For years, historians have dug into the archives, exploring the nuances of how the cold war was fought. But there is no substitute for the first-person testimony of the man who was there--in the pit--in the head-to-head confrontations in Moscow and Berlin and the Third World, in the decades when East and West struggled for supremacy. Kempton Jenkins was there at every turn; his memoir is a unique personal story as well as a valuable document in diplomatic history."-Ernest B. Furgueson, former Bureau Chief of the Baltimore Sun Moscow, Saigon and Washington, DC offices "As a Foreign Service veteran, I know a good FSO when I see one. Kempton Jenkins was one of the best (as he notes, at one point I tried to hire him). "Jenks'" voyage through a varied and stimulating career takes us from Asia to Berlin to Moscow to South America and to three different agencies, State, Commerce and USIA. Each assignment has its special challenges, which come to life under Kempton's facile pen. He highlights the issues and introduces the reader to the players, some good some bad. Yet Kempton demonstrates that our diplomacy worked; we more than coped. We shaped events. Reading his book is the closest you can become to being an FSO during an exciting and crucial period in our diplomacy."-Frank Carlucci "Cold War Saga provides a fascinating insider's view, enriched by personal experience. Jenkins' portraits of key cold war personalities, with whom he worked-Ambassador Llewellyn Thompson, Henry Kissinger, and Soviet Ambassador Dobryin-are especially revealing. A great read - Helen Thomas To us veterans of the Cold War's diplomatic front lines, Kempton Jenkins tells it like it was. He names the key players, gives a keen insight into their character, and shows why some were heroes and some villains. Cold War Saga is an absorbing read. If you fought with Jenks in the political trenches it will stir fond memories. If you didn't, it will take you there, and you won't forget where you've been or what was at stake. -Jack F. Matlock, Jr., U.S. Ambassador to the USSR, 1987-1991.

As the Cold War between the United States and the Soviet Union escalated in the 1950s and 1960s, the federal government directed billions of dollars to American universities to promote higher enrollments, studies of foreign languages and cultures, and, especially, scientific research. In Cold War University, Matthew Levin traces the paradox that developed: higher education became increasingly enmeshed in the Cold War struggle even as university campuses became centers of opposition to Cold War policies. The partnerships between the federal government and major research universities sparked a campus backlash that provided the foundation, Levin argues, for much of the student dissent that followed. At the University of Wisconsin in Madison, one of the hubs of student political activism in the 1950s and 1960s, the protests reached their flashpoint with the 1967 demonstrations against campus recruiters from Dow Chemical, the manufacturers of napalm. Levin documents the development of student political organizations in Madison in the 1950s and the emergence of a mass movement in the decade that followed, adding texture to the history of national youth protests of the time. He shows how the University of Wisconsin tolerated political dissent even at the height of McCarthyism, an era named for Wisconsin's own virulently anti-Communist senator, and charts the emergence of an intellectual community of students and professors that encouraged new directions in radical politics. Some of the events in Madison—especially the 1966 draft protests, the 1967 sit-in against Dow Chemical, and the 1970 Sterling Hall bombing—have become part of the fabric of "The Sixties," touchstones in an era that continues to resonate in contemporary culture and politics.

Includes about seven-hundred short entries for people, events, planes, missiles, programs, concepts, and countries involved in any manner with the Cold War

This book offers an interdisciplinary, historically grounded study of Asian cinemas’ complex responses to the Cold War conflict. It situates the global ideological rivalry within regional and local political, social, and cultural processes, while offering a transnational and cross-regional focus. This volume makes a major contribution to constructing a cultural and popular cinema history of the global Cold War. Its geographical focus is set on East Asia, Southeast Asia, and South Asia. In adopting such an inclusive approach, it draws attention to the different manifestations and meanings of the connections between the Cold War and cinema across Asian borders. Many essays in the volume have a transnational and cross-regional focus, one that sheds light on Cold War-influenced networks (such as the circulation of socialist films across communist countries) and on the efforts of American agencies (such as the United States Information Service and the Asia Foundation) to establish a transregional infrastructure of "free cinema" to contain the communist influences in Asia. With its interdisciplinary orientation and broad geographical focus, the book will appeal to scholars and students from a wide variety of fields, including film studies, history (especially the burgeoning field of cultural Cold War studies), Asian studies, and US-Asian cultural relations.

Here is the story of political prisoners finally freed in December 2014, after being held captive by the United States since the late 1990s. Through the 1980s and 1990s, violent anti-Castro groups based in Florida carried out hundreds of military attacks on Cuba, bombing hotels and shooting up Cuban beaches with machine guns. The Cuban government struck back with the Wasp Network—a dozen men and two women—sent to infiltrate those organizations. The Last Soldiers of the Cold War tells the story of those unlikely Cuban spies and their eventual unmasking and prosecution by US authorities. Five of the Cubans received long or life prison terms on charges of espionage and murder. Global best-selling Brazilian author Fernando Morais narrates the riveting tale of the Cuban Five in vivid, page-turning detail, delving into the decades-long conflict between Cuba and the US, the growth of the powerful Cuban exile community in Florida, and a trial that eight Nobel Prize winners condemned as a travesty of justice. The Last Soldiers of the Cold War is both a real-life spy thriller and a searching examination of the Cold War’s legacy.

"My fellow Americans, I'm pleased to tell you today that I've signed legislation that will outlaw Russia forever. We begin bombing in five minutes.†? – Ronald Reagan, 1984. With these words, spoken as a sound check to a radio broadcast, President Reagan came dangerously close to igniting the long-simmering Cold War. Although Soviet forces were placed on alert following reports of this comment, the full-scale conflict between the West and the Soviet Bloc did not break out. Cold War Gone Hot, the latest companion volume for Force on Force, looks at the 44-year history of the Cold War and asks: "what if?†? With the orders of battle, vehicle stats and missions included in this volume, Force on Force players can simulate the advance of Soviet tanks across Western Europe, a thrust into Alaska, or any number of other plausible scenarios where history took a slightly different path.

Who were the three men the Soviet and American superpowers exchanged on Berlin's Glienicke Bridge on February 10, 1962, in the first and most legendary prisoner exhange between East and West? Bridge of Spies vividly traces the journeys of these men, whose fate defines the complex conflicts that characterized the most dangerous years of the Cold War. Bridge of Spies is a true story of three men — a Soviet Spy who was a master of disguise; Gary Powers, an American who was captured when his spy plane was shot down by the Russians; and Frederic Pryor, a young American doctor mistakenly identified as a spy and captured by the Soviets. The men in this three-way political swap had been drawn into the nadir of the Cold War by duty and curiosity, and the same tragicomedy of errors that induced Khrushchev to send missiles to Castro. Two of them — the spy and the pilot — were the original seekers of weapons of mass destruction. The third was an intellectual, in over his head. They were rescued against daunting odds by fate and by their families, and then all but forgotten. Even the U2 spy-plane pilot Powers is remembered now chiefly for the way he was vilified in the U.S. on his return. Yet the fates of those men exemplified the pathological mistrust that fueled the arms race for the next 30 years. This is their story.