This volume tells the story of the woodblock print from its beginnings in the seventeenth century to the latest developments in the post WWII era. Includes dating tips, a guide to reading a print to determine censor's seals, date marks, artist markings and seal, and a chapter on techniques for creating a woodblock print.

This straightforwardly written and highly informative book is designed as an introductory history and guide to Japanese prints for the student and the beginning collector. Not limited to "ukiyo-e", it also discusses medieval Buddhist prints and the prints of the modern era, from the Mieiji period to the present. Thus such modern luminaries as Onchi, Hiratsuka, and Munakata are presented alongside the Edo master printmakers Harunobu, Kiyonaga, Utamaro, Sharaku, Hokusai, and Hiroshige. A major virtue of the book is the attention it gives to the aesthetics of the prints and to the lives of the printmakers themselves. Illustrated with 14 prints in full color and 86 in black and white, it also offers a thoroughly useful chapter on the collection and care of Japanse prints, a glossary, and a valuable selected bibliography. -- From publisher's description.

Of all the sophisticated traditional arts and crafts of Japan, woodblock prints are probably the most widely known in the West. The bold yet refined compositions are as fresh to the Western eye today as they were when they first came to the attention of the Impressionists in the nineteenth century. With their fluid lines, intricate carving and delicate colors, Japanese prints are still as fascinating as ever. In this book, Rebecca Salter takes us through the history of the Japanese woodblock, discusses the materials, tools, and papers available (and their Western equivalents) and shows how to get the most out of them through interesting step-by-step projects. The work of an international group of artists shows the varied and exciting prints being produced today.

Japanese woodblock prints, or ukiyo-e, are the most recognizable Japanese art form. Their massive popularity has spread from Japan to be embraced by a worldwide audience. Covering the period from the beginning of the Japanese woodblock print in the 1680s until the year 1900, Japanese Woodblock Prints provides a detailed survey of all the famous ukiyo-e artists, along with over 500 full-color prints. Unlike previous examinations of this art form, Japanese Woodblock Prints includes detailed histories of the publishers of woodblock prints--who were often the driving force determining which prints, and therefore which artists, would make it into mass circulation for a chance at critical and popular success. Invaluable as a guide for ukiyo-e enthusiasts looking for detailed information about their favorite Japanese woodblock print artists and prints, it is also an ideal introduction for newcomers to the world of the woodblock print. This lavishly illustrated book will be a valued addition to the libraries of scholars, as well as the general art enthusiast.

A Compendium focuses on the production process of Japanese woodblock prints with an emphasis on the role of the publisher. This publication presents over 1,100 publishers, with comprehensive lists of publications by a total of 572 artists and facsimiles of over 2300 publisher seals, spanning a time period from the 1650s to the 1990s.

Japanese woodblock printing is a beautiful art that traces its roots back to the eighth century. It uses a unique system of registration, cutting and printing. This practical book explains the process from design drawing to finished print, and then introduces more advanced printing and carving techniques, plus advice on editioning your prints and their aftercare, tool care and sharpening. Supported by nearly 200 colour photographs, this new book advises on how to develop your ideas, turning them into sketches and a finished design drawing, then how to break an image into the various blocks needed to make a print. It also explains how to use a tracing paper transfer method to take your design from drawing to woodblock and, finally, explains the traditional systems of registration, cutting and printing that define an authentic Japanese woodblock.