The Baltimore Sun covered World War II with an outstanding team of combat correspondents, among them three future Pulitzer Prize winners. The correspondents witnessed momentous events: Anzio and Cassino, D-Day, Black Christmas in the Bulge, the crossing of the Rhine, the link up with the Russians on the Elbe, the German surrender at Rheims, the invasions of Iwo Jima and Okinawa, and the Japanese surrender on the U.S.S. Missouri. They took enormous risks. Price Day was in action at Anzio and Cassino; Holbrook Bradley landed with the 29th Division on the Normandy beaches. Lee McCardell narrowly escaped death when a bomb exploded near his jeep. Howard Norton was on a sub chaser when a Japanese shell killed most of its crew. Philip Heisler’s escort carrier nearly capsized in a typhoon. They filed stories from the front lines of history. Norton scooped the world on the execution of Mussolini. Day and McCardell were among the first to file stories on Nazi atrocities and death camps. The doyen of these correspondents, Mark Watson, wrote prescient articles on military strategy. All of them sent back gritty stories of the endurance and humor of ordinary GIs. This was a time when correspondents wore uniforms, censors could block their stories, and journalists wrote on portable typewriters and traveled dozens of miles to file their copy. Enjoying a personal freedom of movement and decision-making unknown in today’s electronic era, these newspaper men were working at a time when print journalism was the prime medium for news. Their dispatches, which reported the war with the immediacy of real time, make up the core of this book.

This riveting firsthand chronicle of a Marine journalist on the front lines in the Pacific during World War II was made possible after Stavisky joined a unique unit of rifle-toting writers called the Combat Correspondent Corps. He gives a heart-pounding, eye-witness account of hellish battles and American heroism.

Honorable Mention recipient for the American Journalism Historians Association Book of the Year Award, this book outlines the rich history of more than 250 women who worked as war correspondents up through World War II, while demonstrating the ways in which the press and the military both promoted and prevented their access to war. Despite the continued presence of individual female war correspondents in news accounts, if not always in war zones, it was not until 1944 that the military recognized these individuals as a group and began formally considering sex as a factor for recruiting and accrediting war correspondents. This group identity created obstacles for women who had previously worked alongside men as “war correspondents,” while creating opportunities for many women whom the military recruited to cover woman’s angle news as “women war correspondents.” This book also reveals the ways the military and the press, as well as women themselves, constructed the concepts of “woman war correspondent” and “war correspondent” and how these concepts helped and hindered the work of all war correspondents even as they challenged and ultimately expanded the public’s understanding of war and of women.

Journalists possess critical responsibilities—one is simply to inform, another is to explain. As a military photojournalist during the Vietnam Era, Bob Bowen has captured visually with his camera and explained eloquently with his written words, the horrors and the honorable service of that period. In his new book My Life and Lens, Bowen articulates not only high action combat but the artful subtleties and tactics of warfare. He writes so well that the reader is pulled into the stories as if there in person. It is one thing to provide facts to America’s cumulative history; it’s another to display the facts through personal experiences. One will learn through reading this memoir that the life of a journalist in a war zone could be short-lived. It is dangerous work; but when successful, the work informs. This is what makes Bowen’s book such a compelling read. This memoir is an excellent pictorial and literary contribution not only to our nation’s history but in the recognition of those who honorably participated in that unpopular conflict. Respect is demonstrated to the families of the brave American heroes of this long-ago era by Bob Bowen’s memorializing them in his book. - Worth Earlwood Norman, Jr., retired account executive, EDS Corporation; author of two biographies—James Solomon Russell: Former Slave, Pioneer Educator, and Episcopal Evangelist (McFarland Publishing, 2012), William Jelks Cabaniss, Jr., Crossing Lines in His Business, Political and Diplomatic Life (Archdeacon Books, 2014) and one memoir, Six Bits: USMC 1962-1963 (My Years in USMC Bands 1962-1966) (Kindle eBook) I predict this is a great book by Bob Bowen who is writing about his own life during the Vietnam War. Bob is an expert photographer and was a war correspondent and a fine writer. This job was dangerous. This book could really take off and be a great success. I recommend it to anyone interested in the Vietnam War. The war was a harrowing experience for the men involved, and they have never been given proper credit for their bravery. - Don Gilmore, author, Eyewitness Vietnam The images you captured of our Marines in Vietnam are unequaled. Your book will be a smash hit! - Franklin Cox, author, Lullabies for Lieutenants My friend Bob Bowen has been a member of The American Legion for more than four decades, during which time he has been totally devoted to our country, our veterans, and their families. This memoir details his insights not only into war and coming home, but also into the people who are Americans. His life is proof that when most veterans take off their uniforms, they don’t quit their service to the nation. My Life and Lens is the inspiring story of how one Marine is still serving America. - Daniel S. Wheeler, National Adjutant, The American Legion

The riveting, untold history of a group of heroic women reporters who revolutionized the narrative of World War II—from Martha Gellhorn, who out-scooped her husband, Ernest Hemingway, to Lee Miller, a Vogue cover model turned war correspondent. "Thrilling from the first page to the last." —Mary Gabriel, author of Ninth Street Women "Just as women are so often written out of war, so it seems are the female correspondents. Mackrell corrects this omission admirably with stories of six of the best…Mackrell has done us all a great service by assembling their own fascinating stories." —New York Times Book Review On the front lines of the Second World War, a contingent of female journalists were bravely waging their own battle. Barred from combat zones and faced with entrenched prejudice and bureaucratic restrictions, these women were forced to fight for the right to work on equal terms with men. The Correspondents follows six remarkable women as their lives and careers intertwined: Martha Gellhorn, who got the scoop on Ernest Hemingway on D-Day by traveling to Normandy as a stowaway on a Red Cross ship; Lee Miller, who went from being a Vogue cover model to the magazine’s official war correspondent; Sigrid Schultz, who hid her Jewish identity and risked her life by reporting on the Nazi regime; Virginia Cowles, a “society girl columnist” turned combat reporter; Clare Hollingworth, the first English journalist to break the news of World War II; and Helen Kirkpatrick, the first woman to report from an Allied war zone with equal privileges to men. From chasing down sources and narrowly dodging gunfire to conducting tumultuous love affairs and socializing with luminaries like Eleanor Roosevelt, Picasso, and Man Ray, these six women are captured in all their complexity. With her gripping, intimate, and nuanced portrait, Judith Mackrell celebrates these courageous reporters who risked their lives for the scoop.