“Chance’s fun sequel to 2015’s Come Hell or Highball . . . an abundance of action. P.G. Wodehouse fans will find a lot to like.” —Publishers Weekly After her philandering husband died and left her penniless in Prohibition-era New York, Lola Woodby escaped with her Swedish cook to the only place she could—her deceased husband’s secret love nest in the middle of Manhattan. Her only comforts were chocolate cake, dime store detective novels, and the occasional highball (okay, maybe not so occasional). But rent came due and Lola and Berta were forced to accept the first job that came their way, leading them to set up shop as private detectives operating out of Alfie’s cramped love nest. Now Lola and Berta are in danger of losing the business they’ve barely gotten off the ground—work is sparse and money is running out. So when a society matron offers them a job, they take it—even if it means sneaking into a slimming and exercise facility and consuming only water and health food until they can steal a diary from Grace Whiddle, a resident at the “health farm.” But barely a day in, Grace and her diary escape from the facility—and Grace’s future mother-in-law is found murdered on the premises. Lola and Berta are promptly fired. But before they can climb into Lola’s brown and white Duesenberg Model A and whiz off the health farm property, they find themselves with a new client and a new charge: to solve the murder of Grace’s future mother-in-law. Teetotaled, Maia Chance’s sparkling new installment in the Discreet Retrieval Agency Mysteries will delight readers with its clever plotting, larger-than-life characters, and rich 1920s atmosphere.

31-year-old society matron Lola Woodby has survived her loveless marriage with an unholy mixture of highballs, detective novels, and chocolate layer cake, until, her husband dies suddenly, leaving her his fortune...or so Lola thought. As it turns out, all she inherits from Alfie is a big pile of debt. Pretty soon, Lola and her stalwart Swedish cook, Berta, are reduced to hiding out in the secret love nest Alfie kept in New York City. But when rent comes due, Lola and Berta have no choice but to accept an offer made by one of Alfie's girls-on-the-side: in exchange for a handsome sum of money, the girl wants Lola to retrieve a mysterious reel of film for her. It sounds like an easy enough way to earn the rent money. But Lola and Berta realize they're in way over their heads when, before they can retrieve it, the man currently in possession of the film reel is murdered, and the reel disappears. On a quest to retrieve the reel and solve the murder before the killer comes after them next, Lola and Berta find themselves navigating one wacky situation after another in high style and low company. Charming, witty, often laugh-out-loud funny, Maia Chance's Come Hell or Highball is the first in the Discreet Retrieval Agency Mysteries and introduces a sparkling new voice in crime fiction.

Naughty on Ice is the latest in Maia Chance’s dazzlingly fun Prohibition-era caper series featuring society matron Lola Woodby and her stalwart Swedish cook, Berta. The Discreet Retrieval Agency is doing a brisk holiday business of retrieving lost parcels, grandmas, and stolen wreaths. But with their main squeezes Ralph and Jimmy once more on the back burner, both Lola and Berta pine for a holiday out of New York City. So when they receive a mysterious Christmas card requesting that they retrieve an antique ring at a family gathering in Maple Hill, Vermont, they jump at the chance. Sure, the card is signed Anonymous and it’s vaguely threatening, but it’s Vermont. In Maple Hill, several estranged members of the wealthy Goddard family gather. And no sooner do Lola and Berta recover the ring—from Great-Aunt Cressida Goddard’s arthritic finger—than Mrs. Goddard goes toes-up, poisoned by her Negroni cocktail on ice. When the police arrive, Lola and Berta are caught-red-handed with the ring, and it becomes clear that they were in fact hired not for their cracker-jack retrieving abilities, but to be scapegoats for murder. With no choice but to unmask the killer or be thrown in the slammer, Lola and Berta’s investigations lead them deep into the secrets of Maple Hill. In a breathless pursuit along a snowy ridge, with a lovelorn Norwegian ski instructor and country bumpkin hooch smugglers hot on their heels, Lola and Berta must find out once and for all who’s nice...and who’s naughty.

Now in paper for the first time, Bitter Music is a generous volume of writings by one of the twentieth century's great musical iconoclasts. Rejecting the equal temperament and concert traditions that have dominated western music, Harry Partch adopted the pure intervals of just intonation and devised a 43-tone-to-the-octave scale, which in turn forced him into inventing numerous musical instruments. His compositions realize his ideal of a corporeal music that unites music, dance, and theater. Winner of the ASCAP-Deems Taylor Award, Bitter Music includes two journals kept by Partch, one while wandering the West Coast during the Depression and the other while hiking the rugged northern California coastline. It also includes essays and discussions by Partch of his own compositions, as well as librettos and scenarios for six major narrative/dramatic compositions.

Presents a new collection of accounts from actual undertakers--including tales of slapstick humor, wild coincidences, and touching moments--that highlight the lighter side of death.

Offering coverage of over 6,000 slang words and expressions from the Cockney 'abaht' to the American term 'zowie', this is the most authoritative dictionary of slang from the 20th and 21st centuries.