"This volume introduces the diverse voices that comprise Guston's linguistic tapestry. Guston never stopped talking for too long. There may have been periods of silence precipitated by existential moments of doubt, but such lapses seem anomalous when measured against the voluminous transcriptions gleaned and edited by Clark Coolidge. Coolidge has done an admirable job arranging and presenting the book's contents, entirely relevant to anyone curious about Guston, and by extension, American Art of the post-World War II period."—Douglas Dreishpoon, chief curator at Knox-Albright Gallery

This volume brings together for the first time the known writings of the pioneering Native American religious and political leader, intellectual, and author, Samson Occom (Mohegan; 1723-1792). The largest surviving archive of American Indian writing before Charles Eastman (Santee Sioux; 1858-1939), Occom's writings offer unparalleled views into a Native American intellectual and cultural universe in the era of colonialization and the early United States. His letters, sermons, journals, prose, petitions, and hymns--many of them never before published--document the emergence of pantribal political consciousness among the Native peoples of New England as well as Native efforts to adapt Christianity as a tool of decolonialization. Presenting previously unpublished and newly recovered writings, this collection more than doubles available Native American writing from before 1800.

For her centenary (February 22, 2017), the most complete edition ever published of the brilliant modernist writings and evocative letters of an LGBT pioneer. Though Jane Bowles published only one novel, one play, and a handful of stories, her genius for spare prose and vivid dialogue had an outsized influence on her contemporaries. Tennessee Williams called her "the most important writer of prose fiction in modern American letters"; for John Ashbery she was "one of the finest modern writers of fiction in any language." Now, on the occasion of her centenary, Library of America presents the most complete edition ever published of Bowles's incomparable fiction, along with an extensive selection of her frank, vivid, and funny letters. Two Serious Ladies (1943), based partly on her honeymoon in Mexico with her husband, the writer and composer Paul Bowles, follows two bourgeois American women in Panama as they jettison sexual and cultural norms in search of happiness: Christina Goering, a wealthy spinster who becomes a high-class prostitute; and newlywed Frieda Copperfield, who finds love and comfort in the arms of a young Panamanian girl. In The Summer House (1954), a play about two mothers, one selfish and ruthless, despising her dreamy daughter, the other gentle, dominated by her strong-minded daughter, was performed on Broadway in 1953 and reflects Bowles's complicated relationship with her own mother. The volume also includes five short stories, two song lyrics, a puppet play, and the nonfiction sketch "East Side: North Africa." (Paul Bowles's rewrite of "East Side: North Africa," published in 1966, under Jane's name, as the short story "Everything Is Nice," is also included as an appendix), as well as fragments from two abandoned novels, a section of Two Serious Ladies cut from an earlier draft, four abandoned stories, one unfinished play, and one autobiographical fragment. Rounding out the volume are 133 letters, including candid portraits of such friends and acquaintances as John Ashbery, William Burroughs, Ira Gershwin, Allen Ginsberg, Carson McCullers, Sylvia Plath, Paul Robeson, Susan Sontag, Gertrude Stein, Gore Vidal, Eudora Welty, and Tennessee Williams. The letters are introduced with headnotes by editor Millicent Dillon, plus 10 pages of photographs have been reproduced from the original edition of the letters. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Volume 4, Studies in Theology, is the concluding volume in theCollected Writings of John Murray.Like the preceding volumes it presents a selection of the finest work, produced mainly during his long and distinguished ministry as Professor of Systematic Theology at Westminister Theological Seminary, Philadelphia. Volume 4 includes articles dealing with several areas of doctrine which lay close to Murray's heart. Among them is the hitherto unpublished work, 'Jesus, the Son of God', which is possibly thr last piece of theological writing. Its chief characteristic - as with all of Murray's writings - lies in the way in which the text of Scripture suffuses everything he says. This concern to be thoroughly biblical applied also to his doctrine of Scripture, to Christology, and to his understanding of the proclamation of the gospel and the Christian ethic. Outstanding articles in each of these areas may be found in these pages.

This collection of writings by Harry Tiebout, one of the first psychiatrists to describe alcoholism as a disease, are seminal documents in the history, treatment, and understanding of alcoholism. One of the first psychiatrists to describe alcoholism as a disease rather than a moral failing or criminal activity, Harry M. Tiebout was also one of the first to wholeheartedly endorse Alcoholics Anonymous as an effective force in the struggle against compulsive drinking. This volume brings together, for the first time, some of Tiebout's most influential writings. Many of these pieces--from explorations of the therapeutic approach to alcoholism to instructive discussions of the act of surrender so crucial to recovery--are seminal documents in the history, treatment, and understanding of alcoholism. Together, they represent the significant contribution of one man to the countless lives shaken by alcoholism and steadied with the help of Alcoholics Anonymous, psychiatric intervention, and the foresight and commitment of doctors like Harry Tiebout.

Writings on art from 1941 to 1988.

Fifty-six items, plus documentary 'supplements', can be considered a biographical as well as theoretical working edition of the origins and development of Korzybski's revolutionary system called "general semantics".