Around 1848 Wilhelm Friedrich, a young German immigrant to Texas, completed three drawings that capture unique details of life on the frontier. Friedrich's sketches feature Comanches, Germans, a captive girl, a wagon train, the landscape and wildlife of the Texas Hill Country, and dynamic scenes of cultural contact. Friedrich is the only artist known to have produced contemporaneous images of a Comanche captive while still in captivity. The authors use their expertise in Comanche culture, German immigration, art, and Hill Country history to explore the many layers of meaning in Friedrich's drawings. Who was Wilhelm Friedrich? How did he come to Texas? What information does he pack into his drawing? How can we understand his work--as art, as data about Comanche life and customs, and as a record of German values and priorities in the New World? Who is the captive girl? And why is her portrayal important today?

Winner, 2018 Presidio La Bahia Award, sponsored by the Sons of the Republic of Texas In 1851, an article appeared in a German journal, Geographisches Jahrbuch (Geographic Yearbook), that sought to establish definitive connections, using language observations, among the Comanches, Shoshones, and Apaches. Heinrich Berghaus’s study was based on lexical data gathered by a young German settler in Texas, Emil Kriewitz, and included a groundbreaking list of Comanche words and their German translations. Berghaus also offered Kriewitz’s cultural notes on the Comanches, a discussion of the existing literature on the three tribes, and an original map of Comanche hunting grounds. Perhaps because it was published only in German, the existence of Berghaus’s study has been all but unknown to North American scholars, even though it offers valuable insights into Native American languages, toponyms, ethnonyms, hydronyms, and cultural anthropology. It was also a significant document revealing the history of German-Comanche relations in Texas. Daniel J. Gelo and Christopher J. Wickham now make available for the first time a reliable English translation of this important nineteenth-century document. In addition to making the article accessible to English speakers, they also place Berghaus’s work into historical context and provide detailed commentary on its value for anthropologists and historians who study German settlement in Texas. Comanches and Germans on the Texas Frontier will make significant contributions to multiple disciplines, opening a new lens onto Native American ethnography and ethnology.

Lt. William Forrest Baldwin is dragged back from sick leave with orders to accompany 300 Comanche prisoners up to Fort Sill, armed with a platoon of "defective" soldiers barred from active duty.--

On New Year's Day in 1870, ten-year-old Adolph Korn was kidnapped by an Apache raiding party. Traded to Comaches, he thrived in the rough, nomadic existence, quickly becoming one of the tribe's fiercest warriors. Forcibly returned to his parents after three years, Korn never adjusted to life in white society. He spent his last years in a cave, all but forgotten by his family. That is, until Scott Zesch stumbled over his own great-great-great uncle's grave. Determined to understand how such a "good boy" could have become Indianized so completely, Zesch travels across the west, digging through archives, speaking with Comanche elders, and tracking eight other child captives from the region with hauntingly similar experiences. With a historians rigor and a novelists eye, Zesch's The Captured paints a vivid portrait of life on the Texas frontier, offering a rare account of captivity. "A carefully written, well-researched contribution to Western history -- and to a promising new genre: the anthropology of the stolen." - Kirkus Reviews

"In 1986, at just 17 years of age, D. Lâaszlâo Conhaim landed his first professional writing assignment, a two-part interview in Los Angeles and Tokyo with Japanese screen legend Toshiro Mifune for Minneapolis's City Pages. While a humanities major at the University of Southern California, he wrote for credits his first historical novel, All Man's Land, about a former slave's discovery of the lawman who once owned him. In 1995, Conhaim co-founded The Prague Revue, the longest-running literary journal to serve the community of international writers in Prague. For TPR, he wrote a fictional remembrance of Miguel de Unamuno, "Feeling into Don Miguel," which Gore Vidal "read with delight" and Alexander Zaitchik (Rolling Stone, The Nation) called "masterful" in Think Magazine. In 1999, TPR Books published his corresponding novel of mythomania in Spain, Autumn Serenade"--

First published in 1859, Nelson Lee's Three Years Among the Comanches is perhaps the most widely known story of all Indian captivity narratives. Lee was a Texan Ranger captured by marauding Indians in the 1850s and forced to live with them as a slave for three years before making his escape. His account includes detailed descriptions of life in a nomadic Comanche village, his marriage to a young squaw, buffalo hunts, Comanche versus Apache conflicts, Comanche mythology and gut-wrenching descriptions of the terrible fates of his fellow-captives who were tortured before him, his life being spared only because of a silver alarm clock he possessed, the loud workings of which mystified his superstitious captors.