The book is a straight forward account of Alexander Russos adventurous journey in the Naval Reserve, serving with Naval Intelligence and as combat artist during WWII. He was the fi rst and youngest of Naval personnel to volunteer and engage in the landings in Sicily and Normandy, the graphic results of which form part of the Navys Historical Records of World War II. The book also continues with the development and challenges of the artist in post-war years, which provides valuable insights for anyone pursuing a career in the fi ne arts. The book also continues with the development and challenges of the artist in post-war years, which provides valuable insights for anyone pursuing a career in the fine arts.

What keeps so many of us from doing what we long to do? Why is there a naysayer within? How can we avoid the roadblocks of any creative endeavor—be it starting up a dream business venture, writing a novel, or painting a masterpiece? The War of Art identifies the enemy that every one of us must face, outlines a battle plan to conquer this internal foe, then pinpoints just how to achieve the greatest success. The War of Art emphasizes the resolve needed to recognize and overcome the obstacles of ambition and then effectively shows how to reach the highest level of creative discipline. Think of it as tough love . . . for yourself.

John Gaitha Browning was a 30-year-old artist when he joined the Army, and he did not cease to be an artist just because he had become a soldier. The extraordinary journal he kept during his two years in the South Pacific records the plight of any artist at war: "We are a lonely lot who ignore so many things and dream of a day when we will be free to create beauty again". Browning also brought to Army life his many years of experience (some while a Boy Scout) working among Native Americans, learning their lore and handiwork. Many entries in this journal are fascinating comparisons between them and the New Guinea and Philippine natives. Although his love of art and culture sometimes left him at odds with the youngest soldiers, he was determined to make a written and visual record of whatever "good and beautiful" he found amidst the confusion and destruction of war. The journals begin on February 6, 1943 in Fort Ord, California; cover Browning's journey to Australia aboard the U. S. Army Transport Willard A. Holbrook; his adventures in Brisbane and Cairns, and then New Guinea; and his combat experience in the Philippines during the spring and summer of 1945.

"When Ed Bowen stepped over the border from Canada to America, little did he know the far-reaching ramifications this would have for his life. He was drafted into the Vietnam War with an assignment as a door gunner for air combat, normally a sure ticket to an early death. Through an unexplainable chain of events, obviously directed by the hand of God, Ed went from the horror of Vietnam to become a combat artist, well protected from the death and destruction that should have been his"--Page 4 of cover.

From Keith Haring to Extinction Rebellion, the civil rights movement to Black Lives Matter, what does a revolution look like? Discover the power of words and images in this thought-provoking look at protest art by highly acclaimed artivist De Nichols. From the psychedelic typography used in “Make Love Not War” posters of the '60s to the solitary raised fist, some of the most memorable and striking protest artwork from across the world and throughout history deserves a long, hard look. Readers can explore each piece of art to understand how color, symbolism, technique, and typography play an important role in communication. Guided by activist, lecturer, and speaker De Nichols's powerful narrative and stunningly illustrated by a collaboration of young artists, this volume also has plenty of tips and ideas for creating your own revolutionary designs. This is a fully comprehensive look at the art of protest.

"El Paso artist Tom Lea was commissioned by Life Magazine to paint the war as it was being experienced by U.S. and Allied soldiers, sailors, and airmen. Along with his sketchbook, Lea carried on these assignments his "record of work", a notebook in which he recorded observations and details on the images he hoped to create from the events he had seen." "Brendan M. Greeley, Jr. has collected virtually all of Tom Lea's firsthand accounts of his assignments for Life, along with his powerful sketches and unforgettable paintings, and placed them in context, along with photographs and research focusing on the people, places, and wartime events encountered by Tom Lea. Drawing on previously unpublished sources - the artist's diary, letters to the Texas historian J. Frank. Dobie, oral interviews, and archival materials from Texas and national collections - Greeley presents in The Two Thousand Yard Stare a uniquely comprehensive and sustained treatment of Lea's creative accomplishments during World War II." "This well-documented and astonishingly illustrated volume will fascinate those interested in the realistic depiction of war, in both images and words. Also a must-read for students, scholars, and collectors of the artist's work, The Two Thousand Yard Stare: Tom Lea's World War II is a brilliant compendium of the work and thought of one of America's most compelling painters and writers."--BOOK JACKET.

A compilation of the art of Giuseppe Rava