This guidebook provides a comprehensive overview of two major international exhibitions held in London in 1886: the Colonial and Indian Exhibition and the International Inventions Exhibition. The book contains detailed descriptions and illustrations of the exhibits and events, as well as essays by leading experts on a wide range of topics, including colonial history, industrial technology, and the arts. This work offers a unique snapshot of the state of the world in the late 19th century and its visions for the future. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1886 edition. Excerpt: ... which failures in business were numerous. The record of failures is good evidence of the important results which have followed from the success of the effort to minimize the injurious influence of our neighbors over our business. In 1873 and 1874, which were good years in the United States, the failures in Canada numbered 1,960, with liabilities amounting to $20,030,000--an average of $10,000,000 a year. In 1875-9, which were years of depression in the United States, the failures in Canada averaged $26,630,000 a year. In 1880 the new fiscal policy went into full force in Canada. During the six years ended 31st of December, 1885, the average amount of yearly liabilities of insolvents was only $10,900,000, notwithstanding the fact that the last two years were years of great depression in the United States. The failures in 1884 covered liabilities of but $8,743,049. The following analysis will show the commercial relations of Canada with Great Britain and other countries during the last decade: --Under the new tariff Canada has broadened the area from which she draws her supplies. During the four years, 1876-79, she obtained but 6,65 per cent, of her imports from countries outside of Great Britain and the United States. During the period 1880-85, the average of her imports from countries other than the two named was 12.40. At the same time the percentage of total imports from Great Britain has increased during the period 1880-85, and that of total imports from the United States decreased. It may therefore be said generally that the effect of the new tariff has been to decrease Canadian imports from the United States by about 9 per cent., and to distribute that amount between Great Britain and "other countries." New tariff in force....

India by Design: Colonial History and Cultural Display maps for the first time a series of historical events—from the Raj in the mid-nineteenth century up to the present day—through which India was made fashionable to Western audiences within the popular cultural arenas of the imperial metropole. Situated at the convergence of discussions in anthropology, art history, museum studies, and postcolonial criticism, this dynamic study investigates with vivid historical detail how Indian objects, bodies, images, and narratives circulated through metropolitan space and acquired meaning in an emergent nineteenth-century consumer economy. Through an examination of India as represented in department stores, museums, exhibitions, painting, and picture postcards of the era, the book carefully confronts the problems and politics of postcolonial display and offers an original and provocative account of the implications of colonial practices for visual production in our contemporary world.

"Through the biography of Frederick John Horniman (1835-1906), a Victorian traveller, collector, and Museum founder, this work critically reconstructs and explores the dynamic cultural network of individuals and institutions; touristic and collecting practices; textual and exhibitionary media, which interacted and generated images of the exotic Orient. Starting in the leafy suburbs of south London, this study begins by examining the afterlife of the world renowned Crystal Palace, which had housed the world's first Great Exhibition. Following its move from Hyde Park to Sydenham in the mid-1850s, this immense glass structure soon became a popular tourist destination, attracting more than a million visitors every year and transforming its once isolated rural surrounds into fashionable residential areas. Levell specifically focuses on the powerful, though selective, representations of the distant Orient at the People's Palace, which enchanted Victorian sightseers, artists, collectors, and travellers. She then looks in detail at the spectacular displays of the British Empire's 'Eastern Possessions' at the hugely popular Colonial and Indian Exhibition of 1886 in South Kensington. Together these two exhibitionary complexes, with their visually striking images of the Orient, guided Frederick Horniman's travels and also influenced the type of material that he acquired for his private Museum, which was located in Forest Hill, a short distance from the Crystal Palace. From exhibitions and collections, this monograph then moves on to explore travel and collecting. Drawing on the journal that Frederick Horniman kept during his world tours, a fascinating and richly illustrated account is given of the Victorian tourist's travels in India, Ceylon (Sri Lanka), Japan, China, Burma (Union of Myanmar), and Egypt, describing the places he visited, the peoples he encountered, and the objects he collected. Finally, attention is turned to the extensive oriental collections, which were assembled by Horniman over a forty-year period, and placed on public display in his twenty-four room Museum. In their museal setting, these exhibits, which had been acquired from dealers, auction houses, international exhibitions, missionaries, travellers, and colonial officials, both at home and abroad, conjured up striking and alluring visions of the Orient." -- Provided by publisher.