Presents African American artists, identifies dealers, and offers practical advice on insurance, framing, and tax and estate planning.

"Celebrating an important aspect of cultural history, this book showcases the institutional and private efforts to collect, document, and preserve African American art in Houston during the 20th and 21st centuries"--Provided by publisher.

One of the most exciting and eclectic celebrations of African American art ever published, Narratives of African American Art and Identity showcases one hundred paintings, etchings, sculptures, and photographs from the collection of David C. Driskell. A true Renaissance man, Driskell himself is an esteemed artist, educator, curator, and philanthropist. His fifty-year career has been committed to promoting African American art. Included are works by John Biggers, Sam Gilliam, Lois Mailou Jones, Keith Morrison, Henry Ossawa Tanner, Alma Thomas, Romare Bearden, Elizabeth Catlett, Augusta Savage, and James VanDerZee -- to name just a few. Each artwork is accompanied by information about the artist and the particular work. This book is the catalog for the exhibition of the same title, which travelled to various American museums through February 2001.

Art enthusiasts and lovers of American art have long considered collecting art a hobby reserved solely for the wealthy. "Collecting African American Art" effectively dispels this misconception. In these newly revised and updated pages, lavishly illustrated with almost two hundred works by a wide range of artists, readers will find practical guidelines for becoming an informed collector, including specific criteria for working with dealers. By providing succinct advice on framing, insurance, and tax and estate planning, as well as pointers on how to care for one's own collection, author Halima Taha makes collecting an enjoyable--and affordable--pastime for everyone. Combining a rich and diverse blend of aesthetic traditions from Africa, the Caribbean, and the United States, African American art has emerged as the most actively collected art in the marketplace. This guide presents both new and established artists and identifies dealers throughout the nation specializing in the field. Insightful and accessible, it is the first book to define the role of the collector of African American art. The result is a unique and essential guide to developing a meaningful and rewarding collection.