John H. McClendon III's CLR James's Notes on Dialectics: Left Hegelianism or Marxism-Leninism? is the first-ever book devoted exclusively to James's "magnum opus," Notes on Dialectics: Hegel-Marx-Lenin. The seed for this study was planted over thirty years ago when James handed the author his personal copy of Notes. James's contribution to dialectical philosophy and his vast intellectual and scholarly output is rivalled only by the seemingly bottomless depths of McClendon's own analysis and erudition. McClendon provides a thorough-going critique of James's exploration into the dialectic of Hegel, Marx, and Lenin while challenging all the seminal texts on James's Notes'. A book of this magnitude is rare. This is ever more the truth when it is focused on a giant like James who stands at the nexus of so many disciplines: philosophy, history, sociology, Caribbean studies, cultural studies, African, and African American studies. CLR James's Notes on Dialectics: Left Hegelianism or Marxism-Leninism? is a must read for anyone concerned with how revolutionary theory is a guide to contemporary struggles.

C. L. R. James's The Black Jacobins remains one of the great works of the twentieth century and the cornerstone of Haitian revolutionary studies. In Making The Black Jacobins, Rachel Douglas traces the genesis, transformation, and afterlives of James's landmark work across the decades from the 1930s on. Examining the 1938 and 1963 editions of The Black Jacobins, the 1967 play of the same name, and James's 1936 play, Toussaint Louverture—as well as manuscripts, notes, interviews, and other texts—Douglas shows how James continuously rewrote and revised his history of the Haitian Revolution as his politics and engagement with Marxism evolved. She also points to the vital significance theater played in James's work and how it influenced his views of history. Douglas shows The Black Jacobins to be a palimpsest, its successive layers of rewriting renewing its call to new generations.

C.L.R. James (1901-1989) made important contributions in a range of fields - literature, criticism, cultural studies, political theory, history and philosophy, serving as a mentor to two generations of international intellectuals. These essays offer a fresh perspective on his life and writings.

Back in print with a comprehensive new introduction by the author, Lenin, Hegel, and Western Marxism is the classic account of Lenin's extensive writings on Hegel in relationship to his theorization of imperialism, the state, and revolution.

Focusing on the critical postures of Hegel, Marx, and a series of twentieth-century intellectuals, including Sartre, Adorno, and C. L. R. James, this book explores what dialectical thinking entails and how such thinking might speak to the lived realities of the contemporary political moment. What is revealed is not a formal method or a grand philosophical system, but rather a reflective energy or disposition—a dialectical spirit of critique—that draws normative sustenance from an emancipatory moral vision but that remains attuned principally to conflict and tension, and to the tragic uncertainties of political life. In light of the unique challenges of the late-modern age, as theorists and citizens struggle to sustain an active and coherent critical agenda, In the Spirit of Critique invites serious reconsideration of a rich and elusive intellectual tradition.

Raya Dunayevskaya is hailed as the founder of Marxist-Humanism in the United States. After breaking with Leon Trotsky in 1939 and heading west, Dunayevskaya labeled Stalin's Russia a totalitarian state-capitalist society. In this new collection of her essays co-editors Peter Hudis and Kevin Anderson have crafted a work in which the true power and originality of Dunayevskaya's ideas are displayed.