“A truly extraordinary reevaluation of historical events in light of new theoretical approaches . . . groundbreaking.” —Journal of Orthodox Christian Studies Colonizing Christianity employs postcolonial critique to analyze the transformations of Greek and Latin religious identity in the wake of the Fourth Crusade. Through close readings of texts from the period of Latin occupation, this book argues that the experience of colonization splintered the Greek community over how best to respond to the Latin other while illuminating the mechanisms by which Western Christians authorized and exploited the Christian East. The experience of colonial subjugation opened permanent fissures within the Orthodox community, which struggled to develop a consistent response to aggressive demands for submission to the Roman Church. “Colonizing Christianity's analysis of a number of texts through the lens of colonial and postcolonial theory makes for useful, important, reading. There are significant stakes both for medieval historians and those committed to finding pathways of reconciliation among contemporary Christians.” —David Perry, author of Sacred Plunder: Venice and the Aftermath of the Fourth Crusade

In this book Sita van Bemmelen offers an account of changes in Toba Batak society (Sumatra, Indonesia) due to Christianity and Dutch colonial rule (1861-1942) with a focus on customs and customary law related to the life cycle and gender relations. The first part, a historical ethnography, describes them as they existed at the onset of colonial rule. The second part zooms in on the negotiations between the Toba Batak elite, the missionaries of the German Rhenish Mission and colonial administrators about these customs showing the evolving views on desirable modernity of each contestant. The pillars of the Toba patrilineal kinship system were challenged, but alterations changed the way it was reproduced and gender relations for ever.

Study of the white man's faith and the white man's power in the Countries of Asia, the Pacific, and Africa.

This book re-presents the poetry of Rudyard Kipling in the form of bold slogans, the better for us to reappraise the meaning and import of his words and his art. Each line or phrase is thrust at the reader in a manner that may be inspirational or controversial... it is for the modern consumer of this recontextualization to decide. They are words to provoke: to action. To inspire. To recite. To revile. To reconcile or reconsider the legacy and benefits of colonialism. Compiled and presented by sloganist Dick Robinson, three poems are included, complete and uncut: 'White Man's Burden', 'Fuzzy-Wuzzy' and 'If'.

Reprint of the original, first published in 1838.

Tells the story of the founding of American Christianity against the backdrop of devastating disease, and of the Indigenous survivors who kept the nascent faith alive Many scholars have come to think of the European Christian mission to the Americas as an inevitable success. But in its early period it was very much on the brink of failure. In 1576, Indigenous Mexican communities suffered a catastrophic epidemic that took almost two million lives and simultaneously left the colonial church in ruins. In the crisis and its immediate aftermath, Spanish missionaries and surviving pueblos de indios held radically different visions for the future of Christianity in the Americas. The Church of the Dead offers a counter-history of American Christian origins. It centers the power of Indigenous Mexicans, showing how their Catholic faith remained intact even in the face of the faltering religious fervor of Spanish missionaries. While the Europeans grappled with their failure to stem the tide of death, succumbing to despair, Indigenous survivors worked to reconstruct the church. They reasserted ancestral territories as sovereign, with Indigenous Catholic states rivaling the jurisdiction of the diocese and the power of friars and bishops. Christianity in the Americas today is thus not the creation of missionaries, but rather of Indigenous Catholic survivors of the colonial mortandad, the founding condition of American Christianity. Weaving together archival study, visual culture, church history, theology, and the history of medicine, Jennifer Scheper Hughes provides us with a fascinating reexamination of North American religious history that is at once groundbreaking and lyrical.