Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.

All of science springs from the observation of nature. In this classic book, the late Professor Minnaert accompanies the reader on a tour of nature's light and color and reveals the myriad phenomena that may be observed outdoors with no more than a pair of eyes and an enquiring mind. From the intriguing shape of the dapples beneath a tree on a sunny day, via rainbows, mirages, and haloes, the colors of liquid, ice, and the sky, to the appearance of the sun, moon, planets, and stars - Minnaert describes and explains them all in a clear language accessible to laymen. This new English edition is supplemented by 80 plates, over half of them in color, taken by the acclaimed photographer Pekka Parviainen, illustrating many of the phenomena - ordinary and exotic - discussed in the book.

Brand-new series! Elevate your art skills with definitive advice, tutorials, and inspiration from the world's most talented art masters.

Endorsed by the Society of Light and Lighting, this practical bookoffers comprehensive guidance on how colour, light and contrast canbe incorporated within buildings to enhance their usability. Thebook provides state-of-the-art, clear guidance as well as avaluable information source for busy professionals involved in thedesign or management of new and existing environments. The ways colour, light and contrast are used within builtenvironments are critical in determining how people interact withthe space, and how confident, safe, and secure they will feel whendoing so. They also have a major influence on a person’ssense of well-being and their ability to use the environmentindependently and without undue effort. Understanding how to use colour and contrast and how they areinfluenced by both natural and artificial lighting is vital for allthose involved in the design and management of the environments andspaces we all use. In recent years there has been a considerable amount of workundertaken to further our understanding of how colour, light andcontrast affect emotion and sensory abilities, and how they canassist or hinder people in their everyday lives. Other publications consider these issues individually but TheColour, Light and Contrast Manual: designing and managing inclusivebuilt environments draws knowledge and information together toproduce a unique, comprehensive and informative guide to how thethree elements can work together to improve the design andmanagement of environments for us all. Supporting website at: www.wiley.com/go/brightandcook

PAINTING: OILS. Often seen as dark and gloomy, oils can, in fact, be used to create colourful and light paintings that are wonderfully expressive. One significant characteristic of oil paint is its richness and depth of colour, something that is of particular interest to Nicholas Verrall. In this book, he discusses his working methods and the importance of colour, at the same time placing these issues within the general context of painting in oils, with all that this has to offer. Includes information, demonstrations and many inspirational finished paintings to help painters understand the value of colour in interpreting ideas with feeling and impact. It provides guidance on a wide range of skills, techniques and advice on subject matter and associated topics. Illustrated throughout. It shows how to use oils and create colourful, light and expressive pictures. Verrall is one of the UK's most respected contemporary figurative painters. It is presented new in paperback.

We live in a world of optical marvels - from the commonplace but beautiful rainbow, to the rare and eerie superior mirage. But how many of us really understand how a rainbow is formed, why the setting sun is red and flattened, or even why the sky at night is not absolutely black? This beautiful and informative guide provides clear explanations to all naturally occurring optical phenomena seen with the naked eye, including shadows, halos, water optics, mirages and a host of other spectacles. Separating myth from reality, it outlines the basic principles involved, and supports them with many figures and references. A wealth of rare and spectacular photographs, many in full color, illustrate the phenomena throughout. In this new edition of the highly-acclaimed guide to seeing, photographing and understanding nature's optical delights, the authors have added over 50 new images and provided new material on experiments you can try yourself.

Published to coincide with an exhibition of Pierre Bonnard's work at the Tate Gallery in London (12th February - 17th May 1998) and the Museum of Modern Art, New York (24th June - 29th September 1998), this is a concise illustrated survey of Bonnard's use of colour and light. It reviews his life and work, and sets out to show, through an analysis of key works, how his technique and working methods developed over 50 years.