This book introduces aspects of polychromies at Persepolis in Iran and their context in a modern historiography of Achaemenid Persian Art.

This book explores the use of polychromy in the art and architecture of ancient Iran. Focusing on Persepolis, he explores the topic within the context of the modern historiography of Achaemenid art and the scientific investigation of a range of works and monuments in Iran and in museums around the world.

The Achaemenid Persian Empire, at its greatest territorial extent under Darius I (r.522–486 BCE), held sway over territory stretching from the Indus River Valley to southeastern Europe and from the western Himalayas to northeast Africa. In this book, Matt Waters gives a detailed historical overview of the Achaemenid period while considering the manifold interpretive problems historians face in constructing and understanding its history. This book offers a Persian perspective even when relying on Greek textual sources and archaeological evidence. Waters situates the story of the Achaemenid Persians in the context of their predecessors in the mid-first millennium BCE and through their successors after the Macedonian conquest, constructing a compelling narrative of how the empire retained its vitality for more than two hundred years (c.550–330 BCE) and left a massive imprint on Middle Eastern as well as Greek and European history.

Iran's heritage is as varied as it is complex, and the archaeological, philological, and linguistic scholarship of the region has not been the focus of a comprehensive study for many decades. The Oxford Handbook of Ancient Iran provides up-to-date, authoritative essays on a wide range of topics extending from the earliest Paleolithic settlements in the Pleistocene era to the Arab conquest in the 7th century AD. The volume, authored by specialists based both inside and outside of Iran, is divided into sections covering prehistory, the Chalcolithic, the Bronze Age, the Iron Age, the Achaemenid period, the Seleucid and Arsacid periods, the Sasanian period, and the Arab conquest. In addition, more specialized chapters are included which treat numismatics, religion, languages, political ideology, calendrics, the use of color, textiles, Sasanian silver and reliefs, and political relations with Rome and Byzantium. No other single volume covers as much of Iran's archaeology and history with the same degree of authority. Drawing on the results of the latest fieldwork in Iran and studies by scholars from around the world, this volume addresses a longstanding gap in the literature of the ancient Near East.

This volume in honour of Margaret Cool Root gathers seventeen contributions on Achaemenid Persian art, ranging from the European re-discovery of Persepolis, via Achaemenid glyphic art, evidence of polychrome sculpture, and Achaemenid impact in the satrapies, to possible reflections of Persepolitan art in Classical Greece. The contributors are colleagues and, in a number of cases, former students of Margaret Root. As a whole, the volume reflects the wide range of Root's interests and her impact on the field of Achaemenid studies.

A richly-illustrated and important book that traces the rise and fall of one of the ancient world's largest and richest empires.