With Mae West as her ingenious guiding spirit, Erika Krouse introduces us to thirteen young, single, geographically and emotionally nomadic women looking for self-knowledge and trouble. "I like to sleep with other women's husbands," says the narrator of "The Husbands" by way of introduction; unfortunately, one of those husbands is her own sister's. In "Drugs and You," a lonely woman hits a heroin addict with her car and falls blindly in love. In "No Universe," Stephanie deals with her own infertility while watching her friend (who calls children "yard apes") grapple with an abortion and then a guilt-induced pregnancy. These smart, quick-witted women strive for the unflappable sass and strength of Mae West, but often fall prey to their own fear and isolation. Krouse's perfect comic timing acts as a tribute to her muse, Mae West, pop culture's original liberated woman, giving these stories their fresh, offbeat perspective. Potently witty, neurotic and nervy, the collection marks the arrival of an irresistible new voice in fiction.

In a high-stakes game of love, attraction, and desire, two people playing for all the wrong reasons discover how exciting it can be when plans go deliciously awry, and love is all that matters. Original.

"Why don't you come up and see me sometime?" Mae West invited and promptly captured the imagination of generations. Even today, years after her death, the actress and author is still regarded as the pop archetype of sexual wantonness and ribald humor. But who was this saucy starlet, a woman who was controversial enough to be jailed, pursued by film censors and banned from the airwaves for the revolutionary content of her work, and yet would ascend to the status of film legend? Sifting through previously untapped sources, author Jill Watts unravels the enigmatic life of Mae West, tracing her early years spent in the Brooklyn subculture of boxers and underworld figures, and follows her journey through burlesque, vaudeville, Broadway and, finally, Hollywood, where she quickly became one of the big screen's most popular--and colorful--stars. Exploring West's penchant for contradiction and her carefully perpetuated paradoxes, Watts convincingly argues that Mae West borrowed heavily from African American culture, music, dance and humor, creating a subversive voice for herself by which she artfully challenged society and its assumptions regarding race, class and gender. Viewing West as a trickster, Watts demonstrates that by appropriating for her character the black tradition of double-speak and "signifying," West also may have hinted at her own African-American ancestry and the phenomenon of a black woman passing for white. This absolutely fascinating study is the first comprehensive, interpretive account of Mae West's life and work. It reveals a beloved icon as a radically subversive artist consciously creating her own complex image.

A catch phrase is a well-known, frequently-used phrase or saying that has `caught on' or become popular over along period of time. It is often witty or philosophical and this Dictionary gathers together over 7,000 such phrases.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. During the breakdown of an unhappy marriage, writer Joanna Walsh got a job as a hotel reviewer, and began to gravitate towards places designed as alternatives to home. Luxury, sex, power, anonymity, privacy...hotels are where our desires go on holiday, but also places where our desires are shaped by the hard realities of the marketplace. Part memoir and part meditation, this book visits a series of rooms, suites, hallways, and lobbies-the spaces and things that make up these modern sites of gathering and alienation, hotels. Object Lessons is published in partnership with an essay series in The Atlantic.