The Dravidian language family is marked historically by a protracted struggle between Tamil and its aggressively assertive supremacy, and the consequent peripheralizing of other majoritarian languages of the region. This book looks at the development of Telugu — with its unique grammatical and lexical tradition as instrumental in the construction of the concept of the Dravidian language family in 1816, and in the development of comparative linguistics since that time. The author’s arguments locate Telugu in multiple matrices: of historical and theoretical Orientalism; the colonial state’s interest in native languages; the politics of state patronage; questions of cultural assimilation and divergence; the overbearing presence of Tamil and its literary traditions; and the related inter- and intra-civilizational dialogues. The book thus grapples with the tortured emergence of Telugu — a product of the dynamics of Andhra society, economy, polity and culture influenced and driven by Muslim, Hindu and Western influence. With its richly textured narrative, this book will be of interest to those in the fields of history, sociology, socio-linguistics, colonial studies, and literature, apart from the generally interested reader.

This volume offers a detailed exploration of coloniality in the discipline of linguistics, with case studies drawn from across the world. The chapters provide a nuanced account of the coloniality of linguistics at the level of knowledge and disciplinary practice, and expand their discussion to imagine a decolonial linguistics.

Orientalism is about much more than just information gathered about the East within its general postcolonial period. In this period, orientalism is a Western discourse that dominated and shaped the view of the East. There is “otherization” in the way the West has historically looked at the East and within the information presented about it. These original stories of travelers in the past and previous telling about the East are facing a reconstruction through modern types of media. Cinema, television, news, newspaper, magazine, internet, social media, photography, literature, and more are transforming the way the East is presented and viewed. Under the headings of post-orientalism, neo-orientalism, or self-orientalism, these new orientalist forms of work in combination with both new and traditional media are redefining orientalism in the media and beyond. The Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond shows how both new media and traditional media deal with orientalism today through the presentation of gender, race, religion, and culture that make up orientalist theory. The chapters focus on how orientalism is presented in the media, cinema, TV, photography, and more. This book is ideal for communications theorists, media analysts, practitioners, researchers, academicians, and students working in fields that include mass media, communications, film studies, ethnic studies, history, sociology, and cultural studies.

This study investigates the contribution made by outsiders in accumulating knowledge from the days of the East India Company until the early twentieth century, when photography became an important tool for recording information. It focuses on heterogeneous voices on the periphery, who interacted with the indigenous population to produce knowledge in original or unexpected ways that extended beyond the limits prescribed by the term ‘colonial.’ Largely unrecognized today, their endeavors to satisfy their own intellectual curiosity, or improve their material circumstances, produced a perspective on colonial life that stripped away conventions; where their ordinary everyday experiences sometimes became extraordinary, as they forged new networks throughout the subcontinent and beyond its frontiers. Their journeys and experiences offer a discursive historical construct as significant as official reports, censuses, and surveys, and contribute towards our understanding of the diverse creative processes through which intellectual histories of the colonial state were constructed.

Beginning with an overview of the properties of metal clay, including safety information and metalsmithing terms, this thorough resource offers detailed procedures for creating a variety of components, settings, findings, attachments, 3-D forms, and textured effects. Each technique is shown with step-by-step photography to make it easy for jewelry makers at the advanced beginner to intermediate levels to learn the art of metal clay. The 12 unique projects within have multiple components made from metal clay, including clasps, chains, and settings; moveable and removable pieces; unusual textures and patinas; and unique construction and engineering. Creative tips on incorporating beads are also included. This handbook offers jewelry artists the design inspiration needed to create gallery-level pieces that are truly wearable art.

Orientalism, as explored by Edward Said in 1978, was a far more complex phenomenon than many suspected, being homogenous along the lines of neither culture nor time. Instead, it is deeply embedded in the collective reimaginings that were?and are?nationalism. The dozen essays in Genealogies of Orientalism argue that the critique of orientalism, far from being exhausted, must develop further. To do so, however, a historical turn must be made, and the ways in which modernity itself is theorized and historicized must be rethought. ø According to Joan W. Scott, author of The Politics of the Veil, the essays in this collection ?develop a remarkable perspective on Edward Said?s Orientalism, placing it in a long historical context of critiques of colonial representations, and deepening our understanding of the very meaning of modernity.? Looking beyond the usual geography of colonial theory, this work broadens the focus from the Middle East and India to other Asian societies. By exploring orientalism in literary and artistic representations of colonial subjects, the authors illuminate the multifaceted ways in which modern cultures have drawn on orientalist images and indigenous self-representations. It is in this complex, cross-cultural collision that the overlapping of orientalism and nationalism can be found.