Collected Poetry and Prose.

An essential collection for any admirer of Harold Pinter, this brand-new, updated edition of his own selection of his poems and prose includes three never-before-published pieces, the most recent of which he wrote in January 1995. Included are love poems, political diatribes, short stories, character portraits. Some are intimately connected with plays; others are intriguingly allusive, and all of them share Pinter's lean, taut, and sometimes jarringly original use of language. Katherine Burkman has said that "like Shakespeare, Pinter is a poet," and in this single volume we see that Harold Pinter is not only, as Irving Wardle has written in the London Times, "our best living playwright" but one of the most accomplished writers in the English language today.

The essential work of Mallarmé, collected in a bilingual French and English edition.

A bilingual collection of poetry by the German poet considered by many the major European poet since 1945 features a selection of lyrics, previously unpublished poems, and essays and speeches dealing with his Jewish heritage, alienation from society, and the nature of writing. Reprint.

This collection reveals the full range of Charlotte Mew's work, showcasing the urgency and passion that compelled her to reinvent forms and prosodies to explore her complex pains and loves. With themes at the heart of feminist concerns, these poems illustrate her standing as an experimental modernist and a poet of formal precision.

'I have come to the borders of sleep, The unfathomable deep Forest where all must lose Their way, however straight, Or winding, soon or late; They cannot choose.' Fired by his abiding love of the English landscape, the poetry of Edward Thomas is some of the most astonishing of the twentieth century. A journalist, essayist and critic for many years, he was encouraged to write verse by his friend Robert Frost. He produced a late outburst of poetry of extraordinary beauty and mystery about the subjects closest to his heart: rural England and its inhabitants, landscape, atmosphere, transience, endurance and death. By 1917, when he was killed on the Western Front, he had earned his place as one of England's most valued poets. This selection brings together his finest verse with his most vivid prose writings on the countryside.

Kingsley Amis’s poetry tackles all the grimly humorous subjects he tackled in his novels—lust, lost love, booze, money and the lack of it, old age, death—and does so with immense formal poise. A master of both traditional and unconventional meters with a perfect ear for parody, Amis wrote satires, epigrams, and rueful and scornful songs that are remarkable not only for their virtuosity and humor but for their scabrous realism. It all adds up to a small, entirely individual, and memorably bracing body of work. As Amis writes: “Beauty, they tell me, is a dangerous thing, / Whose touch will burn, but I’m asbestos, see?”