"The contributors to this volume explore various aspects of Still's art, his accomplishments, and the New York School. David Anfam presents an overview of Still's career from the 1930s through the 1950s. Neal Benezra focuses on a provocative, unexplored element of Still's studio practice: his habit of painting replicas of many of his own works. Brooks Adams examines Still's artistic legacy and influence on succeeding generations of artists."--BOOK JACKET.

The first significant publication on Clyfford Still and his work in more than twenty-five years celebrates one of abstract expressionism’s founders. Best known for his compelling abstract works with jagged fields and powerful expanses of color, Clyfford Still (1904–1980) stands among the giants of post–World War II art. Together with Jackson Pollock, Mark Rothko, Franz Kline, and Barnett Newman, Still helped shape abstract expressionism. This vividly illustrated book presents more than one hundred of Still’s greatest works and is the first comprehensive catalogue of the new Clyfford Still Museum in Denver. The book offers intimate reflections written by his daughters Sandra Still Campbell and Diane Still Knox; Dean Sobel chronicles the origins of the new museum; and David Anfam, one of the world’s foremost authorities on Still’s work, gives a new scholarly and critical perspective of Still, made possible by the opening of the museum. Illustrations include monumental paintings, works on paper, and Still’s only sculptures, many of which have never been published or publicly exhibited.

An exclusive look at the late work of one of the most influential and enigmatic painters, whose late-career paintings are virtually unknown to the public and many are published here for the first time. Clyfford Still (1904-1980) is a pioneer of Abstract Expressionism, along with Mark Rothko, Jackson Pollock, Lee Krasner, and Willem de Kooning. This revelatory book, accompanying a groundbreaking exhibition, investigates Clyfford Still's late work, both in painting and in drawing, made after his move to rural Maryland in 1961. This marks a particularly fertile period for Still; he made over 375 works on canvas and a staggering 1,100 works on paper in Maryland before his death in 1980 at the age of 75. Given Still's especially reclusive posture later in life and the fact that none of the artworks in Still's estate were exhibited or made available to anyone before the opening of the Clyfford Still Museum in 2011, a full-scale presentation of these forty paintings and thirty works on paper is especially meaningful. In addition to essays by Dean Sobel and David Anfam, the artists Alex Katz and Dorothea Rockburne contribute texts on the notion of "late work."

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The Clyfford Still Museum was designed by the leading architectural practice Allied Works and its founder, Brad Cloepfil. This publication presents the vision and realisation of the museum from initial concepts to completion. A rich collection of stories, artefacts, documents, and conversations traces the evolution of the building and Allied Works' unique creative process. New essays and photography examine its significance within contemporary architectural discourse and the singular experience of the completed work.

Founded by Ansel Adams, directed by Minor White, and staffed by such luminaries as Imogen Cunningham, Dorothea Lange, Lisette Model, and Edward Weston, the first fine-art photography department in the United States was created in 1946 at the California School of Fine Arts (now known as the San Francisco Art Institute). Under White's leadership and against a backdrop of revolutions in photography as an art form, this dynamic faculty developed the modern photography curriculum, bringing a new academic pedigree to the medium and establishing the future of photography education. The Moment of Seeing is much more than a history of the program and those who comprised it. Including White's never-before-published writings on the teaching of photography, it is also a rich gallery of iconic images by both renowned faculty members and the dedicated students they taught.-publisher description.

One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!