The magic of mixing colors, in a joyous story by a master colorist Zena's world lacks color, so she sets out to find some. On her walk, she first finds one primary color, then another. But red, blue, and yellow aren't enough—Zena wants more colors! Out pops an orange lion, a green frog, and a purple dragon, a combination of the colors she has seen. Zena and her friends then do some color mixing themselves, creating more colors and a bright painting using them all. Vibrant illustrations and simple text make Monica Wellington’s latest a perfect pick for budding young artists and for fans of classics such as The Color Kittens and Mouse Paint.

Presents basic colors and the numbers from one to ten in illustrations featuring various camouflaged objects.

Zena el Khalil, a young Beirut-based female artist, writer, and activist who had an unconventional but worldly upbringing growing up in Lagos, Nigeria and attending art school in New York, returns after 9/11 to her familial home of Beirut and its mountains, beaches, food, music and drugs. Beirut, I Love You, spanning from 1994 to the present day, brings Beirut to life in all its glory and contradictions and is filled with personal anecdotes of Zena's life there: a place where, in spite of the pervasive desire for hope and the resilience of its people, still bears deep scars from the Lebanese Civil War and the Israeli invasion of 2006—a place where plastic surgery and AK 47s live side by side and nightclubs are situated on rooftops in order to avoid car bombs. Yet Zena and her friends, in particular her fellow rebel Maya, refuse to accept the extreme poles of Beirut, the militias and gender restrictions on one side, hedonism and materialism on the other. And although Zena experiences tragedy and loss, her story is a testament to the power of love and friendship, and the beauty of her city and its inhabitants. Written with an honest, profound simplicity, Zena is intoxicated by the country’s contradictions—“Lebanon was, and always will be, schizophrenic”—and attempts to come to terms with her role among her friends, family, and city.

The brilliant colors of fall foliage take center stage in this picture book perfect for fans of the classic Red Leaf, Yellow Leaf. With her trademark bold, graphic style Monica Wellington has created a picture book about autumn, trees, and leaves. When the seasons change, a young girl visits the arboretum to collect fallen leaves and make a book with them. Brilliant illustrations show each variety of tree the girl encounters, from the common oak to the lesser known gingko. Spreads silhouetting leaves up-close help young children learn to identify them. Like the girl in the book, young readers will be eager to make their very own leaf books.

Four hundred light years from Earth, Kregen is a marvelous world, peopled by wonderful beings, filled with light and clamor and furor of life lived to the hilt. But Kregen has its darker side, where horror and terror bind innocent people, where sorceries rend reason, where injustice denies light. Dray Prescot’s happiness with Delia, the Princess Majestrix of Vallia, is threatened as the notorious Wizard of Loh, Phu-si-Yantong, seeks to destroy Delia’s father and take control of the empire of Vallia. And Prescot is determined to seek the whereabouts of his daughters, alienated from him during his forced absence on Earth. But the brilliant world of Kregen under Antares will always challenge Prescot with new problems and adventures. Dray Prescot knows only too well that he must continue to struggle against himself as well as the malignant fates that pursue him in the mingled streaming lights of the Suns of Scorpio. Secret Scorpio: Courage and ingenuity has won Dray Prescot a high role in the Vallian Empire and a certain independence from the Star Lords. So when a mysterious monster cult begins to undermine the empire and when his own beloved princess becomes a victim of those secret schemers, Prescot has to go into action. Savage Scorpio: Somewhere in the unmapped regions of Kregen lies the hidden city of the Savanti. Dray has long sought the locale of his original landing and now the time has come when the search must be completed without delay, for the father of his beloved Delia is a victim of assassins. Only the Savanti can undo the evil that could shatter all that Dray holds dear in his second planetary homeland. Captive Scorpio: Prescot has risen high in the empire of Vallia, but luck cannot always sustain him. All the forces opposed to his lands, his princess, his emperor, and to him personally, converge to bring about the darkest hour of his long career. With his back to the wall, Dray Prescot faces that time of peril with unflinching will... until the cruelest blow of all is struck: his warrior daughter Dayra rode in the vanguard of his foes! Golden Scorpio: When you're down there's no place to go but up. That's the way the brave think and if there is anyone on two worlds braver than Dray Prescot, he has yet to appear. Prescot would never give up. Single-handedly, if need be, he would be a deadly threat to the enemies of Vallia. But as he sets out on a liberation mission incomparable in the history of two worlds he knows he will never be alone... This edition contains a glossary to the Vallian cycle.

Ideal for preschool kids. Helps with first learning skills such as word and color recognition, counting and sorting. Magnetic pieces allow activities to be repeated over and over. Warning: Choking Hazard - Small parts. Not intended for children under 3 yrs.

Following the overwhelming success of "The Cosby Show" in the 1980s, an unprecedented shift took place in television history: white executives turned to black dollars as a way of salvaging network profits lost in the war against video cassettes and cable T.V. Not only were African-American viewers watching disproportionately more network television than the general population but, as Nielsen finally realized, they preferred black shows. As a result, African-American producers, writers, directors, and stars were given an unusual degree of creative control over shows such as "The Fresh Prince of Bel Air," "Roc," "Living Single," and "New York Undercover". What emerged were radical representations of African-American memory and experience. Offering a fascinating examination of the explosion of black television programming in the 1980s and 1990s, this book provides, for the first time ever, an interpretation of black TV based in both journalism and critical theory. Locating a persistent black nationalist desire--a yearning for home and community--in the shows produced by and for African-Americans in this period, Kristal Brent Zook shows how the Fox hip-hop sitcom both reinforced and rebelled against earlier black sitcoms from the sixties and seventies. Incorporating interviews with such prominent executives, producers, and stars as Keenen Ivory Wayans, Sinbad, Quincy Jones, Robert Townsend, Charles Dutton, Yvette Lee Bowser, and Ralph Farquhar, this study looks at both production and reception among African-American viewers, providing nuanced readings of the shows themselves as well as the sociopolitical contexts in which they emerged. While black TV during this period may seem trivial or buffoonish to some, Color by Fox reveals its deep-rooted ties to African-American protest literature and autobiography, and a desire for social transformation.