Lovers of the printed book, arise! Thirty of today’s top writers are here to tell you you’re not alone. In Bound to Last,an amazing array of authors comes to the passionate defense of the printed book with spirited, never-before-published essays celebrating the hardcover or paperback they hold most dear—not necessarily because of its contents, but because of its significance as a one-of-a-kind, irreplaceable object. Whether focusing on the circumstances behind how a particular book was acquired, or how it has become forever “bound up” with a specific person, time, or place, each piece collected here confirms—poignantly, delightfully, irrefutably—that every book tells a story far beyond the one found within its pages. In addition to a foreword by Ray Bradbury, Bound to Last features original contributions by:Chris Abani, Rabih Alameddine, Anthony Doerr, Louis Ferrante, Nick Flynn, Karen Joy Fowler, Julia Glass, Karen Green, David Hajdu, Terrence Holt, Jim Knipfel, Shahriar Mandanipour, Sarah Manguso, Sean Manning, Joyce Maynard, Philipp Meyer, Jonathan Miles, Sigrid Nunez, Ed Park, Victoria Patterson, Francine Prose, Michael Ruhlman, Elissa Schappell, Christine Schutt, Jim Shepard, Susan Straight, J. Courtney Sullivan, Anthony Swofford, Danielle Trussoni, and Xu Xiaobin

In this accessible collection of creative projects, Rachel Hazell shares exciting paper crafting techniques to develop your bookbinding skills. After explaining the tools and materials needed, Rachel takes you through each project with step-by-step instructions. Different techniques for cutting and folding are demonstrated, and, once you are happy with the various techniques, you will then begin to bind your own books with stitches such as ladder, dash and chain. Projects include The Slit Book, A Concertina with Pockets and The Three-Hole Pamphlet Stitch, which can then be developed further to create unique and personal handmade notebooks, books and keepsakes that are not only fun and satisfying to make, but also make wonderful gifts. So whether you have already tried your hand at bookbinding or are a complete beginner, Rachel's knowledge and passion will inspire you to explore the many possibilities of bookart.

"Bound offers approximately 25-30 bookbinding projects showcasing beautiful exposed bindings. Classified in chapters entitled Vintage, Nature, and Leather, projects include a mason jar book, a seashell book, and a classic-looking leather-bound photo album, to name a few. Beginners will find plenty of entry-level projects to enjoy, while more experienced book artists will learn new ways to do old binding techniques. The Basics section and each project are illustrated with gorgeous, bright beauty shots and whimsical-but-clear illustrations. Ms. Ekrem uses her way with words and her talented hand at book arts to take readers on a little stroll into their own imagination (or their memory) with each creation"--

On bookshelves around the world, surrounded by ordinary books bound in paper and leather, rest other volumes of a distinctly strange and grisly sort: those bound in human skin. Would you know one if you held it in your hand? In Dark Archives, Megan Rosenbloom seeks out the historic and scientific truths behind anthropodermic bibliopegy—the practice of binding books in this most intimate covering. Dozens of such books live on in the world’s most famous libraries and museums. Dark Archives exhumes their origins and brings to life the doctors, murderers, and indigents whose lives are sewn together in this disquieting collection. Along the way, Rosenbloom tells the story of how her team of scientists, curators, and librarians test rumored anthropodermic books, untangling the myths around their creation and reckoning with the ethics of their custodianship. A librarian and journalist, Rosenbloom is a member of The Order of the Good Death and a cofounder of their Death Salon, a community that encourages conversations, scholarship, and art about mortality and mourning. In Dark Archives—captivating and macabre in all the right ways—she has crafted a narrative that is equal parts detective work, academic intrigue, history, and medical curiosity: a book as rare and thrilling as its subject.

"The rhinoceros, that is, any powerful man, is bound with a thong so that he may crush the clods of the valleys, that is, the oppressors of the humble."—Odo of Cluny, Vita Geraldi i.8 To the second abbot of the great monastery at Cluny, Saint Odo, tenth-century Europe was a world filled with violent men oppressing at whim the poor and the powerless. As royal authority waned, local magnates, unrestrained by any authority, divine or human, seized the opportunity to enhance their positions. Odo, along with Cluny's other founding spiritual and ideological leaders, created within the protective walls of the monastery a model of restraint, instituting in place of the instability of everyday life an interpretation of the Benedictine Rule that stressed ritual, order, and lawfulness. Such were the beginnings of the monastery that Pope Urban II in the eleventh century would call "the light of the world," the fountainhead of what would become one of the most far-reaching religious reform movements in European history. Barbara Rosenwein in Rhinoceros Bound focuses on Cluny's founding and early growth within the context of a society shaped by the needs of those set adrift in the social upheaval of the tenth century. Examining in the first chapter traditional approaches to Cluniac studies, the author reveals that historians have generally considered Cluny's eleventh-century role in church reform without analyzing the peculiar combination of forces and founders that created the Cluniac ideal and gave it its original momentum. This fundamental problem is the topic of the second chapter. She then examines how the early Cluniacs perceived the world outside the monastery and how they viewed their own world inside of it. Rosenwein concludes with a chapter on Cluny in the tenth century that combines traditional historical techniques with contemporary sociological insights. She provides in this study a significant reassessment of a period crucial to the political development of Europe, as well as a case study of institutional response to acute and political change.