The Color of the Land brings the histories of Creek Indians, African Americans, and whites in Oklahoma together into one story that explores the way races and nations were made and remade in conflicts over who would own land, who would farm it, and who would rule it. This story disrupts expected narratives of the American past, revealing how identities--race, nation, and class--took new forms in struggles over the creation of different systems of property. Conflicts were unleashed by a series of sweeping changes: the forced "removal" of the Creeks from their homeland to Oklahoma in the 1830s, the transformation of the Creeks' enslaved black population into landed black Creek citizens after the Civil War, the imposition of statehood and private landownership at the turn of the twentieth century, and the entrenchment of a sharecropping economy and white supremacy in the following decades. In struggles over land, wealth, and power, Oklahomans actively defined and redefined what it meant to be Native American, African American, or white. By telling this story, David Chang contributes to the history of racial construction and nationalism as well as to southern, western, and Native American history.

"Floating into the air with an enormous gum bubble, Alvin lands in a strange world where everything is gray. The trees, the flowers, the dirt, the sky, the animals, and even the people are all missing their color..." --

A story of violence at the heart of a pastoral landscape, from the author of Indie Next pick and All Iowa Reads selection Little Wolves Recovering from a terrible auto accident just before the turn of the millennium, college dropout and hobbyist computer-game programmer Lucien Swenson becomes the caretaker of a house in northern Minnesota. Shortly after moving in, Lucien sets out to find a woman with whom he had an affair, who vanished along with money stolen from the bank where they had worked together. His search will take him to Rose of Sharon, a white supremacist church deep in the wilderness, where a cabal of outcasts awaits the end of the world at a place they call The Land. Lucien is visited at the house by a mysterious guest, who may not be who she claims, as well as a vast flock of violent ravens out of an apocalyptic vision. At once a mystery and spiritual noir, The Land explores the dark side of belief, entrenched white supremacy in the Heartland, the uniquely American obsession with end times, and the sacrifices we make for those we love.

96 pages of innocent 50s-style clip art with outrageously evil captions.

Cartoonist Dan Piraro's uniquely eccentric view of the world comes alive in these 31 original coloring book pages. His incredibly detailed art will captivate colorists with a taste for the offbeat.

From the New York Times bestselling author of the Thursday Next series comes a “laugh-out-loud funny” (Los Angeles Times) and “brilliantly original” (Booklist, starred review) novel of a man attempting to navigate a color-coded world. “A rich brew of dystopic fantasy and deadpan goofiness.”—The Washington Post Welcome to Chromatacia, where the Colortocracy rules society through a social hierarchy based on one’s limited color perception. In this world, you are what you can see. Eddie Russet wants to move up. When he and his father relocate to the backwater village of East Carmine, his carefully cultivated plans to leverage his better-than-average red perception and marry into a powerful family are quickly upended. Eddie must content with lethal swans, sneaky Yellows, inviolable rules, an enforced marriage to the hideous Violet deMauve, and a risky friendship with an intriguing Grey named Jane who shows Eddie that the apparent peace of his world is as much an illusion as color itself. Will Eddie be able to tread the fine line between total conformity—accepting the path, partner, and career delineated by his hue—and his instinctive curiosity that is bound to get him into trouble?