Collage artists are always looking for ideas going beyond the usual flat paper or mixed-media assemblage. Both of these books emphasize three-dimensional projects in addition to flat items. Browning (Paper Mosaics in an Afternoon) has practical step-by-step projects incorporating jewelry, place mats, and paperweights. Maurer-Mathison (Paper in Three Dimensions) presents projects by many artists that sometimes take a more surreal approach, often transforming found objects into dolls or altered art. She also offers tips for using unusual papers and construction materials. Both books are good sources of ideas and would be useful in collections needing more papercraft material. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Collage and altered art pull together elements from a wide variety of crafts to create one-of-a-kind pieces that truly reflect your individual style. This photo-intensive guide walks you through all the latest techniques, from aging paper and photos to working with image transfers, rubber stamps, fabrics, and more. Plus, you'll learn how to source inexpensive materials—as well as found objects around your home—to make everything from handmade journals and artist trading cards to decorative boxes, jewelry, and wall art. Concise two-page lessons show you all the steps to a skill and are ideal for quick review Each skill or technique is defined and described Detailed color photos demonstrate each step Step-by-step instructions accompany each photo Helpful tips provide additional guidance

In 1912 Georges Braque and Pablo Picasso created the first papiers colles by gluing pieces of oak-grained faux bois wallpaper onto their drawings. In 1917 Marcel Duchamp selected a urinal, signed it R. Mutt, and presented it as an object of art under the title Fountain. In 1919 Kurt Schwitters began gathering scraps of rubbish and assembled them into a series of works that he titled Merz constructions. These acts represent three of the most significant achievements in twentieth-century art. The definitive book on its subject, Collage, Assemblage, and the Found Object offers a comprehensive and dynamic history of the mediums that revolutionized our ideas about the nature of art and influenced virtually every major art movement of the twentieth century. Made up of fragments, of debris, of rejected pieces and common artifacts of popular culture, collage and assemblage are arts of protest, of challenge, of exploration. They emphasize the everyday and commonplace over precious materials and refinement; concept and process over end product; the temporary and ephemeral over the lasting. They propose a dislocation in time and space and, by the nature of their makeup, offer multiple layers of meaning. They also furnish a compelling historical record of their time. All these currents are explored by Diane Waldman, deputy director and senior curator of the Solomon R. Guggenheim Museum, New York. In clear and cogent prose, generously illustrated with examples and comparative works, she traces collage, the found object - and the related development, assemblage - from their Cubist beginnings to the present. Waldman moves from the outrageous experiments of the Dadaists in the 1920s to the irreverent debunkings of the 1960s Pop artists to the provocative appropriation art of the 1990s; from the intricate towers and assemblages of the Russian Constructivists early in this century to the surprising piles of materials put together by such midcentury artists as Robert Rauschenberg, Jasper Johns, and John Chamberlain; from the cerebral and Freudian collages and objects of the Surrealists in the 1920s and 1930s to the probing conundrums posed by the conceptualists of the 1980s and 1990s. A lively book on lively arts, Collage, Assemblage, and the Found Object gives us a comprehensive and dynamic view of what are arguably the most important artistic developments of our time.

Contains techniques for creating altered books, boxes, cards, and more.

A wide range of techniques borrowed from both traditional and digital art has recently begun to blend into one art form, known as altered art. The Complete Guide to Altered Imagery is the only book currently on the market that provides fascinating tips and creative ideas solely focused on this new form of art. An in-depth discussion manipulation techniques is supplied, making this an essential handbook for all artists and crafters looking for creative ways to alter and enhance various types of imagery in new and traditional ways, and then to integrate this altered art into their work.

Discover a curious world of assemblage with projects that have a story to tell! Step inside Altered Curiosities, where a wisdom tooth gets its own shrine, a honeybee lights up the room and a taxidermy eye becomes the eye in the back of your head. As author Jane Wynn shares her unique approach to mixed-media art, you'll learn to alter, age and transform odd objects into novel new works of your own creation. Step-by-step instructions guide you in making delightfully different projects that go way beyond art for the wall—including jewelry, hair accessories, a keepsake box, a bird feeder and more—all accompanied by a story about the inspiration behind the project. You'll also learn to: Find your personal symbols and incorporate them into your work. Alter toy figures to create curious new creatures. Master simple soldering techniques that take you beyond the soldering iron. Apply beautiful patinas and etchings to brass and copper. Transform cast resin into pieces that look like metal. The endless possibilities of assemblage are yours to discover! Let Altered Curiosities inspire you to create a new world that's all your own.