A little girl describes a typical Sunday from the moment her mother wakes her up through the different elements of the worship service in church.

Come Sunday: A Young Reader's History of Congo Square provides an engaging account of Congo Square and the African presence in New Orleans through culturally relevant content paired with over 130 images and primary documents. These sources provide close-up views of life during the time of the Antebellum Sunday gatherings in Congo Square. Readers are able to analyze, compare, think critically, and discuss content, which develops a deeper understanding of history and how it impacts the world today. Book jacket.

Fourth-generation fundamentalist Carlton Pearson, a Christian megastar and host, takes a courageous and controversial stand on religion that proposes a hell-less Christianity and a gospel of inclusion that calls for an end to local and worldwide conflicts and divisions along religious lines. In The Gospel of Inclusion, Bishop Carlton Pearson explores the exclusionary doctrines in mainstream religion and concludes that, according to the evidence of the Bible and irrefutable logic, they cannot be true. Bishop Pearson argues that the controlling dogmas of religion are the source of much of the world's ills and that we should turn our backs on proselytizing and holy wars and focus on the real good news: that we are all bound for glory, everybody is saved, and if we believe God loves all mankind, then we have no choice but to have the same attitude ourselves. Bishop Pearson tells the story of how he had gone from a powerful religious figure, once preaching to an audience of over 6,000 people, to watching everything he had built crumble around him due to a scandal. Why? He didn't steal money nor did he have inappropriate sexual relationships. Following a revelation from God, he began to preach that a loving God would not condemn most of the human race to hell because they are not Christian. He preaches that God belongs to no religion. The Gospel of Inclusion is the inspiring journey of one man's quest to preach a new truth.

Gospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves.

After the death of her husband, Pastor Hezekiah Cleaveland, Samantha has been installed as the interim pastor of New Testament Cathedral. She's also become the head of the international television ministry, but not everyone is happy about it. Danny St. John was having an affair with Samantha's husband before he was assassinated in the pulpit one Sunday. Danny is convinced that Samantha had her husband murdered, and he wants revenge. Cynthia Pryce, the wife of the church's assistant pastor, Reverend Percy Pryce, wants to see her husband become the church's permanent pastor. She's working behind the scenes to see that Samantha is removed from the position. Gideon Truman, a well-known investigative reporter, believes that solving the murder of Pastor Cleaveland will establish his career as the black Anderson Cooper. He starts rummaging through the skeletons in Samantha's closet in his quest for the truth. Danny, Cynthia, and Gideon all desire to take Samantha down for different reasons. They might be underestimating the cunning and dangerous nature of their prey, though. Samantha has a secret that she's willing to go to any length to protect, and she doesn't care who she has to destroy in the process.

The post-Christian West is in decline, revived Islam is on the rise, and Mesopotamia (Syria-Iraq), the cradle of civilization, has become ground zero in a battle for civilization. Despised as infidels (unbelievers) and kafir (unclean), Mesopotamia's indigenous Christian peoples are targeted by fundamentalist Muslims and jihadists for subjugation, exploitation, and elimination. Pushed deep into the fog of war, buried under a mountain of propaganda, and rendered invisible by a shroud of silence, they are betrayed and abandoned by the West's "progressive" political, academic, and media elites who cling to utopian fantasies about Islam while nurturing deep-seated hostility towards Christianity. If they are to survive as a people in their historic homeland, the Christians of Mesopotamia will need all the help they can get. If Western civilization is to survive as a force in its historic heartland (Europe), then we had better start seeing, hearing, and believing the Christians of the Middle East, for their plight prefigures our own.

As Isla Morley's novel sweeps from the hills of Honolulu to the veldt of South Africa, we catch a hint of the spirit of Barbara Kingsolver and the mesmerizing truth of Jodi Picoult. We are reminded of how it felt to dive into the drama of The Thorn Birds. Come Sunday is that joyous, special thing: a saga that captivates from the very first page, breaking our hearts while making our spirits soar. Abbe Deighton is a woman who has lost her bearings. Once a child of the African plains, she is now settled in Hawaii, married to a minister, and waging her battles in a hallway of monotony. There is the leaky roof, the chafing expectations of her husband's congregation, and the constant demands of motherhood. But in an instant, beginning with the skid of tires, Abbe's battlefield is transformed when her three-year-old daughter is killed, triggering in Abbe a seismic grief that will cut a swath through the landscape of her life and her identity. Come Sunday is a novel about searching for a true homeland, family bonds torn asunder, and the unearthing of decades-old secrets. It is a novel to celebrate, and Isla Morley is a writer to love.