Kate McKinnon is back -- and this time it's personal. When two hideously eviscerated bodies are discovered and the only link between them is a bizarre painting left at each crime scene, the NYPD turns to former cop Kate McKinnon, the woman who brought the serial killer the Death Artist to justice. Having settled back into her satisfying life as art historian, published author, host of a weekly PBS television series, and wife of one of New York's top lawyers, Kate wants no part of it. But Kate's sense of tranquility is shattered when this new sequence of murders strikes too close to home. With grief and fury to fuel her, she rejoins her former partner, detective Floyd Brown, and his elite homicide squad on the hunt for a vicious psychopath known as the Color-Blind Killer. In her rage and desperation, Kate allows herself to be drawn into a deadly game of cat and mouse. She abandons her glamorous life for the gritty streets of Manhattan, immersing herself in a world where brutality and madness appear to be the norm, where those closest to her may have betrayed her -- and where, in the end, nothing is what it seems.

Exuberant redhead Erik always tries his best, but he just can’t understand why he’s missing homework questions at school and messing up at soccer practice. Then one day in art class everyone notices that Erik’s painted a picture of himself with green hair! It turns out he’s not just creative, he’s color blind, too. Color blindness, also known as Color Vision Deficiency (CVD), affects a significant percentage of the population. The tendency to color-code learning materials in classrooms can make it especially hard for kids with CVD. But once Erik is diagnosed, he and his parents, teachers, coach, and classmates figure out solutions that work with his unique way of seeing, and soon he’s back on track.

"Catanese's beautifully written and cogently argued book addresses one of the most persistent sociopolitical questions in contemporary culture. She suggests that it is performance and the difference it makes that complicates the terms by which we can even understand 'multicultural' and 'colorblind' concepts. A tremendously illuminating study that promises to break new ground in the fields of theatre and performance studies, African American studies, feminist theory, cultural studies, and film and television studies." ---Daphne Brooks, Princeton University "Adds immeasurably to the ways in which we can understand the contradictory aspects of racial discourse and performance as they have emerged during the last two decades. An ambitious, smart, and fascinating book." ---Jennifer DeVere Brody, Duke University Are we a multicultural nation, or a colorblind one? The Problem of the Color[blind] examines this vexed question in American culture by focusing on black performance in theater, film, and television. The practice of colorblind casting---choosing actors without regard to race---assumes a performing body that is somehow race neutral. But where, exactly, is race neutrality located---in the eyes of the spectator, in the body of the performer, in the medium of the performance? In analyzing and theorizing such questions, Brandi Wilkins Catanese explores a range of engaging and provocative subjects, including the infamous debate between playwright August Wilson and drama critic Robert Brustein, the film career of Denzel Washington, Suzan-Lori Parks's play Venus, the phenomenon of postblackness (as represented in the Studio Museum in Harlem's "Freestyle" exhibition), the performer Ice Cube's transformation from icon of gangsta rap to family movie star, and the controversial reality television series Black. White. Concluding that ideologies of transcendence are ahistorical and therefore unenforceable, Catanese advances the concept of racial transgression---a process of acknowledging rather than ignoring the racialized histories of performance---as her chapters move between readings of dramatic texts, films, popular culture, and debates in critical race theory and the culture wars.

"Is the United States today a "postracial" society? In this volume, top scholars in psychology, education, sociology, and related fields dissect the concept of color-blind racial ideology (CBRI), the widely held belief that skin color does not affect interpersonal interactions and that interpersonal and institutional racism therefore no longer exist in American society. The chapter authors survey the theoretical and empirical literature on racial color blindness; discuss novel ways of assessing and measuring color-blind racial beliefs; examine related characteristics such as lack of empathy (among Whites) and internalized racism (among people of color); and assess the impact of CBRI in education, the workplace, and health care--as well as the racial disparities that such beliefs help foster"--Provided by publisher.

"In Coping With Colorblindness, author Odeda Rosenthal explains in easy-to-understand language how colorblindness occurs, and what types of colorblindness exist. She looks at the history of color vision research; the problems related to colorblindness in women; the pros and cons of tests designed to detect colorblindness; and the unique products available to aid those with this problem. Dr. Robert Phillips includes specific techniques for coping using humor, positive thinking, relaxation techniques, support groups, and professional assistance. Ms. Rosenthal and Dr. Phillips address specific issues for concerned parents of colorblind children."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

How "colorblindness" in policy and personal practice perpetuate racial inequity in the United States today

This Color Blindness book with Ishihara style plates for color perception vision testing perfect for Optometrists and eye doctors who want to test color vision deficiency in their patients. Also perfect for science teachers showing children examples of color blindness books.