Hailed by both Matisse and Picasso as "the father of us all," Paul Cézanne bridged 19th-century Impressionism and the radically different world of 20th-century art. These excellent illustrations allow colorists to "paint" Cézanne's most famous creations, including Leda and the Swan, Still Life with Apples and Peaches, Boy in a Red Waistcoat, Mont Sainte-Victoire, and many others.

These excellent illustrations allow colorists to "paint" Cézanne's most famous creations, including Leda and the Swan, Still Life with Apples and Peaches, and many others. Illustrations are printed on one side of perforated pages.

Use colors of your choice, or recreate the original hues, for 30 great paintings, among them Mary Cassatt's Mother Combing Her Child's Hair, Renoir's At the Concert, and 28 other reproductions of works by Monet, van Gogh, Gauguin, Manet, Pissarro, Morisot, Cézanne, and 4 other great artists.

Cézanne at his most modern: a major career-spanning appraisal of his extraordinarily experimental drawings Although he is most often celebrated as a painter, Paul Cézanne's extraordinary vision was fueled by his experiments on paper. In pencil and watercolor, on individual sheets and across the pages of sketchbooks, the artist described form through multiple probing lines; realized compositions through repetitions and transformations; and conjured kaleidoscopic color through layering of watercolor. It is in these material realities of drawing where we see Cézanne at his most modern: embracing the unfinished, making process visible and actively inviting the viewer to participate in the act of perception. Published to accompany a major exhibition at the Museum of Modern Art, this is the most significant effort to date to unite drawings from across Cézanne's entire career, tracing the development of his practice on paper, exploring working methods that transcend subject, and devoting both curatorial and conservation-based research to these remarkable works.

Includes Mary Cassatt's Mother Combing Her Child's Hair, Renoir's At the Concert, and 28 other reproductions of works by Monet, van Gogh, Gauguin, Manet, Pissarro, Morisot, Cezanne, and more great artists.

Thirty compositions give would-be artists of all ages a chance to re-create ? or even transform ? works by Pissarro, Renoir, van Gogh, Gauguin, Cézanne, Rousseau, Matisse, and other masters.

In the last years of his life Paul Cézanne produced a stunning series of watercolors, many of them sill lifes. Still Life with Blue Pot is one of these late masterpieces that is now in the collection of the Getty Museum. In Cézanne in the Study: Still Life in Watercolors, Carol Armstrong places this great painting within the context of Cezanne’s artistic and psychological development and of the history of the genre of still life in France. Still life—like the medium of watercolor—was traditionally considered to be “low” in the hierarchy of French academic paintings. Cézanne chose to ignore this hierarchy, creating monumental still-life watercolors that contained echoes of grand landscapes and even historical paintings in the manner of Poussin—the “highest” of classical art forms. In so doing he changed his still lifes with new meanings, both in terms of his own notoriously difficult personality and in the way he used the genre to explore the very process of looking at, and creating, art. Carol Armstrong’s study is a fascinating exploration of the brilliant watercolor paintings that brought Cézanne’s career to a complex, and triumphant, conclusion, The book includes new photographic studies of the Getty’s painting that allow the reader to encounter this great watercolor as never before, in all of its richness and detail.