Two supremely skewed novellas that comprehensively challenge our ideas and assumptions about masculinity and femininity.

A light-hearted collection of stories and anecdotes from two vets working in the heartland. Peter Anderson and Peter Jerram have rounded up a selection of highly entertaining yarns about the animals, and owners, they've come across during their more than thirty years in practice together. Among these hard case and humorous tales are stories of a narrowly escaped attack from a lame bull, a tough pig hunter who fainted at the sight of a syringe, a young green vet confronted by a bull with a prolapsed prepuce, and chasing clients reluctant to cough up.These two Marlborough vets treat both large and small animals and Peter Anderson is known locally as the flying vet, visiting clients in the back country of Marlborough and North Canterbury. These glimpses into the reality of a rural vet's life are essential reading for animal lovers or anyone interested in stories from the heartland of New Zealand.

Laurence Sterne’s Life and Opinions of Tristram Shandy, Gentleman (1760) is one of the first English novels to stray from such classical literary guidelines as those outlined in Aristotle’s profoundly influential Poetics which, until this time, have traditionally governed the style of poetic and dramatic, but also prose compositions. With reference to John Locke’s Essay Concerning Human Understanding, this paper will explore how this deviation leads Tristram, in the series of events stemming from his birth, to a more precise imitation of nature than, perhaps, adherence to these guidelines could have procured.

This vicious comedy is an allegorical deathmatch between business colleagues—full of bizarre power plays and one-upmanship—wherein one of three employees is allegedly going to be fired. The odds against our protagonist are stacked from the outset: rumple-faced sad-sack Thomas never quite gets his footing against opponents Tony, a shark in wolf's clothing, and Isobel, a snaky number with a talent for undermining. In savvy fashion, Mike Bartlett's BULL caters to our baser instincts.

Who says you can't be smart and loose-legged? The University of Oxford—that's who. Meaning Jezebel Harper has a problem because the gorgeous American really wants to keep her scholarship. What's a sex addict to do? Join Sexaholics Anonymous, obviously—except, Belle doesn't read the fine print. S.A. means something completely different. Belle shows up at Shifters’ Anonymous, where four drool-worthy males and two stunning women all turn to stare at her. . . And, instead of being a solution to all her problems, S.A. is where Belle's all begin. Get ready for a new spin on ‘lost in translation’. Warning: This is a reverse harem romcom (comedy) series with explicit language and scenes for readers 18+. This is book one of the Banbury Shifter Tales.

This delightful picture book, by the author of Giraffes Can’t Dance, features a collection of rhyming poems with colorful illustrations and is a wonderful way to introduce little ones to the animals who live in on the farm. Now available in paperback format! Children will love learning about farm life with these fun and snappy poems! This adorable and educational collection includes: · Lively, colorful illustrations on every page · Clever rhyming verses perfect for bedtime read aloud · Many different animals to meet on the farm, including the cow, pig, sheep, and horse · A special secret animal to find on every page!

In the French Camargue?the delta surrounding the mouth of the Rhone River and part of the southern ?nation? of Occitania?the bull is a powerful icon of nationalism, literature, and culture. How this came to be?how the Camargue bull came to confront the French cock, venerable symbol of a unified and republican France?is the story told in this ingenious study. Robert Zaretsky considers how in fin-de-si_cle France the young writer Folco de Baroncelli, inspired by the history of the American West, in particular the fate of the Oglala Sioux and other Native American peoples, reinvented the history of Occitania. Galvanized by the example set by Buffalo Bill Cody, Baroncelli recast the Camargue as ?le far-west? of France, creating the ?immemorial? traditions he battled to protect. Zaretsky?s study examines the creative tension between center and periphery in the making of modern France: just as the political and intellectual elite of the Third Republic ?invented? a certain kind of France, so too did a coterie of southern writers, including Baroncelli, ?invent? a certain kind of Camargue. The story of how the Camargue bull challenged the French cock in this ideological and cultural Wild West deepens our appreciation of the complex dynamic that has created contemporary France.