, which contains commentaries on Olympians 3, 7, 12, 14. A third volume on Pythians 1, 8, 10 is intended to conclude the series.

Myth, Locality, and Identity argues that Pindar engages in a striking, innovative style of mythmaking that represents and shapes Sicilian identities in his epinician odes for Sicilian victors in the fifth century BCE. While Sicily has been thought to be lacking in local traditions for Pindar to celebrate, Lewis argues that the Sicilian odes offer examples of the formation of local traditions: the monster Typho whom Zeus defeated to become king of the gods, for example, now lives beneath Mt. Aitna; Persephone receives the island of Sicily as a gift from Zeus; and the Peloponnesian river Alpheos travels to Syracuse in pursuit of the local spring nymph Arethusa. By weaving regional and Panhellenic myth into the local landscape, as the book shows, Pindar infuses physical places with meaning and thereby contextualizes people, cities, and their rulers within a wider Greek framework. During this time period, Greek Sicily experienced a unique set of political circumstances: the inhabitants were continuously being displaced, cities were founded and resettled, and political leaders rose and fell from power in rapid succession. This book offers the first sustained analysis of myth in Pindar's odes for Sicilian victors across the island that accounts for their shared context. The nodes of myth and place that Pindar fuses in this poetry reinforce and develop a sense of place and community for citizens locally; at the same time, they raise the profile of physical sites and the cities attached to them for larger audiences across the Greek world. In addition to providing new readings of Pindaric odes and offering a model for the formation of Sicilian identities in the first half of the fifth century, the book contributes new insights into current debates on the relationship between myth and place in classical literature.

This handbook for the reading of early Greek poetry is intended to be both a manual for teachers and a guide for advanced undergraduate and graduate students. It covers poetry in the elegiac and iambic genres, as well as melic poetry which is provisionally divided into the personal and the public. The book takes a critical look at scholarly trends applied in interpreting this poetry, exploring, for example, the problems of defining the nature of the elegiac genre, the origins of iambic poetry, the personal voice used by the poets, and the validity of historical criticism. Appearing in the Classical Tradition series, it considers the impact of modern literary theory on the reading of these texts - for instance the new interpretations suggested by feminism - and guides readers to a full bibliography on scholarly debates from the 19th century to the present.

In spite of an increased interest over the last ten years in the 1st century AD Roman poet Valerius Flaccus, involving the production of several commentaries, part of his work Argonautica was still lacking a modern commentary. This book gives a full philological and literary commentary of the turbulent book VI of the Argonautica. The Silver Latin author's peculiar phraseology and choice of words is highlighted. Where possible the poem is interpreted in the context of the other Silver Latin epic poets.

This commentary was begun in 1967, but most of the period from 1971 to 1996 was spent on work that was in some sense an essential preliminary to a detailed study of Aeneid 7. The work will serve as a guide to recent (and future) work on Virgilian language, grammar, syntax and style. Recent approaches to the text have been, where possible, taken into account, with sympathy but without jargon. Virgil's sources, in verse and prose, have been studied with special care and the commentary presents a coherent approach to Virgil's view of Italian religion, antiquities and topography. Unusually full indexing is intended to further the book's use as a guide to many aspects of Augustan poetic idiom. There is a text independent of recent editions and a precise, prose translation.

The first intertextual study of all (allusions to) fables occuring in Archaic, Classical, and Hellenistic Greek literature, examining both modern and ancient fable theory as well as Greaco-Roman terminology of the genre.