A celebrated poet returns with a vibrant and kaleidoscopic improvisation on the broken body and questing spirit. “I was living in a high-maintenance loneliness,” Alice Fulton writes of a devastating accident, and her poems express both reverence and impatience as they search for a brightness palpable as the dark. The result is a brilliant coloratura on the senses. Fulton evokes phantom aromas of vanished perfumes, flowers fragrant only at night, and the ozone scent of snow; marvels at velvet paintings and chimerical colors outside the spectrum; and riffs on a mixtape of ambient sounds: applause, clinking glasses, spectral voices on the radio, and the whispers of a mother to her children. Coloratura On A Silence Found In Many Expressive Systems extends these tactile mysteries to existential questions of invisible miracles, connection, and faith in the face of silence: “By praying you, I create you,” the poet informs an elusive God. Reveling in the stunning possibilities of language, Fulton seeks joy to counteract trauma and grief, empathizes with the silent pathos of animals, and finds solace in art, friendship, and the mysterious power of gifts. Without denying suffering, this enthralling volume extends a fervent prayer for gratitude and healing.

A vibrant, kaleidoscopic improvisation on the broken body and questing spirit, from "one of the wisest and most insightful poets in the country" (Ron Charles, Washington Post Book Club). "I was living in a high-maintenance loneliness," Alice Fulton writes of a devastating accident, and her poems express both reverence and impatience as they search for a brightness palpable as the dark. The result is a brilliant coloratura on the senses. Fulton evokes phantom aromas of vanished perfumes, flowers fragrant only at night, and the ozone scent of snow; marvels at velvet paintings and chimerical colors outside the spectrum; and riffs on a mixtape of ambient sounds: applause, clinking glasses, spectral voices on the radio, and the whispers of a mother to her children. Coloratura On A Silence Found In Many Expressive Systems extends these tactile mysteries to existential questions of invisible miracles, connection, and faith in the face of silence: "By praying you, I create you," the poet informs an elusive God. Reveling in the stunning possibilities of language, Fulton seeks joy to counteract trauma and grief, empathizes with the silent pathos of animals, and finds solace in art, friendship, and the mysterious power of gifts. Without denying suffering, this enthralling volume extends a fervent prayer for gratitude and healing.

In the world of literary journals and little magazines, the Carolina Quarterly is one of the oldest and most prestigious in the South. Founded in 1948 at the University of North Carolina at Chapel Hill, the magazine has published many luminaries of modern and contemporary literature, including Robert Morgan, Evie Shockley, Joyce Carol Oates, Doris Betts, and others. This anthology gathers some of the best work from the last three-quarters of a century, along with an informative essay about the journal's history and impact. The volume reminds us of the ways small literary journals reflect the voices of their region and changed the literary landscape. This work reaches beyond the imagined boundaries of a single university or single state. Thus the anthology also celebrates a form—the student-run literary journal—that has shaped the regional and national conversation and reflects the astounding accomplishment of the Carolina Quarterly over the past seventy-five years.

"Fulton is exactly the kind of poet Shelley had in mind when he said 'Poets are the unacknowledged legislators of the world.' " —Verse In this eagerly awaited collection of new poems—her first in over a decade—Alice Fulton reimagines the great lyric subjects—time, death, love—and imbues them with fresh urgency and depth. Barely Composed unveils the emotional devastations that follow trauma or grief—extreme states that threaten psyche and language with disintegration. With rare originality, the poems illuminate the deepest suffering and its aftermath of hypervigilance and numbness, the "formal feeling" described by Emily Dickinson. Elegies contemplate temporal mysteries—the brief span of human/animal life, the nearly eternal existence of stars and nuclear fuel, the enduring presence of the arts—and offer unsparing glimpses of personal loss and cultural suppressions of truth. Under the duress of silencing, whether chosen or imposed, language warps into something uncanny, rich, and profoundly moving. Various forms of inscription—coloring book to redacted document—enact the combustible power of the unsaid. Though "anguish is the universal language," there also is joy in the reciprocity of gifts and creativity, intellect and intimacy. Gorgeous vintage rhetorics merge with incandescent contemporary registers, and this recombinant linguistic mix gives rise to poems of disarming power. Visionaries—truth tellers, revelators, beholders—offer testimony as beautiful as it is unsettling. Shimmering with the "good strangeness of poetry," Barely Composed bears witness to love’s complexities and the fragility of existence. In the midst of cruelty, a world in which “the pound is by the petting zoo,” Fulton’s poems embrace the inextinguishable search for goodness, compassion, and "the principles of tranquility."

This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.

Lightning quick and razor sharp, the great Polish poet is straight man to the tragi-comedies of order and chaos. Winner of the Terrance Des Pres Prize for Poetry. (RC) Annotation copyrighted by Book News, Inc., Portland, OR