She investigates more mainstream art, from the teen dance sensation The Buddy Deane Show to the comedy-drama Roc to the crime show The Wire, from Anne Tyler's award-winning book The Accidental Tourist to Barry Levinson's movie classic Diner.

Not too long ago, there was no coming back from death. But now, with revolutionary medical advances, death has become just another serious complication as David Casarett shows in this compelling volume. The entire history of resuscitation, from ancient times to today, is here explored, thus revealing exactly how malleable the term 'dead' actually is.

An NPR Best Book of the Year A Publishers Weekly Best Book of the Year How does a girl fashion herself into a woman? In this richly illustrated memoir, writer Patricia Volk juxtaposes her two childhood idols to find her answer. Her mother, Audrey, was an upper-middle-class New Yorker and a great beauty—meticulously groomed, proudly conventional. Elsa Schiaparelli was an avant-garde fashion designer whose creations broke every rule and elevated clothing into art. While growing up in Audrey's strict household, Patricia read Schiap's freewheeling autobiography and was transformed by it. Shocked weaves Audrey's traditional notions of domesticity with Schiap's often outrageous ideas, giving us a revelatory meditation on beauty and on being a daughter, sister, and mother—and demonstrating, meanwhile, how a single book can change a life.

(Book). If Howard Kaylan had sung only one song, the Turtles' 1967 No. 1 smash hit "Happy Together," his place in rock-and-roll history would still be secure. But that recording, named in 1999 by BMI as one of the top 50 songs of the 20th century, with over five million radio plays, is only the tip of a rather eye-opening iceberg. For nearly five decades, Howard Kaylan has been a player in the rock-and-roll revolution. In addition to his years with the Turtles, Kaylan was a core member of Frank Zappa's Mothers of Invention and the dynamic duo Flo and Eddie, and part of glam rock history with Marc Bolan and T. Rex. He's also given street cred and harmonies to everyone from John Lennon, Bruce Springsteen and Alice Cooper to the Ramones and Duran Duran, to name just a few. Howard Kaylan's life has been a dangerous ride that he is only too happy to report on, naming names and shedding shocking tales of sex, drugs, and creative excess. Shell Shocked will stand alone as not only one of the best-told music-biz memoirs, but one with a truly candid and unmatchable story of rock-and-roll insanity and success from a man who glories in it all.

“One of our smartest, most inventive humor writers, Ortberg combines bathos and the devotional into a revelation.” —Jordy Rosenberg, The New York Times Book Review From the New York Times bestselling author of Texts From Jane Eyre and Merry Spinster, writer of Slate’s “Dear Prudence” column, and cofounder of The Toast comes a hilarious and stirring collection of essays and cultural observations spanning pop culture—from the endearingly popular to the staggeringly obscure. Daniel M. Lavery is known for blending genres, forms, and sources to develop fascinating new hybrids—from lyric rants to horror recipes to pornographic scripture. In his most personal work to date, he turns his attention to the essay, offering vigorous and laugh-out-loud funny accounts of both popular and highbrow culture while mixing in meditations on gender transition, family dynamics, and the many meanings of faith. From a thoughtful analysis of the beauty of William Shatner to a sinister reimagining of HGTV’s House Hunters, and featuring figures as varied as Anne of Green Gables, Columbo, Nora Ephron, Apollo, and the cast of Mean Girls, Something That May Shock and Discredit You is a hilarious and emotionally exhilarating compendium that combines personal history with cultural history to make you see yourself and those around you entirely anew. It further establishes Lavery as one of the most innovative and engaging voices of his generation—and it may just change the way you think about Lord Byron forever.

The bestselling author of No Logo shows how the global "free market" has exploited crises and shock for three decades, from Chile to Iraq In her groundbreaking reporting, Naomi Klein introduced the term "disaster capitalism." Whether covering Baghdad after the U.S. occupation, Sri Lanka in the wake of the tsunami, or New Orleans post-Katrina, she witnessed something remarkably similar. People still reeling from catastrophe were being hit again, this time with economic "shock treatment," losing their land and homes to rapid-fire corporate makeovers. The Shock Doctrine retells the story of the most dominant ideology of our time, Milton Friedman's free market economic revolution. In contrast to the popular myth of this movement's peaceful global victory, Klein shows how it has exploited moments of shock and extreme violence in order to implement its economic policies in so many parts of the world from Latin America and Eastern Europe to South Africa, Russia, and Iraq. At the core of disaster capitalism is the use of cataclysmic events to advance radical privatization combined with the privatization of the disaster response itself. Klein argues that by capitalizing on crises, created by nature or war, the disaster capitalism complex now exists as a booming new economy, and is the violent culmination of a radical economic project that has been incubating for fifty years.

Patricia Volk's glittering memoir, written with charm, panache and wit, juxtaposes the lives of two women - the iconoclastic fashion designer Elsa Schiaparelli and the author's own mother - to tell the story of how young Patricia fashioned herself into a woman. Patricia Volk's mother Audrey was an upper-middle class New Yorker, a great beauty, a perfectionist, and a polished hostess who believed in women doing things the proper way. The iconoclastic Italian fashion designer, Elsa Schiaparelli, on the other hand, never found a rule she didn't want to break. One of fashion's most radical provocateurs, she was a cultural revolutionary who embodied the 'daring'. For Patricia, who read Schiap's 'scandalous' autobiography, Shocking Life, at a tender age, these two women offered fabulously contrasting lessons in everything from fashion, make-up, lingerie, family and entertaining, to love, sex, superstition and gambling - lessons that would stay with her for the rest of her life. Moving seamlessly between the Volks' 1950s Manhattan home and Schiap's astonishing life in New York, Rome and Paris (among pals like Dali, Duchamp, Picasso), The Art of Being a Woman weaves Audrey's notions of female domesticity with Schiap's groundbreaking creative vision to tell the witty, wise and utterly delightful story of how a young girl learned that there is more than one way to be a woman.