Reprints the syndicated newspaper comic strip Dark shadows, based on the television series of the same name, which ran from March 14, 1971 to March 11, 1972.

Includes four comic strips featuring Moomin, a teenage troll who looks like a hippopotamus and passively deals with life's troubles; including "Moomin's Winter Follies," "Moomin Mamma's Maid," "Moomin Builds a House," and "Moomin Begins a New Life."

MAD ABOUT COMIC STRIPS collects MAD Magazine's best comic strip satires fora chronological look at the last 50 years, as seen through the eyesof "The Usual Gang of Idiots"- including: Bob Clarke, Desmond Devlin,Duck Edwing, Frank Jacobs, Stan Hart, Al Jaffee, Harvey Kurtzman, Jack Rickard,Angelo Torres, Sam Viviano, and Wally Wood.

The world’s first comic-strip knitting book, Knitstrips presents 22 original patterns, boundless humor, and seriously appealing knitting instruction Inspired, original, and laugh-out-loud funny, knitstrips are patterns and knitting instruction mixed with advice and humorous commentary—and presented in illustrated comic book panels. Launched in 2016 on the mega-popular knitting site Modern Daily Knitting, the strips gained instant popularity and have attracted thousands of avid fans. The book includes 22 brand-new patterns and is designed to mimic a bound collection of comic books in a series: each “issue” with its own cover and wry theme—from yarn stashes to binge knitting—that is close to the heart of knitters. Issues offer four to six knitting patterns each, plus designer highlights and a variety of stories and technical discussions. The result is a fresh, lively knitting adventure that is like nothing the fiber world has seen before.

A guide to creating visual stories, from a single panel to a graphic novel, from a veteran in the field! Barbara Slate guides aspiring graphic storytellers through the same process she learned in her early days working for Marvel and DC Comics-a process she has simplified for the classes she teaches in schools, libraries, and colleges. Suitable for all ages from elementary school to senior citizens, it is presented in the form of a graphic novel itself. The book covers all the components and shows readers how to: Find their own drawing style regardless of ability; create memorable characters, compelling plots and subplots, and engaging dialog; lay out pages that grab the reader's eyes, and traverse the business.

Rebirth of the English Comic Strip: A Kaleidoscope, 1847–1870 enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a “rebirth” because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780–c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe’s first female professional cartoonist.