Tough-minded and typically idiosyncratic, here is Chandler on Chandler, the mystery novel, writing, Hollywood, TV, publishing, cats, and famous crimes. This skillfully edited selection of letters, articles, and notes also includes the short story "A Couple of Writers" and the first chapters of Chandler's last Philip Marlowe novel, The Poodle Springs Story, left unfinished at his death. Paul Skenazy has provided a new introduction for this edition as well as a new selected bibliography. --Publisher description.

DigiCat Publishing presents to you this special edition of "The Big Sleep" by Raymond Chandler. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

I don't know why the hell I write so many letters, Raymond Chandler once mused to a correspondent. "I guess my mind is just to active for its own good." In the seven novels from The Big Sleep (1939) to Playback (1958) and in a handful of short stories, Raymond Chandler recorded a vision of Southern California life sparked by acerbic observations on every level of coast society, from drug dealers and crooked cops to heiresses. But Chandler's gifts of observation and analysis extended well past the streets, alleyways, roadhouses, and stately homes that made up the world of his detective-hero Phillip Marlowe. Brought together in this volume are some of the hundreds of letters Chandler wrote-many of them composed during long, insomniac nights. Chandler commented on all that he saw around him, from his own personal foibles, to the works of his contemporaries Ernest Hemingway and Edmund Wilson, to education, English society, and world events. Acute, sometimes impassioned, often witty, the Selected Letters of Raymond Chandler contains lively anecdotes of Hollywood, critical dissections of his fellow writers of detective fiction, lengthy discussions of the art of writing and of his own fiction, and, above all, amused, sometimes outraged glimpses of the Southern California society that was his inspiration. Chandler once wrote that "in letters I sometimes seem to have been more penetrating than in any other kind of writing." But his letters could also be combative, as when he wrote to an editor at the Atlantic that "when I split an infinitive, God damn it, I intend that it should stay split," or dismissive, as when he said of James M. Cain that "everything he writes smells like a billy goat." He could also be painfully revealing, as when he wrote of his despair over the death of his wife. "It was my great and now useless regret," Chandler confessed, "that I never wrote anything really worthy her attention, no book that I could dedicate to her." Lively, entertaining, and sometimes touching, these letters fully present for the first time the complex sensibilities of a man who was one of America's greatest writers of detective novels, and one of its most astute observers.

Authorized by the estate of the late Raymond Chandler, this volume reveals the missing life history and detective adventures of Philip Marlowe, one of the 20th century's most enduring and beloved characters. Marlowe is the quintessential American detective: cynical yet idealistic; romantic yet full of despair; a gentleman capable of rough violence. The final story in the volume is Raymond Chandler's last Marlowe adventure: The Pencil. The stories run chronologically through the career of Marlowe, from 1935 through 1960. These are classic Marlowe tales of betrayal, mistrust, and double-dealing on the seamy side of Los Angeles.

"The King in Yellow" begins with a musician waking up the whole floor in a hotel. The "night clerk" tosses him out. This musician knows the owner, so the clerk Steve is fired. Steve goes to an address, and finds a body. He meets more people, and finds more bodies. When he returns to the hotel, an old killing is brought up. This clue leads to the murderers, and an old scandal. It is a crime story in which the narrator has apparently read Chambers' book and uses the phrase to describe one of the other characters.