This collected edition contains 16 novels and 9 novellas and short stories from USA Today bestselling author Ernie Lindsey. At the bargain price of $9.99, that’s over 80% OFFthe cost of buying twenty-seven titles individually. The titles included are listed below, including the Graveyard: Classified paranormal suspense series written under Lindsey’s pen name, Desmond Doane. Sara’s Game, Sara’s Past, Sara’s Fear and the companion novella, One More Game Beasts of the Earth Warchild Pawn, Judas, and Spirit Hard Place The Two Crosses Going Shogun How White People Die The Mysterious Case of the Golden Egg The Starboard Knife Super Skynoise: A Time Travel Thriller Harmless: An Unconventional Love Story Mockingbird Don’t Sing The Devil’s Horn The White Mountain Forgetting Davis The Man With Two Legs Sledge Noose The Desmond Doane Novels The Graveyard: Classified Paranormal Suspense Series The Dark Man The White Night The Belly of the Beast

"For more than twenty-five years Amanda Cross has been blazing a trail for the rest of us to follow," declares Sara Paretsky. The New York Times Book Review adds that if by some cruel oversight you havent discovered Amanda Cross, you have an uncommon pleasure in store for you. Pleasure indeed. Amanda Cross is master of the American literary whodunit. In her delicately menacing short fiction, assembled here in one volume for the first time, dangerous impulses seize the most unlikely individuals, and everyday existence is fast eclipsed by the bizarre. With a brilliant touch as light as a butterfly's wing, Cross creates unforgettable characters who probe the baffling conundrums that seek them out: the disappearance of an unpopular university colleague, gone before anyone told her that they loved her . . . the enigma of the nameless toddler who walks out of the bushes one New England summer afternoon . . . the cold-blooded murder of Mrs. Byron Lloyd, shot dead during a writers panel discussion . . . the theft of a seventeenth-century painting from a lonely Texas convent . . . the reappearance of a missing Constable drawing just where it can cause the most trouble . . . and other wonderful mysteries, many of which star the incomparable private investigator Kate Fansler. In a web of irony, wit, and compassion, Cross nets a rich variety of humankind, adjusting the scales of justice so perfectly that readers will rejoice, not only for the consummate resolution of her elegant puzzles but for the excellent company of Kate Fansler and her gifted creator.

This book presents a comprehensive and systematic study of the narrative history and narrative methods of Chinese and Western popular fiction from the perspectives of narratology, comparative literature, and art and literature studies by adopting the methodology of parallel comparison. The book is a pioneering work that systematically investigates the similarities and differences between Chinese and Western popular fiction, and traces the root causes leading to the differences. By means of narrative comparison, it explores the conceptual and spiritual correlations and differences between Chinese and Western popular fiction and, by relating them to the root causes of cultural spirit, allows us to gain an insight into the cultural heritage of different nations. The book is structured in line with a cause-and-effect logical sequence and moves from the macroscopic to the microscopic, from history to reality, and from theory to practice. The integration of macro-level theoretical studies and micro-level case studies is both novel and effective. This book was awarded Second Prize at the Sixth Outstanding Achievement Awards in Scientific Research for Chinese Institutions of Higher Learning (Humanities & Social Sciences, 2013).

Peter Straub has created a body of short stories and novellas establishes him as one of the best literary voices in the genres of horror and dark suspense. His list of accomplishments and awards is staggering: In addition to the Lifetime Achievement Award from the Horror Writers Association, Life Achievement World Fantasy Award, Grand Master Award from World Horror, Living Legend Award from the International Horror Guild, he has won the Bram Stoker Award nine times, the World Fantasy Award three times, and one British Fantasy Award. He remains a living legend. Volume one features Peter's short stories. Stories included in this collection: The Juniper Tree She Saw a Young Man In the Realm of Dreams Going Home A Short Guide to the City Interlude: Bar Talk Something About a Death, Something About a Fire The Poetry Reading The Veteran Then One Day... The Ghost Village Ashputtle Hunger In Transit (with Benjamin Straub) Isn’t It Romantic? The Geezers Donald, Duck! Little Red’s Tango Lapland, or Film Noir Mr. Aickman’s Air Rifle Mallon the Guru The Ballad of Ballard and Sandrine Inside Story The Collected Stories of Freddie Prothero Lost Lake (with Emma Straub) Beyond the Veil of Vision: Reinhold von Kreitz and the Das Beben Movement “Peter Straub’s shorter fictions are like tiny novels you drown in: perfectly pitched, terrifyingly smart, big-hearted, dangerous, and even cruel... If you care about the short story, you should read this book, and watch a master at work.” —Neil Gaiman, author of The Ocean at the End of the Lane “Straub has a proven knack for black humor, and he coaxes the nightmarish out of the mundane with startling ease. This is a powerful collection from an enduring favorite in literary chills.” —Publishers Weekly (starred review) “These stories show [Straub] ranging far and high into the uplands of literary fiction without ever leaving behind the dark impulses and fears that make his work so powerful.” —John Crowley, author of Little, Big and the Aegypt Cycle

Carol Shields, the Pulitzer Prize-winner author of the novelsUnless,The Stone DiariesandLarry’s Partywas also a renowned short story writer. Now readers can enjoy all three of Carol Shields’s short story collections –Various Miracles,The Orange FishandDressing Up for the Carnival– in one volume, along with the previously unpublished story, “Segue,” her last. With an eye for the smallest of telling details – a woman applying her lipstick so “the shape of pale raspberry fits perfectly the face she knows by heart” – and a willingness to explore the most fundamental relationships and the wildest of coincidences, Shields illuminates the absurdities and miracles that grace all our lives. From a couple who experiences a world without weather, to the gentle humor of an elderly widow mowing her lawn while looking back on a life of passion, to a young woman abandoned by love and clinging to a “slender handrail of hope,” Shields’s enormous sympathy for her characters permeates her fiction. Playful, charming, acutely observed and generous of spirit, this collection of stories will delight and enchant Carol Shields fans everywhere. Excerpt fromThe Collected Stories of Carol Shields Let me say it: I am an aging woman of despairing good cheer — just look into the imaginary camera lens and watch me as I make the Sunday morning transaction over the bread, then the flowers, my straw tote from our recent holiday in Jamaica, my smile, my upturned sixty-seven-year-old voice, a voice so crying-out and clad with familiarity that, in fact, I can’t hear it anymore myself, thank God; my ears are blocked. Lately everything to do with my essence has become transparent, neutral: Good morning, Jane Sexton smiles to one and all (such a friendly, down-to-earth woman). “What a perfect fall day.” “What glorious blooms!” “Why Mr. Henning, this bread is still warm! Can this be true?”

Materiality in Modernist Short Fiction provides a fresh approach to reading material things in modern fiction, accounting for the interplay of the material and the cultural. This volume investigates how Djuna Barnes, Katherine Mansfield, and Jean Rhys use the short story form to evoke the material world as both living and lived, and how the spaces they create for challenging gendered social norms can also be nonanthropocentric spaces for encounters between the human and the nonhuman. Using the unique knowledge created by literary works to spark new conversations between phenomenology, cognitive studies, and new materialisms, complemented with a feminist perspective, this book explores how literature can touch the basic experience of being in, feeling and making sense of a material world that is itself alive and active. From a sensitive reading of how three women used the material world to make their readers see, feel, and question the norms shaping our experience, this volume draws a theory of reading affective materiality that illuminates modernism and the short story form but also reaches beyond them.