"A tribute to miners and working people everywhere."--Howard Zinn

The hard times faced by steelworkers and miners in America's rust belt inform these poetic oral histories.

Social Poetics documents the imaginative militancy and emergent solidarities of a new, insurgent working class poetry community rising up across the globe. Part autobiography, part literary criticism, part Marxist theory, Social Poetics presents a people’s history of the poetry workshop from the founding director of the Worker Writers School. Nowak illustrates not just what poetry means, but what it does to and for people outside traditional literary spaces, from taxi drivers to street vendors, and other workers of the world.

INTERNATIONAL BESTSELLER • NATIONAL BOOK CRITICS CIRCLE FINALIST • From the award-winning, internationally bestselling Spanish author of A Heart So White comes an immersive, provocative novel propelled by a seemingly random murder. "Sometimes startling, sometimes hilarious, and always intelligent ... Marías [has] a penetrating empathy."—The New York Times Book Review Each day before work María Dolz stops at the same café. There she finds herself drawn to a couple who is also there every morning. Observing their seemingly perfect life helps her escape the listlessness of her own. But when the man is brutally murdered and María approaches the widow to offer her condolences, what began as mere observation turns into an increasingly complicated entanglement. Invited into the widow's home, she meets—and falls in love with—a man who sheds disturbing new light on the crime. As María recounts this story, we are given a murder mystery brilliantly encased in a metaphysical enquiry, a novel that grapples with questions of love and death, chance and coincidence, and above all, with the slippery essence of the truth and how it is told.

First published in 2005. The present work contains the text of the great Syriac "Book of Medicines", edited from a manuscript in my possession, in an English translation of the same, with Introduction, Index. The first section of the Book of Medicines consists of Lectures upon Human Anatomy, Pathology, and Therapeutics, to each of which is added a series of prescriptions of the most detailed character, which the author recommends to be administered in the treatment of the various diseases described in the Lecture preceding. this is here published for the first time.

Lucio Seguila lives on a tiny island in the middle of the Rio Grande, which he claims is independent from both the United States and Mexico - convenient for a coyote guiding illegal immigrants across the border. He rules this small kingdom, Republica Libre de Seguilandia, in a firm but generous patriarchal style, sitting on his La-Z-Boy and enjoying the devotion of his three daughters, the companionship of his grandson, and a reluctant partnership in the criminal forays of his amoral son-in-law. Yet, Seguila and his family cannot escape the rush of the Rio Grande and the unusual gift it brings them. In the wake of an unexpected flash flood, Simon Tucker, an American teenager who nearly drowns while on a marijuana border run, washes up on the shores of Seguilandia. Severely battered during the violent storm, Simon awakes to find that he has not only lost his memory but must fulfill the various contradictory expectations of his newfound family. Considered an angel, a long-anticipated boyfriend, and a high-stakes kidnap victim, the confused youth steals their serenity, the love of the youngest daughter, and eventually the life of the family patriarch. But even as the family is destroyed, we discover the seeds of its rebirth in a future that combines the swirling cultures that have disastrously collided.

The essays in Inciting Poetics provide provocative answers to the book’s opening question, “What are poetics now?” Authored by some of the most important contemporary poets and critics, the essays present new theoretical and practical approaches to poetry and poetics that address current topics and approaches in the field as well as provide fresh readings of a number of canonical poets. The four sections—“What is Poetics?,” “Critical Interventions,” “Cross-Cultural Imperatives,” and “Digital, Capital, and Institutional Frames”—create a basis on which both experienced readers and newcomers can build an understanding of how to think and write about poetry. The diverse voices throughout the collection are both informative and accessible and offer a rich exploration of multiple approaches to thinking and writing about poetry today.